Visionary Picks Drawn from the Same DNA as Pioneer Trails: Cult Guide

Dir: David Smith

Spunky young Alannah, an Irish immigrant living in a tenement, sells newspapers to support her family. She is soon helping a district attorney secure proof that the unjust town mayor is collecting bribes. For her reward, Alannah and her boyfriend Jimmy are appointed managers of a municipal restaurant.

Dir: David Smith

A visual fragment from the archive: The thematic resonance of The Wishing Ring Man perfectly mirrors the editorial trajectory of our deep dive.

Forced to wear quaint short dresses and pigtails so that she will inspire her grandfather's sentimental poetry, nineteen-year-old Joy Havenith longs for companions of her own age. One day Johnny Hewitt, seeing her confide her troubles to her Aunt Lucilla's portrait, tells her that if she wishes hard enough, her dreams will come true. Not knowing his name, she thereafter thinks of him as her "wishing ring man." Soon Joy meets a married couple who invite her to the city. Because her grandparents will not let her leave until she is engaged, she lies that she is the fiancée of a man of whom her friends have spoken, Dr. John Hewitt, not realizing that he is her "wishing ring man." John agrees to play along for a month, to the dismay of his fiancée, Gale Maddox. After the wedding presents and bridesmaids have arrived, Joy, thinking that John loves Gale, leaves the rehearsal and returns home. John then finds her confiding to the portrait and declares his real love for her.

Dir: David Smith

Peggy Winston, the boss of a lumber camp left to her by her father, is loved by all the "jacks" of the camp. When Clayton Hargis, the son of a millionaire ship builder visits to contract for the camp's entire output, Peggy, deeply affected by him, rescues him when he falls into dangerous waters, but Clayton remains ignorant of her affection. Peggy accepts the invitation of Clayton's sister to join them in the city, and after trading her corduroys and spiked shoes for silks, blossoms into a beautiful woman. Heartbroken when she sees Clayton's fiancée embrace him, Peggy leaves and lives a week in the city after pawning her clothes. In Peggy's absence, the title to the camp is taken over by a friend of Clayton's. The friend and Clayton, who now realizes that he loves Peggy, search for her at the camp. After the hostile lumberjacks lock them in a cabin and plant dynamite underneath it, Peggy arrives, quells the riot, and saves them. Clayton straightens out the title of the camp, and confesses his love for Peggy.

Dir: Wilfred Lucas

A visual fragment from the archive: The thematic resonance of The Little Boss perfectly mirrors the editorial trajectory of our deep dive.

Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.

Dir: Edward LeSaint

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.

Dir: David Smith

A visual fragment from the archive: The thematic resonance of The Jackeroo of Coolabong perfectly mirrors the editorial trajectory of our deep dive.

Willie Robbins loses his heart to Myra Allison, the prettiest and liveliest girl in San Augustine, but she laughs at him and taunts him. Soon after the Spanish-American War starts, Willie volunteers and plunges madly into danger, and wins a captaincy by capturing a Spanish general. Myra marries Joe Cranberry, but when Willie hears of this, he seems indifferent. After the war Willie returns to San Augustine and is met by the Mayor, a brass band, and schoolgirls. He is the hero of the occasion. After the welcome, Willie makes for the little white cottage of Joe Cranberry. Myra is on the porch, untidy and unattractive. Willie waltzes up to her and the joke is on Myra.

Dir: Harley Knoles

Jim McDonald, the foreman of a shipbuilding plant and head of the labor union, strives to combat the anarchistic propaganda being put forth by Klimoff, the leader of a Bolshevik gang whose goal is to disrupt the country with strikes and anarchy. Despite McDonald's efforts, a strike is called, resulting in chaos. McDonald's child is knocked down by runaway horses abandoned by their striking driver, and dies. Mob scenes take place in America, as well as in Russia. Eventually, the unrest is quelled with an armistice called between Capital and Labor for a year, during which time wages are to be increased to reflect the cost of living, and leaders are to work out a common plan for their mutual advantage. The strikers now realize that they have been pawns of the Bolsheviks and call off the strike, agreeing to the plan.

Dir: David Smith

A visual fragment from the archive: The thematic resonance of A Sister to Salome perfectly mirrors the editorial trajectory of our deep dive.

The Hollisters, a bright, spirited, wholesome family, are compelled to move into the country. After many efforts to secure a home, Shirley, eldest of the Hollisters, contrives a way out by renting a magnificent old stone barn at a ridiculously low price, transforming it into a house. The owner of the barn is not an ordinary landlord, as you will see, for he is a young man with fine ideals, and he is not content with establishing Shirley and her family in the quaintly beautiful old place, but makes the world a much happier place to live in for all of them

Dir: David Smith

Ragged Patsy O'Reilly imagines herself as the descendant of Irish nobility. When her father, an impoverished contractor, invents an ore crusher, the family suddenly becomes wealthy and moves to New York City. Patsy is enrolled in a finishing school, and her parents tour Ireland, where they purchase, at their daughter's request, a coat-of-arms from the bankrupt Lord Windbourne family. After the O'Reillys return to the U.S., they are visited by Lady Windbourne and her son, the Lord, who do not mention that the adopted coat-of-arms is their own. Lord Windbourne becomes engaged to Patsy, but is later revealed as an impostor by the true heir to the Windbourne line, Larry Burke, an English officer. Larry marries Patsy and gives her an authentic ancestral name and coat-of-arms.

Dir: Bruno Ziener

A fascinating piece of cinema that shares thematic elements.