Recommendations
Senior Film Conservator

Looking back at the 1929 milestone that is Paris, the cinematic shorthand used by Clarence G. Badger is both ancient and revolutionary. Dive into this collection and find the spiritual successors to Clarence G. Badger's vision.
As Clarence G. Badger's most celebrated work, it defines to articulate the unspoken anxieties of United States's 1929 era.
Cora Sabbot (Louise Closser Hale) leaves her Newton Center, Massachusetts home and goes to Paris, France with the express purpose of preventing the marriage of her son, Andrew Sabbot (Jason Robards Sr as Jason Robards), to stage star Vivienne Rolland ( Irène Bordon).
Based on the unique stylistic flair of Paris, our vault has identified these titles as the most compelling follow-up experiences for fans of Musical cinema:
Dir: Clarence G. Badger
Coarse country girl Sis Hopkins and general store clerk Ridy Scarboro are so engrossed in their dalliance that a basket is overturned and a large can of oil spills into a pool, creating a slow leak. Wealthy villager Vibert thus becomes convinced that Sis's farm is located on a pocket of oil, and he schemes to gain control of the property by marrying Sis. Vibert sends her to a young woman's seminary for refinement. Sis creates chaos in the school and is a problem for principal Miss Peckover. Vibert eventually realizes Sis will never measure up to his standards for a wife. Ridy, who has been jealous, is overjoyed when Sis returns home. Vibert entices Pa Hopkins into selling the property for a small amount, but Sis shrewdly succeeds in tripling the price. Finally Vibert discovers the can in which he has invested so heavily.
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Dir: Clarence G. Badger
Jimmy Betts angrily remonstrates with his wife for a letter she has written to Count Henri Duval, while she bristles at the attention that Jimmy has lavished on Mrs. Ella Rice, an aging but nonetheless charming widow. Exasperated, Ruth decides to accept the count's invitation to dine on his yacht, but on her way, she overturns her rowboat and loses consciousness. In her delirium, Ruth dreams of the happy days of her marriage, before Jimmy went away to handle Mrs. Rice's business affairs. Because she missed him so much, Ruth finally left her Aunt Sophronia to be with Jimmy, whom the love struck Mrs. Rice hoped to win for herself. In order to drive the young people apart, Mrs. Rice then introduced Ruth to Count Duval, who soon professed his love for her. Aware of Mrs. Rice's schemes, Ruth frightened the widow from her bedroom late one night so that Jimmy could see her for the "painted interloper" that she really was. Ruth then wrote her letter to the count. Jimmy rescues Ruth and carries her aboard the yacht, where she finally awakens from her dream and happily kisses her husband.
Dir: Clarence G. Badger
An English nobleman falls for and marries a beautiful young chorus girl. When he brings her home to the castle to meet his family, she is horrified to learn that she is niece, aunt, and/or cousin of all twenty-three of the staff of servants.
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Dir: Clarence G. Badger
A young woman goes to visit friends but mistakenly rings at the wrong address. She is greeted and taken in out of the storm by a handsome young man to whom she is immediately attracted. What she does not know, however, is that this young man has been fleeced by her father and has sworn vengeance against him.
Dir: Clarence G. Badger
A young lady designs a wonderfully received bathing suit and saves her employer from financial disaster. In the course of this, she falls in love with her employer's son, who is in danger of ruin from a romantic scandal.
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Dir: Clarence G. Badger
An easy-going tramp with a love of food and an aversion to work suddenly gets deeply involved in the life of a farmer and his daughter.
Dir: F. Martin Thornton
In Paris an orphan cartoonist loves a man with a mad wife, who dies in time to prevent her marriage to a jilted Comte.
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Dir: Clarence G. Badger
Rosie Mendelsohn, the daughter of a kindly Jewish tailor in New York City's East Side ghetto, ends her romance with struggling author George Howard at the behest of her father, who prohibits her marriage to a gentile. George disappears from her life, and Rosie attempts to find him by becoming a private secretary to publisher Joseph Rayberg. She persuades Rayberg to host a contest in which authors submit endings to an unfinished manuscript she claims to have discovered. Rayberg, intent on seducing Rosie, agrees to publish the manuscript only after Rosie promises to have sex him when the contest is over. In reality, the manuscript is a portion of George's novel, a humorous story based on Rosie's life. After receiving George's ending to the story, Rayberg locks Rosie in his office, but she escapes into George's arms. Her father relents and blesses their union.
Dir: Clarence G. Badger
A young woman reads tales of a gallant White Knight and imagines that such a knight might come to rescue her from her dull existence. Although she is wooed by a wealthy industrialist, she rejects his suit in hopes that her romantic ideal might come. One day a young writer comes to her village, and it seems as if he might be the hoped-for White Knight.
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Dir: Jacques Jaccard
Douglas MacLeod of the Royal North West Mounted Police is in love with Suzanne Foucharde, who has adopted an abandoned Indian baby, the illegitimate child of Louis La Rocque and Na Fa Kowa. When La Rocque insinuates that the baby is Suzanne's, her brother Henry defends his sister's honor and kills the villain. In spite of his love for Suzanne, it is Douglas' duty to arrest Henry. He does so, but later allows him to escape, taking the bullet himself that was fired after Henry by Constable Burke. Meanwhile, the dead body of Na Fa Kowa is found, accompanied by a note proving that the Indian was the baby's mother. In the spring, when Douglas recovers from his wounds, he and Suzanne are married.
View DetailsAnalysis relative to Paris
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| Sis Hopkins | Gothic | High | 98% Match |
| The Kingdom of Youth | Ethereal | Layered | 85% Match |
| Strictly Confidential | Ethereal | Dense | 97% Match |
| Through the Wrong Door | Surreal | Layered | 86% Match |
| The Venus Model | Gritty | High | 85% Match |
This guide was algorithmically generated using the cinematic metadata of Clarence G. Badger's archive. Last updated: 6/18/2026.
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