Paul Ellison, who falls in love with Elsa, exchanges identities with his twin, Arthur, because he feels himself responsible for his brother's downfall, and assumes guilt for a murder. Five years later Elsa meets Arthur, whom she believes to be Paul, and they become engaged.


Identity is a cracked mirror in Emmett J. Flynn’s Not Guilty—each shard reflecting a different face of culpability, love, and cosmic irony. The film, released when the world still smelled of trench-smoke and bathtub gin, is less a whodunit than a who-am-I, a kaloscope of silhouettes projected onto the tattered curtain...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Sidney Franklin

Sidney Franklin
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" Identity is a cracked mirror in Emmett J. Flynn’s Not Guilty—each shard reflecting a different face of culpability, love, and cosmic irony. The film, released when the world still smelled of trench-smoke and bathtub gin, is less a whodunit than a who-am-I, a kaloscope of silhouettes projected onto the tattered curtain of post-Edwardian guilt. From the first iris-in, cinematographer E.B. Hesser floods the frame with chiaroscuro so tactile you can taste the kerosene: palms slash shadows across P..."
J. Grubb Alexander, Harold McGrath, E.B. Hesser
United States

