Hand-Picked Alternatives Movies That Echo the Spirit of Mystery Lin...

Dir: William Nigh

When Count Peter Turgeneff, his daughter Nadia, and his generous-hearted son Paul came to live in the Governor's palace in the Russian province of Valogda, there was rejoicing among the oppressed race whose home was in the Ghetto. Turgeneff was known as a just and merciful man who had done much to make the hard lot of the Jews bearable in the districts under his charge. Hence his coming was hailed with joy by Isaac, prophet of Israel, and his people. Quite other feelings did his arrival create in the breast of Michael Orzoff, the grim Prefect of Police of Valogda, who sat in his office in the fortress and received the reports of the secret agents of the Czar. It was known that Orzoff was the secret power behind the dreaded "Yellow Jackets," the dire organization whose avowed object was the extermination of the people of Israel. There seemed no help. The Prefect's influence reached far, even into the high places in far-off Petrograd. Even women, provided they were fair to look upon, found their sex no protection from his infamy. For all these reasons the coming of Count Turgeneff to Valogda was not at all to Orzoff's liking. Soon after his coming Orzoff learned two things: one was that the new governor had pledged his help to the Jews, and the other that his daughter Nadia was one of the most beautiful women he had ever seen and quite as ardent as her father in her support of the oppressed race. To think was to act with Orzoff. The governor was strong, but not more strong than he. In the high places in Petrograd, whence both received authority, the Prefect held the more power. In Russia the police are all powerful. The Count menaced Orzoff, for already word had been brought to the Governor, as Orzoff well knew, that the Prefect was the secret driving force behind the evil "Yellow Jackets." So Orzoff laid his plan. With his countless agents provocateurs and secret minions in the "Yellow Jackets," daring as that plan was, he felt it could not fail. On the night of the grand ball at the Governor's palace, the plan was consummated. Thither had come, at Nadia's urging. Isaac, chief of the Jews of the Ghetto, and Leah, the lovely daughter of old Samuels the cobbler, whose honor had been stained by the rude lust of Orzoff, with many others, there to accuse the Prefect face to face of the wrongs with which he had burdened them. But they did not reckon with the Prefect's plan. Suddenly there had been a cry without a rush of many feet and a frenzied mob had burst in among the guests of the Governor. "Death to the Jews," was their rallying cry. Then came Orzoff's own uniformed men and dispersed the rioters, but not before an assassin's bullet had found a resting place in the heart of Count Turgeneff. Nor did Orzoff stop there. Secure in his influence at Petrograd, he directed his men to seize the weeping Nadia, her brother Paul, and Isaac the Jew, and imprison them in the fortress under a charge of treason. And there on the day following he found a way to wreak his evil will upon the girl. The Prefect came to her in the cell, where she passed the night. He bent over her menacingly as she sat on the stone seat that had formed her couch. "You will give yourself to me," he said abruptly, "or your brother shall suffer the torture by fire ere he goes to Siberia." The as Nadia, in contempt and loathing, struck at him in the half-darkness he added, "Listen, and you shall hear for yourself; only your promised work can stop this pain."

Dir: Aubrey M. Kennedy

A visual fragment from the archive: The thematic resonance of Sky-Eye perfectly mirrors the editorial trajectory of our deep dive.

Wealthy oil magnate Harry Mangin is in love with his competitor James Murdock's daughter Blanche. Mangin schemes to ruin Blanche's father so that the girl will be forced to accept his attention. However, Blanche loves "Sky Eye" Blake, an aviator at the adjoining U. S. aviation field. When Mangin is driven in desperation to muster his own private air force in order to destroy his rival's oil plants, "Sky Eye" takes to the skies to quell the riot. After several daring escapades, "Sky Eye" captures Mangin and wins Blanche for his bride.

