Curated Recommendations Seeking the Same Brilliance as Poisoned Par...

Dir: Louis J. Gasnier

A newspaperwoman finds trouble aplenty when an Inca tribe believes her to be the reincarnation of their long-lost princess.

Dir: Edward LeSaint

A visual fragment from the archive: The thematic resonance of A Sister to Salome perfectly mirrors the editorial trajectory of our deep dive.

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.

Dir: Wilfred Lucas

Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.

Dir: Bruno Ziener

A visual fragment from the archive: The thematic resonance of The Jackeroo of Coolabong perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Maurice Elvey

A lady marries a horse trainer but withholds herself until her crippled brother is cured.

Dir: Frank Beal

A visual fragment from the archive: The thematic resonance of Eva, wo bist du? perfectly mirrors the editorial trajectory of our deep dive.

During a raging Montana snowstorm, Doctor Jim Barnes collapses at Esther Anderson's cabin door. Esther offers Jim refuge, but when he discovers that their food supplies are running dangerously low, he braves the journey into town in order to replenish them. On the way, he is overcome with exhaustion and fails to return. Esther, unaware of Jim's condition and abused by her stepfather, joins a theatrical troop and leaves home. Time passes and Jim finally finds Esther, but a vindictive member of her troupe accuses her of having an affair with the manager and Jim believes the accusation. He leaves and Esther goes to New York City where she becomes engaged to a jealous artist, although she still loves Jim. Sam Tuttle, a long time friend, is aware of Esther's continuing love, and so brings Jim to New York City in time to save Esther from an unhappy marriage.

Dir: Louis J. Gasnier

Hazel Kirke, daughter of Dunstan Kirke, a miller, is sent off to be educated by Squire Rooney, who has promised to marry her upon her return. All this in repayment for a small sum which Rodney advanced to save the old mill from the auction block. Five years later, near the end of her school years, she meets Arthur Carringford. At home again, she renews her promise to Rodney. Some days later, Arthur on a hunting trip, meets with an accident near the mill, and is confined there for some weeks, during which time a new friendship springs up between the two. Some time later, when Rodney and Dunstan see Hazel and Arthur embracing, Dunstan denounces them and sends them away. Arthur's mother, to save the family fortune, wishes Arthur to marry Maude, her ward, who is loved by Pittacus Greene, and whose fortune was squandered by the elder Carringford before his death. She sends Pittacus and Arthur's valet to dissuade Arthur from marrying Hazel, and they arrive as the two are coming away. At a nearby village, the valet, thinking the ceremony is to be a fake, goes to a saloon for a "minister." He then notifies Mrs. Carringford by letter. A few weeks later that lady arrives during Arthur's absence and tells Hazel that she has been duped. The girl, distracted, runs away and upon Arthur's return the panic-stricken mother tells of the plot and passes away from a heart attack. After a day or two's search for Hazel, Arthur rides toward home, stopping at a small church. The parson proves to be the one who married them and he tells of his good work in the slums of nearby towns disguised as a "tough." The two ride off to the mill hoping to meet Hazel. Unknown to the young people, Dunstan's terrible denunciation of them has left him sightless and it is before Hazel's blinded father that the two are reunited with parental blessing, only after Arthur has rescued Hazel from the icy millpond waters into which she had thrown herself.

Dir: Louis J. Gasnier

A visual fragment from the archive: The thematic resonance of The Hundredth Chance perfectly mirrors the editorial trajectory of our deep dive.

Pauline, a young maiden, must protect herself from the treacherous "guardian" of her inheritance, who repeatedly plots to murder her and take the money for himself.

Dir: William Parke

Bruce Wendell, the son of West Virginia coal mine owner James Wendell, graduates from West Point and prepares to lead a fighting unit to the front during World War I. As his father lies dying, however, he convinces Bruce to remain at home and guard the mine. Bruce's fiancée Ann Blair assumes that he is a coward and breaks off their engagement, but her brother Bobbie remains Bruce's loyal friend. Meyer, a German agent, persuades railroad president Parrish to refuse to transport Wendell's coal, but when Bruce adamantly refuses to close the mine, the spy's men decide to blow it up. While Ann is being abducted by Meyer, Bobbie is buried in an explosion at the mine. Bruce rescues Bobbie and then sends a plea to Lieutenant Parrish to rescue Ann. Meyer and his gang are captured and Ann renews her vow of love to Bruce.

Dir: Robert N. Bradbury

A simple country girl, brutally mistreated by her stepfather, awakens first the sympathy, then the love, of The Boy. The Spider, who lusts after The Girl, makes a bargain with the stepfather and takes her to the city where, kept prisoner, she is soon broken in health and spirit. Cast out and near death, she is taken in by The Boy. Following the demise of The Spider, The Boy takes her to church, where he prays, and after many hours she is restored to health.