The Cult Collection Comparable to the Style of My Official Wife: Cu...

Dir: James Young

An orphan named Oliver Twist meets a pickpocket on the streets of London. From there, he joins a household of boys who are trained to steal for their master.

Dir: James Young

A visual fragment from the archive: The thematic resonance of Over Night perfectly mirrors the editorial trajectory of our deep dive.

College friends Percy Darling and Richard Kettle take their new wives on board a boat going from New York City to Albany. Just before sailing, however, Mrs. Kettle and Percy realize that they have left some baggage on shore, and so rush out to get it. The boat leaves without them, and a distressed Mrs. Darling and Richard, left in each other's company, decide to pose as husband and wife to prevent a scandal. When the boat docks, they learn that the last train has left, and so they hesitantly check into a hotel as a couple and spend the night together. The next day, Mrs. Kettle and Percy track down the "newlyweds" and are shocked to see them in the hotel lobby, arm in arm. The ruse is quickly explained, and the correct couples are soon sorted out.

Dir: James Young

American surveyor William MacDonald comes to an Ojibway village in the Canadian Northwest. He seduces half-breed girl Annette while her fiancé Baptiste and half-brother Jules Beaubien are away on a trapping expedition. After his work is over, MacDonald spurns Annette and leaves. When she realizes that she is pregnant, Annette wanders delirious into the forest and is devoured by wolves. On returning, Jules persuades Baptiste to let him avenge Annette's death. Jules and Baptiste go to the cabin of Andrew MacTavish, a wretched, self-exiled Scotsman who continually berates his daughter Hilda, whom Jules loves, because her mother left him years earlier. MacDonald arrives and convinces MacTavish that he will take Hilda to his mother in Scotland to educate her, after which they will send for MacTavish. Jules discovers MacDonald's identity when he drunkenly boasts of his previous conquests. Jules fights MacDonald and MacTavish, and escapes with Hilda in a canoe. After MacDonald's pursuing canoe smashes in the rapids, Jules duels with him and kills him.

Dir: James Young

A visual fragment from the archive: The thematic resonance of The Wolf perfectly mirrors the editorial trajectory of our deep dive.

In Tokyo, Japanese poet Akira loves American Ruth Vale, who was placed in Akira's father's care when her missionary parents died. Ruth returns Akira's affections until she meets Edward, but the American proves an unfaithful husband. Three years later, Ruth is gravely ill while Edward amuses himself with his new lover, Adrienne Chester, but Akira comforts the dying woman with the promise that he will protect her little daughter Blossom. Later Edward marries his mistress, and with Akira in charge of Blossom, they return to America, where Adrienne renews an old affair. When Edward discovers his wife with her lover, he kills him, but Akira accepts the blame to shield Blossom from humiliation. One night Akira breaks out of prison to visit Blossom and although a guard shoots him, he manages to reach Blossom. Carrying her in from the rain, Akira plays with the child until his strength finally deserts him and he dies.

Dir: James Young

Robert Strickland, the self-confessed murderer of Gerald Trask, refuses to defend himself on the witness stand. His attorney, however, cross-examines Strickland's wife and by questioning his daughter Doris as well, he exposes the fact that years earlier Trask had seduced Mrs. Strickland. This evidence is sufficient to call for a verdict of not guilty from eleven of the jury, but the twelfth member holds out because money disappeared from Trask's safe the night of the murder, and evidence points to Strickland as the thief. When Glover, Trask's secretary, is cross-examined, however, he breaks down and confesses to the robbery, thus clearing the way for Strickland's acquittal and his reunion with his family.

Dir: James Young

A visual fragment from the archive: The thematic resonance of The Temple of Dusk perfectly mirrors the editorial trajectory of our deep dive.

A little country village comedy in which Mr. Costello plays a young grocer's clerk. This clerk and the daughter (Clara Kimball Young) of a G.A.R. fire-eater (Mr. Eldridge) are in love, much to the old man's disgust. He wants his daughter to marry a brave man, a soldier. AN unexpected denouement makes the clerk seem to be a hero. Moving Picture World

Dir: James Young

During World War I, young Englishman Hawtrey Burke captivates New York society with his charming manner and his skill at polo, but he incurs the scorn of the woman he loves, Elinor Warden, who, having recently returned from war-torn Belgium, cannot understand why Hawtrey is not on the front lines. When shipping agent Joseph Fuhrman is murdered, Elinor's brother Dudley, who is on furlough from France, is tried for the crime based on the accusation of Eric Werner, who covets Elinor. During the trial, the lights are extinguished and Dudley is shot. Hawtrey is arrested but later released on a technicality. Later, when the British Commission sails to the United States, Hawtrey sends a wireless message to the steamer warning of a nearby U-boat, and upon the Commission's safe arrival in New York, he is revealed as a British Secret Service agent. Werner is arrested as the German spy who shot Dudley, who had been working for Hawtrey, whereupon a penitent Elinor confesses her love for the Englishman.

Dir: James Young

A visual fragment from the archive: The thematic resonance of On Trial perfectly mirrors the editorial trajectory of our deep dive.

After his wife's death, Thomas Singleton suffers a temporary breakdown and is committed to an asylum by his scheming half brother, Jordon Morse. Although Jordon has been appointed the guardian of Thomas' little daughter Virginia, he shuns the responsibility, placing the girl in the care of an old mammy and planning to retrieve her only on her eighteenth birthday, when she comes into possession of her mother's fortune. Sixteen years pass. Thomas, deeply worried about his daughter's well-being, escapes the asylum, and after sending Virginia to live with a poor but kindly cobbler named Lafe Grandoken, he dies. Virginia's chance meeting with millionaire Theodore King leads to romance, and her happiness is complete until Morse, anxious to secure her money, hires Maudlin Bates to kill Theodore. When Bates, plotting to double-cross Morse, threatens Lafe, Morse enters and shoots the gunman, but Lafe is accused. Morse imprisons Virginia, but she escapes in time to free Lafe and bring the villain to justice.

Dir: James Young

When a woman's husband is presumed dead in the war, her sister, for her own unscrupulous reasons, attempts to get her remarried. But the husband, it seems, is not dead after all.

Dir: James Young

A fascinating piece of cinema that shares thematic elements.