Dir: William Nigh

Through the death of his father, Benton Cabot is left with nothing but a small mountain cabin which he has never seen. He goes to take up his property and in the mountains meets Emmy Garrett, an untutored but attractive girl, just budding into womanhood. Emmy is a child of the woods and Benton's city dress and ways amuse, her greatly. His cabin is uninhabitable so Benton goes to work for Bije Stork and lives with Bije, his brother, Si Stork, and Si's wife, Crishy, a poor creature, crushed by years of servitude. Benton takes an instinctive dislike to Bije and senses that there is something wrong with the Stork establishment. He and Emmy feel attracted to each other, despite the lack of respect Emmy feels for Benton. Emmy sends Benton a note by Jim Whitlicks, a half-witted boy, but Bije intercepts. Instead of telling Benton he goes to see Emmy and tells her that Benton is too busy to see her. Emmy sneaks away and sees Benton chatting with a party of autoists from the city. She goes back and, at her grandfather's solicitation, promises to marry Bije. Jim Whitlicks tells Benton of the intercepted note and he goes to see Emmy. She will have nothing to do with him and drives him out of the house into a furious storm. Benton finds the ford swollen by the storm and is nearly drowned. But he is saved by Emmy, whose change of heart led her to follow him. Then she realizes she loves Benton but thinks he does not care for her. Emmy wants to get all dressed up. So she and Crishy Stork send Jim to town for cloth. The money Jim tenders Hicky Price, the storekeeper, is found to be counterfeit. Hicky calls in the sheriff and they decide to hunt Bije Stork down. They find he is a counterfeiter and conceals the counterfeit money in Benton's abandoned shack. The Storks realize that the jig is up. Si gets Emmy in his team and goes for the counterfeit money. At the shack he meets Benton, who rescues Emmy after a hand-to-hand fight. Benton rides off with Emmy, pursued by the Storks in their wagon, when they meet the sheriff's posse. The Storks turn and flee. Pursued hotly they perish when the wagon goes over a cliff. Thus freed Emmy makes clear her love for Benton and the young folks are left happy.

Dir: George B. Seitz

A visual fragment from the archive: The thematic resonance of Emmy of Stork's Nest perfectly mirrors the editorial trajectory of our deep dive.

The adventures of a gentlemanly crook of astonishing resourcefulness.

Dir: William F. Adler

A travelogue/documentary including explorations of the fauna and people of Siam, New Guinea, and Java, with interpolations of an apparently fictitious encounter between the filmmakers and cannibalistic natives of Frederick Henry Island in the South Pacific.

Dir: Victor Heerman

A visual fragment from the archive: The thematic resonance of Velvet Fingers perfectly mirrors the editorial trajectory of our deep dive.

In the gold fields of the Canadian Northwest, a man is falsely accused of a crime and determines that a lookalike is responsible.

Dir: Perry N. Vekroff

While in New York seeking work, Cynthia, a young English girl, meets Bruce Crittenden and George Rhode who introduce her to Madame Savarin, a wealthy woman seeking a companion for a sea voyage. She hires Cynthia, and while at sea, Cynthia discovers that Bruce is the ship's purser. Cynthia's father was a famous wireless expert who taught her how to read code, which enables her to overhear a plot to sink the ship and steal Mrs. Savarin's jewels. Soon after, the crew mutinies, and while Rhode and Bruce fight the crew, Cynthia sounds the alarm. As he is attempting to foil the jewel thieves, Bruce falls overboard, and Cynthia swims to his rescue with the jewels strapped to her back. They are rescued by a government patrol boat and taken back to New York where Cynthia and Bruce are married.

Dir: William Nigh

A visual fragment from the archive: The thematic resonance of Shipwrecked Among Cannibals perfectly mirrors the editorial trajectory of our deep dive.

