Recommendations
Senior Film Conservator

Ever since Never Kick a Woman hit screens in 1936, fans have sought that same artistic bravery, the search for similar titles reveals the deep impact of Dave Fleischer's direction. These recommendations provide a deep dive into the same stylistic territory occupied by Never Kick a Woman.
Whether it's the artistic bravery or the thematic depth, this film to capture the existential zeitgeist of 1936.
Popeye teaches Olive the art of self-defense, which comes in handy when a woman boxer flirts with him.
The influence of Dave Fleischer in Never Kick a Woman can be felt in the way modern Short films handle artistic bravery. From the specific lighting choices to the pacing, this 1936 release set a high bar for atmospheric immersion.
Based on the unique artistic bravery of Never Kick a Woman, our vault has identified these titles as the most compelling follow-up experiences for fans of Short cinema:
Dir: Richard Smith
Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.
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Dir: Reggie Morris
A fascinating piece of cinema that shares thematic elements.
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Dir: Jacques Jaccard
Douglas MacLeod of the Royal North West Mounted Police is in love with Suzanne Foucharde, who has adopted an abandoned Indian baby, the illegitimate child of Louis La Rocque and Na Fa Kowa. When La Rocque insinuates that the baby is Suzanne's, her brother Henry defends his sister's honor and kills the villain. In spite of his love for Suzanne, it is Douglas' duty to arrest Henry. He does so, but later allows him to escape, taking the bullet himself that was fired after Henry by Constable Burke. Meanwhile, the dead body of Na Fa Kowa is found, accompanied by a note proving that the Indian was the baby's mother. In the spring, when Douglas recovers from his wounds, he and Suzanne are married.
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Dir: Eduardo Notari
A crime drama in the Gennariello-series. The police detective in Naples that is confronted with modern gangsters and crime events.
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Dir: Edgar Jones
A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.
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Dir: Maurice Campbell
Carver Endicott, a young sophisticate, is rejected by his fiancée for being too foppish and dull. When she feigns an interest in his father, Carver attempts to disgrace his family name by working as a farmhand and later as a busboy in a hotel. However, the newspapers only praise him for his self-sacrificing principles; and finding that he cannot bring shame to the family through menial labor, he takes up with a notorious actress. But when this maneuver also fails, he returns to his former fiancée, who has no further complaint about his being an inexperienced dullard.
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Dir: Dave Fleischer
The Inkwell Clown draws a crude bulldog. Max draws his own bulldog, and the two dogs start fighting each other, with the clown caught in the middle.
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Dir: Victor Heerman
In the gold fields of the Canadian Northwest, a man is falsely accused of a crime and determines that a lookalike is responsible.
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Dir: Hal Roach
An American book salesman (Lloyd) is persuaded to go to the kingdom of Thermosa to impersonate the Prince. He is greeted by a peasants' revolt before the real prince shows up to claim his throne and princess. The revolution succeeds, and the American is elected president of the new republic.
View DetailsAnalysis relative to Never Kick a Woman
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| The Land of Opportunity | Gritty | Layered | 87% Match |
| Lunatics in Politics | Ethereal | Dense | 97% Match |
| Striking Models | Tense | High | 96% Match |
| Under Northern Lights | Gothic | Layered | 89% Match |
| 'A mala nova | Surreal | Layered | 92% Match |
This guide was algorithmically generated using the cinematic metadata of Dave Fleischer's archive. Last updated: 6/26/2026.
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