Recommendations
Senior Film Conservator

Since its 1917 debut, New York Luck has maintained a stylistic flair status, you are likely searching for more films that share its specific artistic vision. We have meticulously scanned our vault to find hidden gems that resonate with this work.
The 1917 landscape was forever altered by the arrival of to push the boundaries of conventional storytelling.
Anxious to see the world, Nick Fowler boards a train bound for New York. On board he meets Jimmie Keen, a motion picture director, and sees a mysterious beautiful girl who leaves her purse behind. Nick retrieves the purse and inside it discovers a photo of the girl, inscribed with the name Gwendolyn Van Loon. After arriving in New York, Nick pays Keen a visit, but an impertinent office boy prevents him from seeing the director. After a series of similar disappointments in the big city, Nick continues to write glowing accounts of his life to his family back home. While he's writing a letter to his father one day, a guest at an adjoining desk drops a photo of Gwendolyn. The stranger introduces himself as Lord Boniface Cheadle, and Nick becomes an unwitting tool of the man who is in reality Steve Diamond, a crook. Under Cheadle's instructions, Nick goes to the Van Loon house and presents himself as Steve Diamond, which initiates a train of events that culminates in the escape of the real Lord Cheadle while Nick grapples with the crooks until the police arrive. It is then revealed that the whole adventure was invented by Nick to impress his dad, but when Keen reads the story, he is so impressed that he offers Nick a job as a scriptwriter and introduces him to the leading lady: Gwendolyn Van Loon.
The influence of Edward Sloman in New York Luck can be felt in the way modern cult films handle stylistic flair. From the specific lighting choices to the pacing, this 1917 release set a high bar for atmospheric immersion.
Based on the unique stylistic flair of New York Luck, our vault has identified these titles as the most compelling follow-up experiences for fans of cult cinema:
Dir: Edward Sloman
Dr. Grant, in charge of a leper colony in the far Pacific, had once loved a beautiful girl, Myra Hamilton. Then she met Harry Elliot, a dissipated young society man. Dared by the boys, Harry proposed to Myra. Grant warned her of Harry's character, but she would not listen. Myra and Harry visit Grant's laboratory, where she learns of the vivisection experiment Grant was working on. She bitterly berated him for his cruelty to his canine subject. While Grant explained to her, Harry chloroformed the dog. Grant, furious at this ruthless destruction of his months of labor, resolved that Harry would pay. Myra announced her engagement to Harry a few nights later. Myra soon found that she had a hopeless task before her in trying to reform Harry. One day she overheard Grant remonstrate with him for his actions in causing her pain, and she began to appreciate his nobility. Again she saw Harry with a cabaret singer. Overwhelmed with grief, she determined to see Grant and obtain comfort from him. Myra noticed that Harry was inclined to be jealous, and discussed with Grant a plan to bring him to his senses. Grant was to pay ardent court to Myra. Soon Harry began to notice Grant's attention to his wife. He found them together one day, and wild with rage, left a note stating that they would find his body at the country home. Grant raced after Harry to the country house. Harry, with an oath, rose and struck him, and cursed Myra. Grant, bleeding, made his way to the telephone, called up Myra, and told her he would bring Harry back to her a man. Grant then brought him to an insane asylum and showed him the ruin drink caused. After weeks of hard work Grant felt that Harry was ready for the test. He deliberately placed temptation in his way, but Harry conquered. And so Grant brought him back to Myra. She forgave him. Grant then quietly left. Soon Myra looked for him to thank him. He showed her a letter which stated that his application as physician at the leper colony had been accepted, and he left at once. Sometime later Grant received a letter from Myra asking him to come back to her as Harry had died. His first impulse was to go, but when he realized his mission he burned the letter.