Barry Dale, the atom, a Wall Street broker, is financially ruined by his perfidious and faithless wife, and her companion, Richard Marvin, another broker, who has posed as Dale's best friend. Disheartened and depressed, Dale goes to his apartment expecting comfort and solace from his wife. Instead he finds her there in the embraces of Marvin. They laugh at him, and Marvin, the stronger of the two men, literally throws Dale out of his own home. He gives him a pistol and tells him the whole affair can best be settled, to every one's satisfaction, if Dale will kill himself. Dale walks aimlessly through the streets with this end in view. Long after midnight he finds himself on the Brooklyn Bridge, where he observes a girl about to leap into the river. A shout from Dale causes her to turn back and flee. They are mere silhouettes in the dim light, and do not see each other's faces. The girl, another atom in the swirl of human life, is Mary Austin, a child of the tenements, who had planned suicide to escape marrying Jack Rader, a gambler, to satisfy a debt her father owed to Rader. After the incident on the bridge Barry indifferently wanders to a railroad station and buys a ticket west, as far as his money will carry him. In the far west Barry brings up in a little mining town. There he falls in with an outlaw, who is being sought by a sheriff's posse. A few days later, in a lonely mountain trail, the posse closes in on the outlaw. He directs Barry to safety, but is killed by the sheriff. A sky-pilot, who had joined them a few hours before, is likewise killed by the posse's bullets. Barry buries them both, and decides to impersonate first one and then the other. Tom Austin, Mary's brother, is addicted to drink, and Mary succeeds in inducing his employers in New York to send him west. Subsequently, arrangements are made for Mary and her father to join Tom in the west. Disguised as the outlaw, Barry holds up the coach that Mary and her father are riding in. Struck by the girl's beauty, and her plea not to rob them, Barry grants the request for a kiss. Afterward, as the sky-pilot, Barry and Mary become well acquainted in the mining town, where she and her father have taken over a small hotel. Jack Rader, the gambler, turns up and compromises Tom Austin in a hold-up. He offers to clear him if Mary will consent to marry him. Mary tells the sky-pilot of her predicament. Barry, disguised as the outlaw, saves Tom and shoots the gambler in a pistol battle. When the sheriff's posse arrives he is disguised as the minister. With renewed strength and ample funds, Barry returns to New York and seeks out Marvin and his wife. He throws Marvin into the street and returns the revolver to him, with the same advice he received a year before. Back west Mary waits for the sky-pilot's return, standing every night on a little bridge that spans a mountain stream. She is about to despair of his return, when she hears his voice. She turns and sees the same silhouette she saw on the Brooklyn Bridge, and for the first time both know they met that night.

