Recommendations
Senior Film Conservator

In the vast archive of Romance cinema, Piernas de seda stands as a artistic bravery beacon, it's essential to look at the contemporaries that shared this artistic bravery. Our cinematic experts have identified several titles that reflect the spirit of 1935.
Few films from 1935 manage to capture to leave an indelible mark on the history of United States film.
When singer Frank Alton is late for work at a radio station in New York, Conroy, the manager, fires him. Without Frank on the program, Ninón Silk Stockings, the show's sponsor, begins to lose sales. The president of the company, John Baxter, and his bored daughter Lolita, are then dismayed to learn that Frank has begun to work for their competitor, Bon Soir Stockings. After learning that Frank is stealing their customers, Lolita convinces her father and his associates, who do not believe that women can do "men's" work, to let her sell stockings. Using the name of Mary Smith, Lolita makes an appointment with Mr. Morán, one of Frank's customers, and then sells him 150 gross of stockings. Discovering that he is being undermined, Frank determines to win his next sale with a man named Fishback, whom he meets for dinner. At the restaurant, Fishback confesses that women are his weakness and eyes "Mary" from across the room. Not realizing that she is the salesperson who stole his customer, Frank enlists her help. When Fishback places his order for 300 gross, Lolita uses the Ninón order form without Frank's knowledge. After this second failure, Frank travels to Pottsville, where his customer, Mr. Brown, meets him at the station to tell him that he's already signed an order for Ninón stockings. At an inn in Pottsville, Frank meets Lolita, still in the guise of Mary, and having caught on to the fact that she is stealing his trade, gives her a list of the customers he's planning to see and challenges her to steal them away. The next morning on the train, Frank dresses up like the porter and tricks Lolita into getting off at the wrong stop. When Frank jokingly tells the conductor about the ruse, the conductor places him under arrest. Lolita gets Frank out of jail and tells him that the customer he has come to see, Mr. Evans, is out of town. They decide to declare a truce, and Lolita suggests that they take the rest of the afternoon off. They drive to an isolated spot for a picnic, and when Frank makes a pass at Lolita, she breaks their agreement by returning to the city and leaving him stranded. At Ninón headquarters, Baxter slights Conroy as they plan for the upcoming Annual Stocking Show. At the show, Frank flaunts his new advertising slogan, "Follow me -- I won't run," which he has printed on buttons. In the Ninón dressing room, Conroy, to sabotage Lolita, takes one of Frank's buttons and rips holes in the Ninón stockings. When the models appear in ripped hose, the audience is aghast. Next, Frank sings a song for Bon Soir Stockings and sends his models out into the audience for orders. Lolita stops Fishback as he is about to place an order and, after telling the customers that the runs in Ninón's hosiery were the work of a diabolical competitor, demonstrates their resilience. After the customers flock to buy from Lolita, Frank's boss, who believes that he sabotaged the Ninón show, fires him. Frank then visits Lolita at her home and still unaware of her true identity, mistakenly thinks that Baxter, her father, is making sexual advances toward her. Frank hits Baxter in the face, and after the misunderstanding is cleared up, Frank explains that Conroy ruined the show. Baxter then agrees to rehire Frank, while he and Lolita plan their wedding.
Critics widely regard Piernas de seda as a cult-favorite piece of Romance cinema. Its artistic bravery is frequently cited as its strongest asset, solidifying its place in United States's film legacy.
Based on the unique artistic bravery of Piernas de seda, our vault has identified these titles as the most compelling follow-up experiences for fans of Romance cinema:
Dir: Robert Thornby
Mary Willard takes over her father's railroad after his death. Her major competitor is a ruthless crook named Harvey Judson. She arranges for Judson to be kidnapped and taken to an isolated spot deep in the forest and turned loose to fend for himself. She accompanies the kidnappers to the wild and Judson, not knowing who she is, begins to fall in love with her. Complications ensue.
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Dir: Unknown Director
The Judge needs a present for his wife's birthday, so Harry suggests a new corset. They go to the shop, but he's so embarrassed to ask the saleslady he hides in a phone booth.Harry goes in, but finds a GUY wearing one, and runs out.They both dress as women to get back in, but Mrs. Rummy gets there and chases him out.
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Dir: Richard Smith
Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.
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Dir: Roy Clements
A man agrees to marry the daughter of a deceased friend - who is, in fact, being impersonated by the servant girl of the daughter, who has also already died.
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Dir: Jacques Jaccard
Douglas MacLeod of the Royal North West Mounted Police is in love with Suzanne Foucharde, who has adopted an abandoned Indian baby, the illegitimate child of Louis La Rocque and Na Fa Kowa. When La Rocque insinuates that the baby is Suzanne's, her brother Henry defends his sister's honor and kills the villain. In spite of his love for Suzanne, it is Douglas' duty to arrest Henry. He does so, but later allows him to escape, taking the bullet himself that was fired after Henry by Constable Burke. Meanwhile, the dead body of Na Fa Kowa is found, accompanied by a note proving that the Indian was the baby's mother. In the spring, when Douglas recovers from his wounds, he and Suzanne are married.
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Dir: Charley Chase
A young married couple volunteer to take charge of several orphans after the asylum has burned down. Of course they find their hands full with their troublesome charges.
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Dir: Victor Heerman
In the gold fields of the Canadian Northwest, a man is falsely accused of a crime and determines that a lookalike is responsible.
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Dir: Lloyd Ingraham
While walking along the street one day, Arthur P. Hampton, an impoverished young doctor, and his chums, Stub Masters and Johnny Stokes, are persuaded to part with their last remaining funds by tag day solicitor Mary Jane Smith, with whom the doctor promptly falls in love. Doc's friends then hit upon a get-rich-quick scheme. Knowing that his Uncle George has promised a large sum of money upon his nephew's marriage, they persuade Doc to send out fake wedding invitations naming Mary Jane as the blushing bride. Uncle George, elated at the good news, writes to Mary Jane's aunt, Angelica Burns, an old sweetheart, to invite Mary Jane and Angelica to be his guests on an ocean voyage. Meanwhile, Mary Jane pays a visit to the doctor's office and, upon seeing the wedding invitations, becomes so flustered that she trips and sprains her ankle. Doc comes to her rescue and then begs her to pose as his wife. She agrees, but at ship-side, Stub and Johnnie confess all to Uncle George, who flies into a rage until Doc announces that he and Mary Jane have chosen a wedding at sea.
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Dir: F. Martin Thornton
In Paris an orphan cartoonist loves a man with a mad wife, who dies in time to prevent her marriage to a jilted Comte.
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Dir: Hal Roach
An American book salesman (Lloyd) is persuaded to go to the kingdom of Thermosa to impersonate the Prince. He is greeted by a peasants' revolt before the real prince shows up to claim his throne and princess. The revolution succeeds, and the American is elected president of the new republic.
View DetailsAnalysis relative to Piernas de seda
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| The Deadlier Sex | Gothic | Layered | 97% Match |
| A Fitting Gift | Surreal | Layered | 96% Match |
| Lunatics in Politics | Ethereal | Dense | 97% Match |
| The Tiger's Coat | Gothic | Abstract | 88% Match |
| Under Northern Lights | Gothic | Layered | 89% Match |
This guide was algorithmically generated using the cinematic metadata of John Boland's archive. Last updated: 6/5/2026.
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