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Dir: Edward Sloman
In the parched West, Louise MacLeod works as a secretary for Robert Powell, a lawyer defending businessman John Phelan, whom ranchers accuse of monopolizing water rights. Gordon, Louise's father, is one of the ranchers, and so Louise keeps him informed of Robert's strategy, with the result that the ranchers win their case. John, however, remains determined to control the area's water, and so he hires an engineer to dynamite a river in order to divert it from the ranchers and onto his own land. Robert then realizes the unscrupulousness of his former client, and defuses the engineer's bomb. Afterward, with the ranchers victorious, Robert concentrates less on water rights and more on Louise, with whom he soon begins a romance.
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Dir: Edward Sloman
Rhoda Eldridge lives in the Paris Latin Quarter, learns at the death of her father Charles that her real name is Sayles and that she has an uncle somewhere in America. She travels to the States as a nursemaid but is discharged soon after her arrival. In the park, she finds an envelope containing a letter to Rosy Taylor from a Mrs. Du Vivier, along with a key, $2, and instructions to clean the Du Vivier mansion each week. When the penniless Rhoda learns that Rosy is dead, she cleans the home herself, and all is well until Jacques Le Clerc, Mrs. Du Vivier's brother, mistakes her for a thief and sends her to a reformatory. Rhoda, however, escapes and returns to the house. Upon discovering that Rosy has been dead for weeks, Jacques and his sister catch the mysterious housekeeper once again. Through the efforts of Jacques, who has fallen in love with her, Rhoda is united with her rich uncle, and to demonstrate her gratitude, she accepts the young man's marriage proposal.
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Dir: Edward Sloman
Lone Star, an Indian lad of superior intelligence, marvels at the efficacy of the white man's medical methods. He later goes East to secure an education and release his tribe from the practices of the medicine man. After a medical course in college Lone Star goes to New York and here becomes a noted surgeon. He meets Helen Mattes, the daughter of a rich New Yorker, and falls in love with the girl. Her father objects to his daughter mating with an Indian and he brings Helen to the same conclusion. A short time after the girl has told Lone Star that she can never marry him he saves her life by a very delicate operation. Then, disgusted with so-called "high society." he returns to the Indian village and there sets about to give them the benefit of his education.
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Dir: Edward Sloman
Episode 1: "Fate and Death" Arthur and Esther Stanley and son, little Arthur, en route from Virginia to England, are victims of a train wreck. Father and mother are killed but the child escapes death. Quabba, the gypsy, now the king of the band, learns of the accident from his followers. He hastens to the wreck and finds the bodies of Arthur and Esther Stanley but finds no trace of their son. De Vaux, the conspirator, who has been shadowing the Stanleys, is also present at the wreck. He finds little Arthur and discovers The Diamond From the Sky suspended from his neck. He transfers the jewel to his pocket and disappears into the night carrying off little Arthur. Later Quabba sees De Vaux carrying the child into an orphanage, temporarily used as a hospital. Quabba awaits his chance and steals the child.
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Dir: Edward Sloman
During lunch, Cuthbert King asks his sister Phyllis for a loan to pay off his gambling debts. Upon leaving the restaurant, he accidentally takes the overcoat of antique jewelry dealer Grayson Blair. When Phyllis is unable to pay her bill, Grayson, attracted to her, picks up the check, but after he arrives home and discovers that a valuable Hindu necklace he had stored in his coat pocket is missing, he suspects Phyllis as the crook. Dressing up in her brother's clothes, Phyllis finds the necklace, suspects her brother, and seeks out Grayson, whom she has discovered to be the jewel's owner. After a series of mix-ups during which Rhi, who has been trailing the necklace to return it to the Hindu idol from which it was stolen, tries unsuccessfully to kill Grayson, the overcoat is recognized, everything is cleared up, and Grayson and Phyllis become engaged.
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Dir: Edward Sloman
Having overslept on the morning of his wedding, James Page is rushing to the home of his bride, Marah Manning, when he sees Jed Baldwin being attacked. He goes to Jed's rescue and is arrested for his efforts. After being released, James discovers that Marah has called off the wedding; to console himself he ventures West with Baldwin. His troubles just begin when he arrives in Arizona and, mistaken for outlaw Pete Rawley, is thrown in jail. Meanwhile, the real Rawley holds up Marah and her father, who are searching for James and takes the two to his mountain retreat, where they believe that James is their captor. Then Pete's sweetheart Phoebe helps James escape, believing that he is Pete, and takes him to the mountain retreat where they find the real Rawley. After the couples straighten themselves out, Pete and Phoebe escape across the border and Marah forgives James.
