Top-Tier Alternatives In the Shadow of Old Clothes for New: Cult Guide

Dir: Eddie Lyons

A fascinating piece of cinema that shares thematic elements.

Dir: Eddie Lyons

A visual fragment from the archive: The thematic resonance of The Bullshevicks perfectly mirrors the editorial trajectory of our deep dive.

Eddie and Lee are newspaper reporters and Mildred is a vamping Russian countess in a laughable "Bolsheviki" burlesque in which Eddie and Lee find themselves obliged to commit all sorts of crimes, but wake to find it all a dream.

Dir: Edgar Jones

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

Dir: Eddie Lyons

A visual fragment from the archive: The thematic resonance of In the River perfectly mirrors the editorial trajectory of our deep dive.

Lee is a tailor's apprentice who follows his customer, Eddie, to a social affair. Lee measures up the guests for new clothes. Both he and Eddie lose their trousers and do some tall dodging about among the guests as a result.

Dir: Eddie Lyons

Eddie appears as a grocer boy and Lee as butcher boy. Both love the same girl, but after numerous amusing advances a third youth marries her.

Dir: Eddie Lyons

A visual fragment from the archive: The thematic resonance of A Ripping Time perfectly mirrors the editorial trajectory of our deep dive.

Mr. Ups likes the gay life and Mr. Downs is a "stay-at-home." One night when Ups is out sporting and Downs is home in bed, Ups arrives at the entrance of the apartment house at the same time with Downs' wife. Ups' wife, who is at home, hears the cat ransacking the milk cans in the kitchen and thinks a burglar is in the house. Then Mr. Ups and Mrs. Downs arrive and the chase starts. Up and down the dumbwaiter goes Downs and Mrs. Ups, looking for the burglar, one in his bathrobe the other in her pajamas. The mystery is solved and the two couples become the best of friends.

Dir: Eddie Lyons

Lee and his family take Eddie and his wife riding in their new car.

Dir: Eddie Lyons

A visual fragment from the archive: The thematic resonance of Hearts and Let Us perfectly mirrors the editorial trajectory of our deep dive.

Eddie and his bride manage to escape the hazing of the wedding guests, but is later caught by Lee, the hick detective, who has received a fake wire offering $1,000 reward for Eddie's capture as a dangerous criminal. He locates Eddie on the trail and handcuffs himself to him. Lee releases Eddie so the latter can wire his friends, and the bridegroom misses his train. He hurries by taxi to the jail, where Lee has taken the bride in lieu of Eddie. Eddie and his bride are locked up together, but are later released upon receipt of an explanatory telegram from their practical joking friends.

Dir: Eddie Lyons

Eddie has a wife and baby. Lee plays his well known role of janitor, who finds himself with the baby, a dog and a parrot on his hands, after a mix-up in the apartment house, but eventually gets them in the hands of their proper owners.

Dir: Eddie Lyons

A fascinating piece of cinema that shares thematic elements.