The Cult Collection Comparable to the Style of One New York Night: ...

Dir: Jack Conway

Judge of the Circuit Court, Camden McClure is a extremist advocate of law enforcement until he kills his brother during a fight. Fleeing from his crime, the judge hires Cal Nelson as his guide through the Western badlands. While crossing the desert, they meet Mary Jackson, who is lost and exhausted. Mary recovers, but the judge suffers heat stroke and, in his delirium, confesses his crime to Mary. To ease his guilt, Mary admits that she is a murderer, too, and the couple decide to get married. However, when the judge reads that his brother is alive, he once again adheres to the letter of the law and denounces Mary to the authorities. Cal, who has fallen in love with Mary, carries her to the desert to escape the sheriff, and there Mary admits that she fabricated her crime to relieve the judge. The judge then discovers that his brother is actually dead, and follows the fugitives into the desert, but is killed in a sandstorm, thus freeing Mary to wed Cal.

Dir: Jack Conway

A visual fragment from the archive: The thematic resonance of The Little Orphan perfectly mirrors the editorial trajectory of our deep dive.

When bachelor friends David Clark, Dick Porter and Jerry Mathers agree to adopt Belgian war orphans, David unexpectedly finds himself the guardian of a little girl, Rene Lescere. After David is pursued by Mrs. Hardwick, a divorcee, Rene is determined to find him a more suitable wife and introduces him to Emmeline Warren. David and Emmeline are engaged, but the engagement is broken after Emmeline meets Jerry, her old beau, and their romance is rekindled. David, sad but resigned, sends Rene to boarding school and retires to his hunting lodge with Dick Porter. Later, Emmeline and Jerry, now married, visit the lodge and suggest that Rene accompany them on a trip abroad. At the moment of parting between Rene and her guardian, both realize that they love each other and Rene becomes David's wife.

Dir: Jack Conway

Upon learning that the parents of "Little Red" have died, the cowboys of Colonel Ferdinand Aliso's ranch adopt the boy. Parson Jones and his church committee protest that the child should be brought up in more refined surroundings, but the cowboys, particularly Duck Sing, Aliso's Chinese cook, are so enamored of Little Red that they donate their poker money to the church in order to placate the congregation. After Little Red catches pneumonia and nearly dies, however, Dr. Kirk insists that the boy either live with the minister or acquire a mother through the marriage of one of the cowboys. While Little Red is recuperating at the parson's home, ranch hand Tom Gilroy courts the only marriageable women in town -- a widow and two spinsters -- but much to his relief, they all turn him down. In the end, Duck Sing, whom the child much prefers to the parson, kidnaps Little Red, after which the colonel legally adopts him.

Dir: Jack Conway

A visual fragment from the archive: The thematic resonance of Little Red Decides perfectly mirrors the editorial trajectory of our deep dive.

Mary seemed to have been born with music in her feet. She danced to school, danced at her work and danced while at play. Her invalid mother, realizing her talents and knowing her ambition to become an expert dancer, made the father promise that Mary should have her heart's desire. When the mother died Mary's father sold the farm and purchased a traveling show to give Mary her chance to be a stage dancer. There was a Madame La Rue in the company, who had a daughter of about Mary's age, and the two girls disagreed, with Mme. La Rue continually inspiring discord. Mary's father is stricken at a time when Mary is on the stage giving her performance, Mme. La Rue has him removed to her own dressing room, and there the old man makes his dying statement to the scheming woman. He tells her where in his trunk he keeps his money; asks that his wealthy brother, in a distant town, be notified of his death, and that Mary be taken to her undo who will provide her from his abundance with a home. Mme. La Rue takes the money from the trunk, wires to Mary's uncle that she is bringing Mary and the body of her father to him, and, deserting Mary, takes her own daughter instead. Mme. La Rue and her child are accordingly, established in luxury. When the authorities disband the juvenile opera company because the owner is dead and there is no one to carry on the show. Mary is taken in charge by a shrewish woman who makes a kitchen slave of the child. Mary bears oppression as long as she can, and then runs away to the town where her father is buried. Near the ocean shore she locates a cottage that offers shelter, even though the owner is not at home. Mary goes to sleep in the bed and awakes next morning to find that a kindly disposed young man, who makes his living fishing with his nets, owns the cottage and straightway offers a home and working partnership. Mary one day meets Phillip, a handsome young author, who is a visitor at the home of Mary's uncle. Mme. La Rue has been trying to ensnare Phillip as a husband for her daughter, Zella, but Phillip is slow to advance. Mary and Phillip meet frequently on the beach, and Bob grows jealous of his rival. One day Mme. La Rue and Zella recognize Mary as she is conversing with Phillip, they also observe Bob's jealous conduct. Going to Bob they tell him that Phillip is engaged to Zella and is only trifling with Mary. Bob in a rage assaults Phillip, and believes that the blow be strikes has killed the young author. Informing Mary of what he has done, the two friends agree that they had better leave the neighborhood and go at once to a distant town. In the years that follow Bob devotes himself to the task of realizing, for Mary, her ambition to become a great dancer. At a society function where Mary is the attraction, Phillip (who has only been stunned by Bob's blow) sees the girl and recognizes his little friend from the fishing village. The renewal of acquaintance discloses Mary's parentage, and the locket she wears proves that she should be occupying the place in her uncle's home that Mme. La Rue had, by fraud, established for Zella. The outcome gives Mary her proper place and we are left to believe that she and Phillip will find their way to happiness.

