The Auteur's Selection Complementing the Tone of Off to Buffalo: Cu...

Dir: James W. Horne

A fascinating piece of cinema that shares thematic elements.

Dir: James W. Horne

A visual fragment from the archive: The thematic resonance of The Pitfall perfectly mirrors the editorial trajectory of our deep dive.

Although she loves Clive, a young lawyer, Margaret weds Deering to save her father from financial ruin, while passing years bring fame to Clive and result in his being elected district attorney, the man cannot forget Margaret. Deering conducts a magnificent gambling establishment in his mansion. His conduct toward Margaret causes her to hate him. In the meantime, having promised to break up the ring, headed by Garvin, which is protecting the gamblers, Clive arranges a raid upon the Deering establishment. Due to a leak, however, this raid comes to naught. While in the mansion, Clive comes face to face with Margaret. Deering watching the two, sees their old love well up anew. It causes the man to become more brutal than ever to his wife. The district attorney discovers his secretary to be the source of the leak which had frustrated the raid. A second raid proves successful. Before this takes place, Clive dispatches a note to Margaret urging her to leave before his men arrive. Deering, believing his wife had known of this raid all along, is wild with rage and attempts to kill her. This is frustrated and the gambler is arrested. He later makes a sensational escape and returns to his mansion in time to see Ramon, his partner, rifling the secret safe containing their funds. After mortally wounding the man, Deering attempts to kill Margaret. Dying, Ramon summons Clive and the police. The latter come just in time to save the woman. Again Deering tries to escape, but this time he meets his death in leaping from a balcony.

Dir: James W. Horne

Two women finally tire of being taken advantage of by men, and vow that they will stop these cads from preying on helpless young girls.

Dir: Henry Edwards

A visual fragment from the archive: The thematic resonance of The Social Pirates perfectly mirrors the editorial trajectory of our deep dive.

A millionaire bets £25,000 that he can earn his own living for six months.

Dir: Richard Smith

Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.

Dir: Eduardo Notari

A visual fragment from the archive: The thematic resonance of The Amazing Quest of Mr. Ernest Bliss perfectly mirrors the editorial trajectory of our deep dive.

A crime drama in the Gennariello-series. The police detective in Naples that is confronted with modern gangsters and crime events.

Dir: Edgar Jones

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

Dir: James W. Horne

A visual fragment from the archive: The thematic resonance of Lunatics in Politics perfectly mirrors the editorial trajectory of our deep dive.

A series of 12 2-reel mystery thrillers, each story complete in itself. Episode titles: #1: The Strangler's Cord (1915); #2: The Disappearing Necklace (1915); #3: The Secret Code (1915); #4: The Riddle of the Rings (1915); #5: The Substituted Jewel (1915); #6: A Double Identity (1915); #7: The False Clue (1915); #8: When Thieves Fall Out (1915); #9: Under Oath (1915); #10: _The Wolf's Prey (1915)_; #11: The Man on Watch (1915); #12: The Man in Irons (1915).

Dir: Charley Chase

A young married couple volunteer to take charge of several orphans after the asylum has burned down. Of course they find their hands full with their troublesome charges.

Dir: James W. Horne

Young clubman Bob Gilmore is called by telephone to his home, where his parents are giving him a birthday party. He overhears one of the male guests make a slurring remark about his mother's appearance, and punishes him right there, throwing the entire gathering into an uproar. Later in the evening he assumes guilt for a check which had actually forged by his foster father, in order to save the mother's feelings, but obtains a written confession from the guilty man for future use if necessary. Learning that he had been adopted from a foundling asylum in infancy, Bob decides to go to New York to see if he cannot learn his real name, which he understands begins with "Mor." He disguises himself and enters many homes, attired in evening clothes, and is soon known to the police as "The Midnight Man." In the meantime he has come into contact with members of the White Circle gang, and has many close physical encounters with them.