Rare Cinematic Gems Sharing the Atmosphere of My Woman: Cult Guide

Dir: Victor Schertzinger

When the circus comes to town, the town's orphans are treated to an outing to see the show. The circus troupe's 'Jinx' girl causes so many problems for the performers and performances that, to escape punishment, she must run away. She mingles with the orphans and runs away to join an orphanage.

Dir: Victor Schertzinger

Wealthy young man Steven du Peyster encounters more adventures than he might have expected when he accepts a wager that he can live successfully on six dollars a week.

A visual fragment from the archive: The thematic resonance of The Millionaire Vagrant perfectly mirrors the editorial trajectory of our deep dive.

Dir: Victor Schertzinger

An American munitions manufacturer and his son become ensnarled with enemy agents from Germany during the First World War.

Dir: Victor Schertzinger

Traveling saleswoman Mary Marbury thrashes a masher on a train when he tries to kiss a young girl in a tunnel. After the man and his female companion are escorted from the train, Mary encounters them again in New York City, where they attempt to marry the children of her wealthy employer, Jonas Abbott, then pose as cubist art instructors Fernando Poyntier and his sister, Marcia. Jonas worries that his son and Mary's fiancé, Raymond, is leading a frivolous life in the city's Bohemian community. Mary plots to incur the boy's jealousy by posing as an adventuress leading Jonas astray. When the Poyntiers suspect that the Abbott fortune could go to Mary instead of to them, they rob Jonas's safe and hide the money on his yacht, on which they plan to escape. Exhausted from dancing the fox-trot, Mary and Abbott rest on the yacht, and she discovers the money. When the crooks are captured, Raymond, realizing his love for Mary, proposes.

A visual fragment from the archive: The thematic resonance of The Claws of the Hun perfectly mirrors the editorial trajectory of our deep dive.

Dir: Victor Schertzinger

Sheriff's son Royal Beaudry is thought a coward, even by the young woman he has his heart set on. But he disproves cowardice when he rescues his father's friend from kidnappers.

Dir: Victor Schertzinger

Ezra Hollins, though a hired man, is ambitious because he loves Ruth Endicott, his employer's daughter. Ruth, not knowing of his love, helps him with his studies, though secretly, because she knows her father would not approve. Ezra passes his entrance examination, but at the last moment gives his tuition money to save the brother of the girl he loves from the results of his speculations from the bank. His failure to go to college is misunderstood, but in the end his name is cleared and Caleb is proud of his chosen son-in-law.

A visual fragment from the archive: The thematic resonance of The Homebreaker perfectly mirrors the editorial trajectory of our deep dive.

Dir: Victor Schertzinger

During the May Day celebration at Ferryville, Millie Martin, whose stingy father will not buy her proper clothes, watches as Violet Henry, the daughter of the town's richest man, is pushed into a stagnant pool by the village bolshevik. The story amuses Millie's father, who gives her a dollar, with which she buys beauty cream in preparation for her first railway journey. On the train, Millie meets John Turner, a carpet layer disguised as a doctor. Earlier, John fought a man caught cheating at poker. He took his uncle's railway ticket and doctor's bag when he thought the cheater was killed. After Millie feigns a toothache to get John's attention, her father, to avoid a doctor's bill, gives her chewing tobacco as a remedy. When she swallows it, and John orders an operation, the train stops at a nearby sanitarium. After Millie escapes, and John finds her in a room with a baby, they both explain. John is mistaken for a burglar, and after his uncle arrives to straighten matters out, John and Millie are free to pursue romance.

Dir: Victor Schertzinger

James Ashe sends his son James Jr. off to manage a family-owned logging mill. While attending to his duties, James Jr. falls in love with a beautiful girl.

A visual fragment from the archive: The thematic resonance of The Sheriff's Son perfectly mirrors the editorial trajectory of our deep dive.

Dir: Victor Schertzinger

Shy Joel Parker seems bound for nowhere, until Abbie Nettleton enters his life. With her prodding, Joel goes from timid nobody to a baseball star with bravura.

Dir: Victor Schertzinger

Jim Bowen, a cashier in a prosperous insurance firm, lives happily with his wife Mary and son Frankie until Alan Perry, the profligate son of Jim's employer, frames Jim for forgery. Because the fraudulent check was cashed in ward boss John Boland's cabaret, Mary decides to work there while Jim serves his time, in the hope of tracking down the real criminal. Perry, who frequents the café, becomes infatuated with Mary and, on the very night her husband escapes from prison, follows her home and tries to force his attentions on her. When Boland arrives unexpectedly, Perry knocks him down, apparently killing him, whereupon Mary threatens to call the police unless he confesses to having framed Jim. Boland hears Perry's confession as he regains consciousness, and on the basis of his testimony, Perry is arrested and Jim freed.