The Global Archive Complementing the Tone of North of Fifty-Three: Cult Guide

Dir: Richard Stanton

This is not a romance but the biography of the man who now leads our vast forces in France. It shows him from boyhood to his present high command, and the story of his life tells why Pershing was selected to lead the American forces overseas and how he has his own personal account to settle with the ruthless Hun.

Dir: Richard Stanton

In New York, Bill Stratton saves a friend's marriage, but Bill's fiancée, Evelyn, misinterprets the situation and believes Bill to be unfaithful to her. She breaks her engagement, and Bill, in remorse, goes to Alaska. In the town of Yellow Gulch, Bill meets "Silver" Jack Belmont, the man responsible for nearly ruining the marriage of Bill's friend. Bill also learns that an old miner named "Lucky" Matthew Durant is Evelyn's father. Durant has been lying to his daughter, claiming he is rich. Bill tells Evelyn the truth about her father, but she does not believe him. Instead, she believes Belmont when he says he will take her to her father's mine. Eventually, Bill and Belmont confront each other and Bill defeats Belmont in a fight. Bill then reconciles Evelyn and her father.

A visual fragment from the archive: The thematic resonance of Rough and Ready perfectly mirrors the editorial trajectory of our deep dive.

Dir: Richard Stanton

Gambling-house proprietor Lionel Jamieson, whose brutality has caused his wife's paralysis, removes his stepdaughter Betty from a convent to use her as a lure for customers. Lionel's young employee Tommy is a good friend to Mrs. Jamieson and soon falls in love with Betty. With the assistance of stable hand Gunga Din, Tommy trains his horse, Thunderclap, for a racing event. At the gambling house, a customer is cheated out of $40,000 and threatens to kill Lionel unless he repays the money within 24 hours. Lionel's friend Foster agrees to help, provided that his horse wins against Thunderclap. Upon learning that Tommy will need to cross a bridge while transporting his horse to the racetrack, Lionel plots to blow it up, killing both Thunderclap and his owner. However, Gunga Din suspects foul play and ensures their safe arrival. Tommy then rescues Betty from kidnapper Wah Leong, returns to the track, and rides Thunderclap to victory. Lionel is killed by the man he cheated, and the shock restores Mrs. Jamieson's mobility.

Dir: Richard Stanton

Edward Campbell, known as Checkers, is a racetrack tout. Determined to reform himself, he foreswears gambling, but must take it up once more in order to save someone he loves from disaster.

A visual fragment from the archive: The thematic resonance of Thunderclap perfectly mirrors the editorial trajectory of our deep dive.

Dir: Richard Stanton

Virginia Lake, the ward of Assistant Secretary of State Richard Belfield, returns the love of Captain Robert Macklin, but because she wishes to further her career as an artist, she feigns indifference to him. The Countess Collona of Italy hopes to win Robert for herself, and to this end, she plots with Signor Conte to frame Virginia for the robbery of a valuable Italian painting that the Italian government has allowed Virginia to copy. In the meantime, Virginia's friend Betty marries Belfield, but government concerns demand so much of his time that the young wife is frequently left alone. When Betty runs away with Paul Hollister, Virginia pursues the two and convinces Betty to return home. On the same night, Conte steals the painting, replacing it with Virginia's copy. Because her alibi would implicate Betty, Virginia accepts the blame in silence, but later, she traps Conte and the countess into revealing their guilt. Her name cleared, Virginia finally surrenders to her feelings and accepts Robert.

Dir: Richard Stanton

During the French Revolution, Englishman Sir Percy Blakeney is considered to be a terrible fop, completely unaware of the seriousness of the political situation abroad. In reality, Sir Percy is a hero to the French aristocrats and is known as "The Scarlet Pimpernel." His wife, Lady Marguerite, shares the opinion of most that Sir Percy is useless, until his heroism is proven when she discovers his secret identity. In Calais, Sir Percy is able to elude Chauvelin, a member of the new French government, even though Chauvelin threatens the safety of Lady Marguerite's brother, Armand St. Just. Lady Marguerite goes to Calais to aid her husband, and they finally are able to escape on a ship bound for England, assured of their love for each other.

A visual fragment from the archive: The thematic resonance of Checkers perfectly mirrors the editorial trajectory of our deep dive.

Dir: Richard Stanton

The story concerns the adventures of Mary Livingston, who is deeply in love with Richard Mallaby, a gambler. Through a misunderstanding, she thinks she has been deserted by her lover when he goes west and leaves her and her baby in the east, to fight out the questions of life in their own unaided way. Disconsolate, heartbroken, she drifts westward herself, and meets Watt Tabor in a rough frontier village. To provide for her child, she is forced into theft, but is detected. Tabor, who knows her history, shoulders the blame himself and marries her. She despises him because she thinks he married her as the result of a whim, and not as the result of real love. Then she meets again the man who first wronged her. Mallaby demands that Tabor give up the woman. Tabor refuses. His decision results in a battle between the two. In the darkness and surging water of a mine, they wage their last fight. Mallaby loses consciousness, but Tabor rescues him, and leaves Mary free to make her choice. She goes with Mallaby.

Dir: Richard Stanton

An American is sent to Germany to unearth the identities of German agents operating in the U. S. He infiltrates the German secret service in an attempt to abscond with a list of undercover German operatives.

A visual fragment from the archive: The thematic resonance of Stolen Honor perfectly mirrors the editorial trajectory of our deep dive.

Dir: Richard Stanton

a young man gos on a weekend hunting trip; soon finds out that instead of being the hunter he has become the hunted .. in a desperate quest for survival he must battle a savage hunger Beast

Dir: Richard Stanton

The senorita, Juanita, loves gallant Capt. Arthur Boyce, on duty near the border. He does not love her, but she contrives to make his fiancée, Clare Nelson, think that he does. The result is that Clare breaks off the engagement. Juanita's passion turns to hatred when she finds she cannot compel Boyce to love her. In a fit of rage, she arranges a scheme by which the officer is accused of having murdered a woman. In the trial that follows, Boyce is convicted. Meantime, a hand of Mexicans led by Juanita and Costa, a Mexican in love with Clare, raids an American town. In the place are Clare and her uncle, Nelson, who has been secretly furnishing the Mexicans with munitions. Costa takes Clare prisoner. Juanita finds the girl with her uncle and Costa in a rude shack. She sees a way to get revenge on Clare. She will force her to marry Lopez, one of the bandits in her employ. While she is thinking over this plan, Arthur Boyce is brought into the hut. He had been exonerated of wrong, when the real murderer, stirred by the pangs of conscience, confessed. Resuming his command, he rushed to the rescue of the captured party, only to be defeated by the Mexicans and taken prisoner himself. Clare and Boyce are left with Lopez in the shack. By a skillful piece of maneuvering, the girl outwits the guard, and she and Boyce escape from the building. Rescue is fast arriving from a nearby American army post. The bandits are pursuing Clare and Boyce, and Juanita rides frantically in the vanguard. But she is too late. A stray shot brings her from her horse, and she dies with a curse on her lips for the woman who won the love she could not have.