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Dir: Edward Sloman
For advice on making money, down-on-her-luck Margery Smith visits Franklyn Smith, a lawyer who, although he appears prosperous, is equally hard-pressed for funds. Franklyn is struck by Margery's beauty and devises a plan whereby her services as a chaperoned partner at dances and teas may be purchased; however, because he believes her brainless, he forbids her to speak with the customers. The "Beauty to Let" corporation is a success, and soon two millionaires, Henry P. Rockwell and "Diamond Tim" Moody, ask to marry Margery. She has fallen in love with Franklyn and is distressed to learn that he has purchased bachelor's quarters from Tim. Diamond Tim forged the deed to the house, but when Margery sneaks into his room to retrieve Franklyn's money, her partner sees her and misconstrues her intentions. In the end, Margery and Franklyn outwit Tim, and Franklyn, realizing that his partner is bright as well as beautiful, proposes.
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Dir: Edward Sloman
A gray-gowned woman at a masked ball entices wealthy society man Philip Greycourt, who is bored with easy conquests, to a hotel, then leaves without unmasking. Later, Philip visits the country home of John Villiers with a friend, and although Philip thinks that Villiers' second wife Helen, who flirts with him, is the masked woman, she denies having met him earlier. Helen's stepdaughter Catherine falls in love with Philip, but he scarcely notices her. When Villiers leaves for town one evening, Helen invites Philip to her sitting room and admits that she was the masked woman. Villiers returns unexpectedly, and seeing shadows of figures in a window embracing, he runs inside. The maid warns Helen, and Philip enters another room, where Catherine lies in bed. As Villiers pounds on the door, Catherine accepts Philip's proposal. They marry the next day; later, after Villiers dies, Helen attempts to seduce Philip, and jealously tells Catherine, whom Philip now loves, of their past. When Philip learns that Catherine has left to board a steamer, he follows, and they enjoy a honeymoon cruise.
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Dir: Edward Sloman
Gerard Hale and Luther Snaith, partners in the same law firm, are rivals for a seat vacant in the Senate as well as for the hand of the governor's daughter Marion. When Tom Shores, recently released from prison, turns up at the law office with his sister Mary and her two-year-old baby, the illegitimate child of Gerard's late father, Gerard Hale, Sr., Snaith sees the opportunity to win both the Senate seat and Marion. Gerard meets with Mary and learns that the child is the offspring of his father. Overcome with his father's dereliction, Gerard gives Mary a check for $50,000. As Mary and Tom leave, they are seized by detectives who bring them back to the office for identification. Meanwhile, Mrs. Hale and Marion have stopped in to visit and Gerard, afraid that the truth will prove fatal to his mother's ailing heart, testifies that the baby is his. Upset over the revelation, Mrs. Hale is confined to bed and Snaith threatens to expose the truth unless Gerard withdraws from the Senate race. Sensing that death is approaching, Mrs. Hale asks Gerard to do his duty and wed Mary. Mary insists upon telling her the truth, but Gerard refuses, fearing that it would prove fatal to his mother, but Gerard is spared from the sacrifice when his mother dies, freeing him from the shackles of truth.
View DetailsAnalysis relative to New York Luck
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| The Inner Struggle | Gothic | Layered | 86% Match |
| The Reclamation | Tense | High | 87% Match |
| The Ghost of Rosy Taylor | Ethereal | Abstract | 97% Match |
| Lone Star | Gritty | Abstract | 89% Match |
| Sequel to the Diamond from the Sky | Tense | Linear | 97% Match |
This guide was algorithmically generated using the cinematic metadata of Edward Sloman's archive. Last updated: 8/16/2026.
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