Dir: Jack Conway

Widow Martin struggles to rear her little daughter Nora amid the squalor of the slums yet imbue her with the refinement to which she had been accustomed in her girlhood. Fearing that she is losing the battle, Mrs. Martin decides to turn to her wealthy father, who had disowned her upon her marriage years earlier. To raise funds for the trip, she pawns Nora to Aaron Levovitch, an aged pawnbroker with a heart of gold under his gruff exterior. Upon reaching her father's house, Mrs. Martin falls ill and dies before she can relate her story, and Nora is raised by the pawnbroker until a reporter prints her human interest story of a "jewel in pawn." The girl's grandfather reads the article and claims Nora, then sends her to a fashionable boarding school. Nora longs for her home in the slums and her sweetheart Jimmy, however, and so returns to marry Jimmy in an elaborate traditional Jewish ceremony at the pawnbroker's home.

Dir: Unknown Director

A visual fragment from the archive: The thematic resonance of Her Soul's Inspiration perfectly mirrors the editorial trajectory of our deep dive.

The Judge needs a present for his wife's birthday, so Harry suggests a new corset. They go to the shop, but he's so embarrassed to ask the saleslady he hides in a phone booth.Harry goes in, but finds a GUY wearing one, and runs out.They both dress as women to get back in, but Mrs. Rummy gets there and chases him out.

Dir: Jack Conway

Warren Neale, an expert civil engineer, is working on the first transcontinental railroad when he rescues Allie Lee after her family has been killed by an Indian massacre. Through Warren's care, the girl recovers and their friendship ripens into love. Warren leaves Allie at trapper Slingerland's cabin when he goes to the nearby town of Benton to buy provisions. In his absence, Jose Durade, claiming that Allie is his daughter, goes to the trapper's cabin, kills Slingerland and abducts the girl. Returning to find Allie gone, Neale, half crazed, searches for her until he collapses in exhaustion and is cared for by "Beauty" Stanton, the dance hall mistress who loves the engineer. Beauty learns that Durade is holding Allie at his dance hall, rescues the girl and brings her to Neale. Durade, in revenge, gathers his gang together at Beauty's place where in the ensuing battle, both Durade and Beauty are mortally wounded. In her dying moments, Beauty offers the lovers her blessing and they set out together to finish Neale's work on the U.P. Trail.

Dir: Jack Conway

A visual fragment from the archive: The thematic resonance of A Jewel in Pawn perfectly mirrors the editorial trajectory of our deep dive.

A secretary (Gloria Swanson) uses her boss to get money for her unfortunate sister (Ann Kroman) but eventually falls in love with him.

Dir: Jack Conway

Inheriting his father's alcoholism, Lawyer Tom Gallatin goes into the woods to rehabilitate himself. Once there, he loses his way and then meets Jane Loring, who is also lost. They are attracted to each other, but when Jane offers him a drink from a flask, Tom takes more than just a few sips, and then tries to rape her. A search party rescues Jane, after which, sobered by the seriousness of his attempted crime, Tom cures himself of his drinking problem. Later, in the city, Jane and Tom meet again and she forgives him. However, Coleman Van Duyn, who loves Jane, and Nina Jaffray, who wants to marry Tom, decide to make sure that no romance develops. They convince Jane that Tom is already engaged to Nina, but then, guilt-ridden, the alleged fiancee confesses everything to Jane, who quickly goes to Tom and tells him that she loves him.

Dir: Jack Conway

Patricia Reynolds, the belle of the summer resort she is visiting with her friend, Amy Powellson, attracts the attention of Arthur Kirby, whom Amy loves. On an evening drive, Arthur tries to kiss Patricia , whereupon she leaps from the car and walks home. While Amy, disguised in Patricia 's clothing, accompanies Arthur to a roadhouse, Patricia , walking near the beach, sees her invalid friend, Jim Wheeler, jump into the ocean intending to kill himself. After rescuing him, Patricia persuades Jim to visit a specialist, but when she later is accused of spending the night with Arthur, she refuses to defend herself in order to conceal Jim's attempted suicide. Hastings Carson tries to save her reputation, but he subsequently attacks her, and she is forced to swim from his yacht to shore. Cured, Jim returns to remove Patricia from this social quagmire by marrying her.