Editor's Top Picks Following the Footsteps of Once a Plumber: Cult ...

Dir: Eddie Lyons

Eddie and his bride manage to escape the hazing of the wedding guests, but is later caught by Lee, the hick detective, who has received a fake wire offering $1,000 reward for Eddie's capture as a dangerous criminal. He locates Eddie on the trail and handcuffs himself to him. Lee releases Eddie so the latter can wire his friends, and the bridegroom misses his train. He hurries by taxi to the jail, where Lee has taken the bride in lieu of Eddie. Eddie and his bride are locked up together, but are later released upon receipt of an explanatory telegram from their practical joking friends.

Dir: Eddie Lyons

Lee and his family take Eddie and his wife riding in their new car.

A visual fragment from the archive: The thematic resonance of Give Her Gas perfectly mirrors the editorial trajectory of our deep dive.

Dir: Eddie Lyons

A fascinating piece of cinema that shares thematic elements.

Dir: Eddie Lyons

Eddie and Lee are newspaper reporters and Mildred is a vamping Russian countess in a laughable "Bolsheviki" burlesque in which Eddie and Lee find themselves obliged to commit all sorts of crimes, but wake to find it all a dream.

A visual fragment from the archive: The thematic resonance of In the Good Old Days perfectly mirrors the editorial trajectory of our deep dive.

Dir: Eddie Lyons

Bernie and Sidney are a buyer and a salesman who smash each other's hats before becoming acquainted. Their wives afterward mix in at a hat sale and later all meet at dinner, when the riot begins again.

Dir: Eddie Lyons

A burlesque on the making of a picture based on an Alaskan story.

A visual fragment from the archive: The thematic resonance of The Bullshevicks perfectly mirrors the editorial trajectory of our deep dive.

Dir: Eddie Lyons

The troubles of two quarreling couples, the Blacks and the Whites. They get divorces, and Mr. Black weds Mrs. White and Mr. White weds Mrs. Black.

Dir: Maurice Campbell

Carver Endicott, a young sophisticate, is rejected by his fiancée for being too foppish and dull. When she feigns an interest in his father, Carver attempts to disgrace his family name by working as a farmhand and later as a busboy in a hotel. However, the newspapers only praise him for his self-sacrificing principles; and finding that he cannot bring shame to the family through menial labor, he takes up with a notorious actress. But when this maneuver also fails, he returns to his former fiancée, who has no further complaint about his being an inexperienced dullard.

A visual fragment from the archive: The thematic resonance of Damaged Goods perfectly mirrors the editorial trajectory of our deep dive.

Dir: Eddie Lyons

Eddie has a wife and baby. Lee plays his well known role of janitor, who finds himself with the baby, a dog and a parrot on his hands, after a mix-up in the apartment house, but eventually gets them in the hands of their proper owners.

Dir: Eddie Lyons

Nifty Ned is a heavyweight champion that meets all comers. He is successful through the fact that he manages to back his opponents against the scenery at the back of the stage ring. From a vantage point behind the scenes, Happy Harry whacks the opponent on the head with a club, invariably causing the "knockout." The end comes when the "heavyweight" is pushed against the scenery by one of his opponents, and Happy Harry knocks out the wrong man.