Recommendations
Senior Film Conservator

Since its 1932 debut, O la borsa o la vita has maintained a stylistic flair status, the legacy of O la borsa o la vita is a beacon for those seeking the unconventional. Our criteria for this list were simple: only the most stylistic flair and relevant titles.
The 1932 landscape was forever altered by the arrival of to sustain a sense of mystery that persists after the credits roll.
Daniele, a stockbroker, learns that he has lost a large sum entrusted to him by his friend Giovanni Bensi and he does not have the nerve to tell it in person, so he writes a letter to his friend, telling him that he may collect his life insurance, as he is going to commit suicide - but he can not tell, because he will find a way to make it appear as a misfortune. The insurance policy is valid until midnight, but does not cover suicide. He asks another Stockbroker to give the letter to Bensi next day, and exists after escaping a meeting with Bensi that has arrived looking after him, "to murder him", he says. Daniele first tries to get electrocuted by grabbing a high voltage cable - but it's broken, and carries no voltage; he goes to the zoo and enters the lions' den under the pretext of saving a dog he had shoves in (unseen) - but the guards manage to take him out before the lion attacks; he tries to be hit by a speeding car - but the driver crashes it off road instead of hitting him; then he takes hold of an expert pilot's plane and tries to crash it - but a mechanic managed to jump onboard and brings the plane down safely. Daniele escapes the crowd of fans of acrobatic pilot stunts, reporters and photographers, and hides in an administrative building at the airport, where Renata, a psychiatrist, approaches him assuming he is under a psychotic fling, as she had been told by the Zoo Director. Their dialogue is full of double entendre, but it is cut by the sudden arrival of a male nurse informing the lady doctor that some patients had escaped from the clinic. Alone at last, Daniele speaks the phrases "I die, I do not die," instead of the usual "She loves me, she loves me not," while picking petals off a daisy. He is saddened when the last petal is for "I do not die." Now he is being chased also by his friend Bensi - who won big at the Stock Exchange due to a sudden reversal of the bidding, and who read Daniele's letter already - besides the Zoo Director, also a friend of his, the Lady with the Dog, and the basset dog that he had "saved" from the lions' nest - that have been chasing after him since. He evades both his persecutors and the dog - but falls again in the fans enlarged crowd. The people only leave him alone when a man, looking like a mechanic, starts the engine of an airplane inside a hangar where they all were, and the noise forces the crowd to run away. The man takes Daniele to an inn, where he introduces himself as an Anarchist. He offers him to enter a very dangerous mission, where death is certain. Daniele drinks his last cup of wine, and falls asleep, his hand falling off the table - to be licked by the basset dog... Daniele, in a dream-like scene, finds himself as the groom with a bride entering a temple in the forest, late in the evening, hunted by a dozen of men dressed alike, and revives the scene of his first suicide attempt. The Anarchist wakes him up, and takes him to the anarchists den, and tells them that he saw how Daniele had faced death with no fear. But the Doctor and some male nurses arrive to capture the madmen who had escaped from the mental hospital. When Daniele leaves the house, the tower bell strikes midnight. He is doomed. Daniele is revived from his depression by the successive arrival of all his friends, particularly Bensi who informs him that he has earned a large sum thanks to the shares Daniele had bought in his name...
Critics widely regard O la borsa o la vita as a cult-favorite piece of Comedy cinema. Its stylistic flair is frequently cited as its strongest asset, solidifying its place in Italy's film legacy.
Based on the unique stylistic flair of O la borsa o la vita, our vault has identified these titles as the most compelling follow-up experiences for fans of Comedy cinema:
Dir: Vernon Stallings
Krazy Kat is held in jail and Ignatz finally bails him out after encountering "guilt".
View Details
Dir: Unknown Director
The village youths are rivals for the hand of the local belle. Their battles lead them to the village store, where chaos soon reigns, terminating in the place being blown up, leaving Bobby a happy victor.
View Details
Dir: Henry Edwards
A millionaire bets £25,000 that he can earn his own living for six months.
View Details
Dir: Malcolm St. Clair
A dancing instructor gets involved with a newly rich family.
View Details
Dir: Frank Moser
The simple story is about two siblings, little brother Bud and big sister Susie. After they've been reading "Huckleberry Finn" they dream of adventures on the Mississippi River.
View Details
Dir: Sidney Franklin
A chorus girl hopes to rise to stardom and thus accepts the advances of a wealthy man. But she becomes fearful of her reputation and safety. In an attempt to escape the rake's attentions, she hides out with a disparate group of men who room in a house called "The Barn." There she learns that there is more to life than that found on the stage.
View Details
Dir: Jerome Storm
Ne'er-do-well Homer Cavender ventures to the city from Mainsville in an effort to find fame and fortune. Both elude him, and after clerking for two years, Homer returns home for a vacation. Impressed by his flashy clothes, the townspeople assume that Homer has achieved success. Attempting to win Rachel Prouty from his rival, Arthur Machim, Homer continues the deception by announcing that his employer, Kort and Bailly, has dispatched him to enroll stockholders for a proposed new plant to be built in Mainsville. Machim discovers the sham and denounces Homer as a crook. Meanwhile, Homer returns to New York, convinces his employers of the merits of his plan and comes home triumphant, with a proposal for both the new plant and for Rachel's hand in marriage.
View Details
Dir: Hal Roach
An American book salesman (Lloyd) is persuaded to go to the kingdom of Thermosa to impersonate the Prince. He is greeted by a peasants' revolt before the real prince shows up to claim his throne and princess. The revolution succeeds, and the American is elected president of the new republic.
View Details
Dir: Robert Thornby
Mary Willard takes over her father's railroad after his death. Her major competitor is a ruthless crook named Harvey Judson. She arranges for Judson to be kidnapped and taken to an isolated spot deep in the forest and turned loose to fend for himself. She accompanies the kidnappers to the wild and Judson, not knowing who she is, begins to fall in love with her. Complications ensue.
View Details
Dir: Herbert Blaché
After Schuyler Rutherford's divorce from his rich wife Caroline, who was his meal ticket, his sister Kathleen is so humiliated by the fact that her penniless condition was brought to light during the court proceedings that she seeks solace in her sculptor friend Mary Carter, who offers her a job as her secretary. While working, she becomes acquainted with Mary's wealthy cousin Robert Winston when she overhears him denouncing parasitic girls like Kathleen. Vowing revenge, Kathleen assumes a false name and obtains a position as Robert's secretary, determined to make him fall in love with her. Kathleen's plan succeeds, and then, to spite Robert, she announces her engagement to wealthy Murray Van Allan. After a series of incidents, Robert makes Kathleen realize that she really loves him and, after forgiving him, she agrees to be his wife.
View DetailsAnalysis relative to O la borsa o la vita
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| The Great Cheese Robbery | Surreal | Linear | 87% Match |
| New Ralgia | Ethereal | High | 85% Match |
| The Amazing Quest of Mr. Ernest Bliss | Gritty | Linear | 86% Match |
| Don't Weaken! | Tense | Dense | 89% Match |
| Down the Mississippi | Gritty | Linear | 92% Match |
This guide was algorithmically generated using the cinematic metadata of Carlo Ludovico Bragaglia's archive. Last updated: 5/28/2026.
Back to O la borsa o la vita Details →