Recommendations
Archivist John
Senior Editor

After experiencing the emotional resonance of Put 'Em Up (1928), you are likely searching for more films that share its specific artistic vision. Unlock a new level of cinematic understanding with these Western alternatives.
This 1928 Western classic stands as a testament to push the boundaries of conventional storytelling.
Tom Evans and his cronies see the local stage intercepted by Lannister's men, one of whom, Mullins, tries to force his attentions on a passenger, Helen Turner, who is returning from school.
The influence of Edgar Lewis in Put 'Em Up can be felt in the way modern Western films handle emotional resonance. From the specific lighting choices to the pacing, this 1928 release set a high bar for atmospheric immersion.
Based on the unique emotional resonance of Put 'Em Up, our vault has identified these titles as the most compelling follow-up experiences for fans of Western cinema:
Dir: Edgar Lewis
Stolen when a baby by a mulatto woman, who becomes a half-crazed witch, and raises her to beautiful womanhood with the belief that she is her own daughter, Belle cannot bring herself to mix with her race and accept the attentions of a noble character in the person of Ben Swift, in whose veins the blood of the red, white and black races are mixed. A handsome white stranger. Page Warren, from the North, who believes her a white girl, falls in love with her. She returns his love while at the same time hiding the fact that she is the negro witch, Lindy's, daughter. Page incurs the hatred of the bad element among the blacks, while failing to appreciate that there is also a good element among whom are men and women as noble as any of his white companions. He incurs the hatred of Ben Swift, who misinterpreted his attentions to Belle, and resents the mixing of the races, not knowing that Belle has not disclosed her identity to Page. The attacking of Page by a gang of bad blacks, following his fight with one of their leaders, his rescue by Ben Swift, who has learned of Belle's love for the white man. the discovery by Page that Belle is a mulatto, the sensational disclosure of the fact that she is the last daughter of a prominent Southern family, the death of Ben Swift while defending Page and Belle from an enraged mob and the beautiful handling of the subject of the spiritual equality of men makes "The Bar Sinister" an intensely interesting drama with a powerful appeal to all classes.
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Dir: Edward LeSaint
When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.
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Dir: Edgar Lewis
The Jordans, Phil and Ruth, accompanied by Philip's wife, Polly, and Dr. Winthrop Newbury, a suitor for Ruth's hand, bid old Mrs. Jordan good-bye at the station of Milford Corners, Mass., and depart for the west, to work over some unredeemed desert land, which was left to the Jordans by their dead father. Arriving in the west, they take up their work, but it proves anything but a success. On the brink of the Great Divide lives Stephen Ghent, an untamed and untrained man of the west, and on account of his manner is respected by the habitués of Miller's saloon and dance hall in the town, which he and two of his acquaintances in the persons of Pedro, a half-breed Mexican, and Dutch, a brutal type of the west, frequent. Polly tires of western life and jumps at the chance to take a trip to Frisco. Philip drives her down to the station that night. On an adjoining ranch a cowpuncher is seriously hurt and a boy is dispatched for Dr. Newbury. After cautioning Ruth to retire early, the doctor takes his leave. Stephen Ghent, Pedro, and Dutch are down in the town drinking. They afterward depart and start up the Coldwater Trail, which runs alongside of the Jordan home. As they pass the dimly lighted cabin, they see a woman standing in the doorway. Cautiously approaching the door, they enter the cabin and Ruth is overpowered. Dutch and Ghent fight a duel for her in which Dutch is killed. Pedro is bought off by Ghent with a string of nuggets, and Ruth belongs to him. In the man of the woods, Ruth recognizes the ideal man she desires for a helpmate. Ruth agrees to marry Ghent and live as his wife in name only until he has changed his character. Ghent agrees and they are married. Ghent then brings her to his cabin. As day by day goes by, Ruth begins to see other qualities in her husband and also to believe in him. One night, however, Ghent filled with a desire for her and goaded on by the whiskey that is in him breaks his promise. Ruth denounces him for his actions and tells him that not until he has purged himself through suffering will she ever believe in him again. She also tells him that she is going to earn enough money to buy back the string of nuggets from Pedro, with which he managed to get her into his power. Some time later Ruth departs for town to sell her last blanket. She has been weaving Navajo blankets in order to raise the necessary amount to buy back the nuggets. In the meantime the Jordans become disgusted and prepare to go back east. While waiting at the station they find Ruth, who has just completed the sale of her blanket. They see her start up the trail and follow her on foot. Ruth buys back the string of nuggets from Pedro, but she has not time to turn it over to Ghent upon her arrival at the cabin before she is overtaken by the others. It is her desire to have them believe she is happy and refuses to go back east with them. She introduces Ghent to them just as they are ready to catch the train. Ghent, unable to understand her changed attitude, starts to thank her. She tells him that circumstances forced her to act as she did, but that she is now able to buy back her freedom from him. Ghent is stunned, and at first refuses to let her go, but when she tells him of the life that is to come and that it is their duty to protect its happiness through a mother's love, he finally releases her from her promise, and Ruth, with the sense of newfound freedom, starts down the trail to overtake the others before it is too late. Ghent's attention as he looks after her is suddenly attracted to a bit of trembling earth on the mountainside. He realizes the great danger that Ruth is in and starts down the trail to rescue her. He is just in time and has thrown her to one side when the landslide comes upon him and carries him into the valley below. The rumbling sound has caused the others to look back. A reunion takes place over the injured Ghent. He is brought to the cabin, where he recovers under the care and attention of Dr. Newbury and Ruth. Ruth tells him that he has purged himself through his suffering and once more the couple start out in life upon a happier basis.
