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Dir: Francis Powers

Anna Gray is a quiet, high-principled young woman who falls in love with Perry Carlyle, a weak young clerk whose own extravagant tastes, and the dissipations induced by endeavoring to please Ruth Jordon, have combined to plunge him into both debt and dissatisfaction at his lot. He finds that his position in the Treasury Department enables him to obtain possession of pieces of mutilated money and that by pasting them together he can induce tradesmen to accept them for good bills and so add considerably to his income. However, the Secret Service men are soon on his train and only Anna's heroic self-sacrifice saves him from the consequences of his crime. Ruth discards him in his trouble, and as he realizes that her affection was inspired only by mercenary motives, while Anna loves him sincerely for himself alone, he is swept in a revulsion of feeling to a love for her which is as deep and lasting as her own. There are moments of the most tense and thrilling suspense while Anna is concealing Perry from the police and when she confronts Ruth and struggles with her for the evidence which will clear or convict Perry, the situation is tremendous as the two women struggle with all the fierceness of love, passion, and despair.

A visual fragment from the archive: The thematic resonance of The Ring and the Man perfectly mirrors the editorial trajectory of our deep dive.

Dir: Francis Powers

A fascinating piece of cinema that shares thematic elements.

A visual fragment from the archive: The thematic resonance of Pilgrim's Progress perfectly mirrors the editorial trajectory of our deep dive.

Dir: Francis Powers

Distinguished dramatic actor Bruce McRae makes his first appearance on the screen in the popular story of love and politics, "The Ring and the Man," by Cyrus Townsend Brady. The commanding personality and splendid poise of Bruce McRae fit him peculiarly for the role of Gormly, the man whose bravery and self-possession in the face of crucial circumstances enable him to successfully oppose the corrupt forces of the gigantic political ring that is trying to ruin him. Gormly's real name is Fordyce, but the shadow of a crime which hangs over his past has caused him to change it to Gormly, by which name he is known to his business associates and the public, who respect him as a great merchant prince and reform candidate for mayor. Behind Gormly's ambition is a good and beautiful woman, Eleanor Haldane, whose father is president of the Gotham Traction Co., a powerful corporation which has always controlled the city's administration. The Gotham Company and Gormly become involved in business complications, and Gormly, seeing the evilness of city politics, partly through a desire to destroy the power of the Gotham Company, and partly to realize Miss Haldane's faith in him, decides to enter the mayoralty race, and is seen far in the lead of the Gotham Company's candidate. Another woman in Gormly's life, a woman of the past, now tries to regain her power over Gormly, and failing, takes the great secret of his former life to the chief of police, who is a tool of the Gotham Company. The chief calls on Gormly and threatens to expose him unless he withdraws from the race. Gormly courageously refuses. Haldane is informed of his development by the chief of police, and knowing of Gormly's love for his daughter, urges her to offer herself as wife to Gormly if he will cease his fight against the Gotham Company. Loving her father, and wishing to test Gormly, Elizabeth does this, and is both pleased and grieved when Gormly sacrifices even his love for his principles, and refuses to be bribed even with the gratification of his greatest wish. How the shadow of the crime of his past is lifted from him, how he defeats the vicious ring forces and finally wins his election and his bride, is dramatically visualized in this gripping production.