Dir: William Nigh

Alita, a child who has been left in the care of Mr. and Mrs. Putnam in a desolate swamp country, reaches the age when she is to be prepared for the world, and the Putnams send word to Judge Gates, her guardian, to come for her. Her life has been spent in the swamps with a half-witted boy, "Weird Willie," and many animals and birds of that country, as her only playmates. Judge Gates receives the letter at his bachelor apartment, which he shares with a younger friend and companion, Bob Stange. Through the accidental dropping of a marriage license the Judge discovers that Bob is about to become a benedict, despite the fact that they had a compact never to marry, on the theory that all women are deceitful. The Judge recounts a story about one ill-fated marriage that ended in the divorce courts, in which the real tragedy was the little baby which no one seemed to want. Bob turns a deaf ear to this and leaves in anger. Constance, the one woman Bob has idealized, is older than he. She plays upon his sympathies by telling of her hard work as a dressmaker, when, in reality, she is leading a dual life, and only wants Bob for his money. She is carrying on a liaison with a Calvin Baker, a man about town, and he is calling on her when Bob arrives and tells her a minister is on the way to marry them. Baker hides behind the screen and listens. Bob tells Constance that he has invited his best friend, Judge Gates, to the ceremony. When Constance hears this name she is startled and insists on the ceremony being hurried. The marriage is performed as the Judge arrives. He recognizes Constance as the one who has ruined his own and his best friend's life. He denounces her, and Bob realizes her perfidy when he finds Baker hidden in the room. Bob and the Judge leave, and go away for a fishing trip, hoping to forget. In the country Bob comes upon Alita, and through a strange chain of circumstances, she is slightly wounded by a shot which her constant protector, "Weird Willie," intended for Bob. Alita falls in love with Bob, for he is the first man she has come in contact with. The Judge decides to take Alita away. Judge Gates puts Alita in charge of a professor to educate her, but she proves, through her hoydenish ways, a source of annoyance to the teacher. Bob receives a letter from his sister, telling him she has found the right girl for him at a summer hotel, where she is stopping. The Judge buys an extensive wardrobe for Alita, and by chance, they go to the same hotel for which Bob is bound. Bob is startled when his sister leads him into the presence of Constance. Alita meets Constance and the girl is attracted to her. The Judge finds them together and afterwards upbraids Constance. Alita and Bob meet again. Bob goes to Constance, begs her to release him, and to grant him a divorce. The Judge sees Bob enter her room and follows. Alita waits until they leave. She goes to Constance and asks her if she knew Bob before. Constance tells her the truth. Alita leaves all, and goes back to the swamp country. She cannot face the Putnams, so she runs into the fields instead, where she wishes to die. After Alita leaves Judge Gates tells Constance that Alita is her child. Constance's better nature is aroused and she goes in search of her daughter. Bob and the Judge follow. Constance agrees with the Judge that it is best not to tell Alita the truth, and when Bob and "Weird Willie" find Alita in the swamps, Constance wanders away to her death that Bob may be free to marry the child she has wronged.

Dir: William Nigh

Marian Delmar's architect father has died without an estate, though she thinks he has left her a settlement of some sort. From the time of his death, a member of his profession, Varcoe, has sent her a monthly remittance with enables her to live decently and study painting. Then Varcoe dies, leaving no instructions regarding the remittance and no reason why his son Olin should continue it. John Hartfield, whose father has been a lawyer of doubtful integrity but unquestionable shrewdness, is now the one Marian turns to when her remittance fails to arrive. He subsequently informs her that the remittance seems to have been a matter of charity on the late Varcoe's part; incidentally, his son Olin is dying from his wild dissipation and morbid excesses. Marian's independent nature revolts at having been an object of charity, and against John's pleading she decides to pay the debt by nursing Olin back to health. She offers her services as nurse, and Olin exhibits a wicked joy at engaging her. All repair to the old Varcoe home on the St. Lawrence, where lives Mrs. Varcoe, whom her supposed son has never seen; she has been an invalid for 40 years, faithfully attended by the old family physician in a house with Indian servants, and strange furnishings that must have been the expression of a morbid brain. When Olin meets Mrs. Varcoe, whose son he is supposed to be, he seems to inspire her with fear and misgiving. She is immediately impressed with Marian, whose attentions are now directed to the old lady's health. The aged doctor's jealousy of Marian in her efforts to relieve Mrs. Varcoe creates frequent friction. Through the finding of certain plans in a secret compartment, John finds that Marian's father was the real brains behind the elder Varcoe's success; hence, the remittance by agreement. Olin's morbid nature drives him to take advantage of an Indian girl in his household, and the consequence is the exposure of the secret that he himself is the offspring of such an affair on his father's part. Meanwhile, John constantly tries to dissuade Marian from continuing in this atmosphere, but a strong affection has developed between Marian and the kind old lady that furnishes the incentive for her to remain. Olin is determined to have one more big fling before he passes away, and invites a number of his dissipated city friends to spend the weekend. Olin traps Marian in a secret passage, but another Indian and John rescue her and wound Olin. Olin crawls to the Indian huts on the estate where the remainder of his mother's tribe dwelt, and dies in the arms of his Indian grandfather. Marian and John determine to travel the road of life together, while the old doctor gives evidence that his devotion to his equally-venerable patient was not purely professional interest.