Visionary Picks In Alignment with the style of New Lives for Old: C...

Dir: Bruno Ziener

A fascinating piece of cinema that shares thematic elements.

Dir: Clarence G. Badger

A visual fragment from the archive: The thematic resonance of The Kingdom of Youth perfectly mirrors the editorial trajectory of our deep dive.

Jimmy Betts angrily remonstrates with his wife for a letter she has written to Count Henri Duval, while she bristles at the attention that Jimmy has lavished on Mrs. Ella Rice, an aging but nonetheless charming widow. Exasperated, Ruth decides to accept the count's invitation to dine on his yacht, but on her way, she overturns her rowboat and loses consciousness. In her delirium, Ruth dreams of the happy days of her marriage, before Jimmy went away to handle Mrs. Rice's business affairs. Because she missed him so much, Ruth finally left her Aunt Sophronia to be with Jimmy, whom the love struck Mrs. Rice hoped to win for herself. In order to drive the young people apart, Mrs. Rice then introduced Ruth to Count Duval, who soon professed his love for her. Aware of Mrs. Rice's schemes, Ruth frightened the widow from her bedroom late one night so that Jimmy could see her for the "painted interloper" that she really was. Ruth then wrote her letter to the count. Jimmy rescues Ruth and carries her aboard the yacht, where she finally awakens from her dream and happily kisses her husband.

Dir: Clarence G. Badger

Susan, a wealthy young Easterner, is making her way across the country when she accidentally becomes separated from the train carrying her west. She finds herself in the clutches of a gang of bandits, who discover they've got more on their hands than they bargained for.

Dir: Clarence G. Badger

A visual fragment from the archive: The thematic resonance of Leave It to Susan perfectly mirrors the editorial trajectory of our deep dive.

Dorothy Dean, a wealthy young woman with modern ideas, abhors the institution of marriage but discovers that she must be wed in order to receive a wealthy relative's inheritance. Through Judge Roan, the family lawyer, Dorothy meets Don Morton, who agrees to accept a $10,000 check to marry her and then leave her in peace. After the ceremony, however, Dorothy's new husband takes her to a lonely island retreat where he tries unsuccessfully to win her love. Defeated, he leaves the island. In his absence, she is attacked by thieves and is fighting for her life when Don returns and rescues her. Dorothy now realizes that she is happy to have a husband, and the two embark on a real honeymoon.

Dir: Clarence G. Badger

Coarse country girl Sis Hopkins and general store clerk Ridy Scarboro are so engrossed in their dalliance that a basket is overturned and a large can of oil spills into a pool, creating a slow leak. Wealthy villager Vibert thus becomes convinced that Sis's farm is located on a pocket of oil, and he schemes to gain control of the property by marrying Sis. Vibert sends her to a young woman's seminary for refinement. Sis creates chaos in the school and is a problem for principal Miss Peckover. Vibert eventually realizes Sis will never measure up to his standards for a wife. Ridy, who has been jealous, is overjoyed when Sis returns home. Vibert entices Pa Hopkins into selling the property for a small amount, but Sis shrewdly succeeds in tripling the price. Finally Vibert discovers the can in which he has invested so heavily.

Dir: Clarence G. Badger

A visual fragment from the archive: The thematic resonance of Friend Husband perfectly mirrors the editorial trajectory of our deep dive.

A burlesque dancer overcomes the puritanism of a repressed small town.

Dir: Edgar Jones

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

Dir: Clarence G. Badger

A visual fragment from the archive: The thematic resonance of Sis Hopkins perfectly mirrors the editorial trajectory of our deep dive.

A young woman reads tales of a gallant White Knight and imagines that such a knight might come to rescue her from her dull existence. Although she is wooed by a wealthy industrialist, she rejects his suit in hopes that her romantic ideal might come. One day a young writer comes to her village, and it seems as if he might be the hoped-for White Knight.

Dir: Alexander Butler

In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.

Dir: Clarence G. Badger

Homely schoolteacher Sam Lyman arrives from New England to settle in the Mississippi Valley town of Old Ebenezer, Arkansas while he studies law. During a game of forfeits given at the annual town social by Banker McElwyn, the richest man in town, Sam marries the banker's daughter Eva, the prettiest girl in town, in a fake ceremony. The couple later discovers that the marriage is legal and Sam offers to bow out, but Eva, who does not want to marry her father's choice, rich mule dealer Zeb Sawyer, persuades Sam to continue the marriage in name only. After Sam withstands slander from Zeb and McElwyn, they send night riders to horsewhip Sam and run him out of town, but he stays. When Zeb launches a run on McElwyn's bank, Sam saves it by depositing money he receives from writing a novel and bags marked $20,000, which are filled with horse shoes. Afterward, Eva refuses to have the marriage annulled.