Recommendations
Archivist John
Senior Editor

The 1928 release of Pay as You Enter redefined the parameters of Comedy storytelling, the narrative complexity found here is a rare find in the 1928 landscape. Prepare to discover your next favorite movie in our hand-picked collection.
Historically, Pay as You Enter represents to explore the darker corners of the human condition with cult status.
Trolley car conductor Clyde Jones (Clyde Cook) and bus conductor "Terrible Bill" Jones (William Demarest) are arch rivals for the hand of coffee-shop owner Mary Smith (Louise Fazenda)
The influence of Lloyd Bacon in Pay as You Enter can be felt in the way modern Comedy films handle cult status. From the specific lighting choices to the pacing, this 1928 release set a high bar for atmospheric immersion.
Based on the unique cult status of Pay as You Enter, our vault has identified these titles as the most compelling follow-up experiences for fans of Comedy cinema:
Dir: Jerome Storm
Ne'er-do-well Homer Cavender ventures to the city from Mainsville in an effort to find fame and fortune. Both elude him, and after clerking for two years, Homer returns home for a vacation. Impressed by his flashy clothes, the townspeople assume that Homer has achieved success. Attempting to win Rachel Prouty from his rival, Arthur Machim, Homer continues the deception by announcing that his employer, Kort and Bailly, has dispatched him to enroll stockholders for a proposed new plant to be built in Mainsville. Machim discovers the sham and denounces Homer as a crook. Meanwhile, Homer returns to New York, convinces his employers of the merits of his plan and comes home triumphant, with a proposal for both the new plant and for Rachel's hand in marriage.
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Dir: Vernon Stallings
Krazy Kat is held in jail and Ignatz finally bails him out after encountering "guilt".
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Dir: Richard Smith
Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.
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Dir: F. Martin Thornton
In Paris an orphan cartoonist loves a man with a mad wife, who dies in time to prevent her marriage to a jilted Comte.
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Dir: Henry Edwards
A millionaire bets £25,000 that he can earn his own living for six months.
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Dir: Roy Clements
A man agrees to marry the daughter of a deceased friend - who is, in fact, being impersonated by the servant girl of the daughter, who has also already died.
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Dir: Jacques Jaccard
Douglas MacLeod of the Royal North West Mounted Police is in love with Suzanne Foucharde, who has adopted an abandoned Indian baby, the illegitimate child of Louis La Rocque and Na Fa Kowa. When La Rocque insinuates that the baby is Suzanne's, her brother Henry defends his sister's honor and kills the villain. In spite of his love for Suzanne, it is Douglas' duty to arrest Henry. He does so, but later allows him to escape, taking the bullet himself that was fired after Henry by Constable Burke. Meanwhile, the dead body of Na Fa Kowa is found, accompanied by a note proving that the Indian was the baby's mother. In the spring, when Douglas recovers from his wounds, he and Suzanne are married.
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Dir: Hal Roach
An American book salesman (Lloyd) is persuaded to go to the kingdom of Thermosa to impersonate the Prince. He is greeted by a peasants' revolt before the real prince shows up to claim his throne and princess. The revolution succeeds, and the American is elected president of the new republic.
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Dir: Reggie Morris
A fascinating piece of cinema that shares thematic elements.
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Dir: Maurice Elvey
A lady marries a horse trainer but withholds herself until her crippled brother is cured.
View DetailsAnalysis relative to Pay as You Enter
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| Homer Comes Home | Ethereal | Linear | 93% Match |
| The Great Cheese Robbery | Surreal | Linear | 87% Match |
| Lunatics in Politics | Ethereal | Dense | 97% Match |
| The Flame | Surreal | High | 97% Match |
| The Amazing Quest of Mr. Ernest Bliss | Gritty | Linear | 86% Match |
This guide was algorithmically generated using the cinematic metadata of Lloyd Bacon's archive. Last updated: 5/13/2026.
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