Underground Favorites Mirroring the Impact of Not Guilty: Cult Guide

Dir: Sidney Franklin

Puck is a music-hall dancer married to an abusive husband. One night the music hall catches fire. Puck is rescued by an Army officer and her husband perishes. Puck marries the officer and they begin a new life in India, until a man from her past finds her and makes demands.

Dir: Edward LeSaint

A visual fragment from the archive: The thematic resonance of A Sister to Salome perfectly mirrors the editorial trajectory of our deep dive.

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.

Dir: Sidney Franklin

A spoiled young rich girl is forced by misfortune to fight for survival in the slums and alleys, where she becomes involved with all manner of unpleasantness.

Dir: Robert N. Bradbury

A visual fragment from the archive: The thematic resonance of The Hoodlum perfectly mirrors the editorial trajectory of our deep dive.

A simple country girl, brutally mistreated by her stepfather, awakens first the sympathy, then the love, of The Boy. The Spider, who lusts after The Girl, makes a bargain with the stepfather and takes her to the city where, kept prisoner, she is soon broken in health and spirit. Cast out and near death, she is taken in by The Boy. Following the demise of The Spider, The Boy takes her to church, where he prays, and after many hours she is restored to health.

Dir: Sidney Franklin

After the half-breed daughter of a Comanche chief falls for a young engineer who deserts her, she turns to a white Indian agent who marries her.

Dir: Eduardo Notari

A visual fragment from the archive: The thematic resonance of Into the Light perfectly mirrors the editorial trajectory of our deep dive.

A crime drama in the Gennariello-series. The police detective in Naples that is confronted with modern gangsters and crime events.

Dir: Sidney Franklin

Josephine, a seemingly happily married mother, comforts her friend who has just found out that her husband is cheating on her with her own story: raised in an infamous dive and taught to steal money from her customers, one night she meets a well-known novelist and his wife who are "slumming" and who give her a sum of money in order for her to leave her surroundings, but her guardian takes it from her. She is eventually sent to a reformatory but escapes and finds the novelist, now divorced. She determines to once and for all escape the life she's in and offers herself to the novelist in exchange for a promise of marriage. Complications ensue. When the place is raided, Jo is sent to a reformatory, but she later escapes. So that she will not have to return to the reformatory, Harrison marries her "in name only," with the idea that after a few months they will divorce. When Nina, now unhappily married, starts pursuing Harrison, his friend Huntley McMerton helps Jo make Harrison jealous, whereupon he declares his love. Jo suggests that her friend should act similarly.

Dir: Wilfred Lucas

A visual fragment from the archive: The thematic resonance of The Heart of Wetona perfectly mirrors the editorial trajectory of our deep dive.

Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.

Dir: Bruno Ziener

A fascinating piece of cinema that shares thematic elements.

Dir: Charles Horan

While working as a flower girl in Devlin Maddox's nightclub, Nellie Vaughan meets wealthy young Pelton Van Teel and falls in love. Maddox, desirous of using Nellie to blackmail Van Teel, spreads a rumor that she is his mistress. This makes Nellie uncomfortable, and she demands that Van Teel marry her immediately, to which he agrees. Meanwhile, Van Teel has been losing money gambling to Maddox, who threatens to break up the marriage by producing a worthless check that the young husband has written. Venturing to Maddox's apartment for a showdown, Nellie pulls a gun and demands the check, accidentally shooting Maddox when he throws a lamp at her. Maddox plans to charge Nellie with assault, but when the police arrive, his butler, actually a detective employed by the elder Van Teel, exposes Maddox, who is then arrested, clearing the path for the couple's happiness.