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Dir: Edgar Lewis
Dr. Robert Winston loses faith in himself and his religion when his own mother dies under his scalpel. Abandoning his profession, he moves to the Canadian Northwest, where he avoids companionship and drinks constantly. Despite Robert's atheism, he attracts the interest of Jeanette Mercier, the minister's daughter, and under her gentle influence, he is slowly regenerated. In the meantime, an Indian named Lone Deer bids a temporary farewell to his sweetheart Winona, whose father wishes to die among his own people, but when he finds her canoe overturned in the water, he assumes that she has drowned. Later Lone Deer saves Jeanette from Lou Baribeau, the brutal and lecherous company agent, but is seriously wounded in the struggle. Rev. Mercier convinces Robert to operate, and because the procedure proves successful, the doctor regains his faith and marries Jeanette. Winona finally returns to aid in Lone Deer's recovery.
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Dir: Edgar Lewis
Herbert Carey discharges the Dudley brothers, Joe and Jim, from their positions as overseers on his plantation and thereby incurs their enmity. War is declared and Carey, after bidding his wife and daughter Virgie farewell, joins the Southern forces, the Dudleys joining the Northern. The spring of '61 finds Carey the most dangerous and daring of Confederate scouts. The Dudleys are under the command of Colonel Morrison, a dashing, chivalrous young Northern officer. Grant closes in on Richmond and orders Morrison to capture Carey. Morrison takes a small detachment of troops, including Jim Dudley, and going to the Carey homestead, searches it. Dudley, seeing a chance for revenge, sets fire to the house, but in endeavoring to escape is shot and killed by Morrison, who has discovered his treachery. Penniless and with the house in ruins, Mrs. Carey and Virgie finally seek shelter in their former overseers' deserted cabin. Mrs. Carey sinks down and finally dies. Carey, hearing of this, gets to the cottage and assists Uncle Billy to bury her. Carey, wishing to remove Virgie to Richmond, receives a pass from Lee permitting Virgie and an escort to go through the Confederate lines. As he goes to the cottage to deliver the pass to Uncle Billy he is discovered and captured in it by Morrison. Carey tells him why he had come and Morrison's heart, being touched, he also gives Carey a pass through the Northern lines, telling him to take Virgie into Richmond himself. Joe Dudley discovers this and informs the Northern officer that Morrison has given a pass to Carey, the notorious scout, to pass through the Northern lines. Carey and Morrison are captured, court-martialed and sentenced to be shot. Little Virgie, hearing of this, goes to Grant and pleads with him to save her "Daddy." Carey is called before Grant and tells his story. Grant's heart is touched and he releases Carey telling him that though he cannot honor Morrison's pass, he can honor that of General Lee. Morrison is released also, and Carey and The Littlest Rebel. Virgie, are once more reunited. After the war finds Morrison, his wife and child, meeting Carey and Virgie over his wife's grave; the North and South join hands. The Confederate flag is seen meeting the Stars and Stripes; they flutter for a moment, then slowly intertwine and the picture fades away.
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Dir: Edgar Lewis
Murice Brachard, a dock laborer, rises to be a "Samson" of finance with terrific power and a primordial ferocity, which he needs when his wife spurns his devotion, and people he trusts try to pull down the structure of wealth he has erected.
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Dir: Edgar Lewis
Rosa is looked upon as an outcast, and is always in the shadow of her spoiled younger sister Rita.
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Dir: Edgar Lewis
Captain Gray, of the United States Army, detailed to quell the Indian uprising, is wounded. A courier is dispatched to Gray's home with the news. Mrs. Gray, about to become a mother, receives a violent shock at the recital of the details of her husband's injury by the courier. The child born at this inopportune time is Wallace Gray. The prenatal influence exercised over the child at the time of his mother being informed of her husband's injury marks him as a coward. The report of a shot or the sound of an explosion throws the lad into spasms of fear. He is sent to college and there forms a strong comradeship with Swiftwind, an Indian, sent by his tribe to be educated. Wallace also forms a strong attachment for Florence Dunbar, a ward of his father, who is now Colonel Gray. Swiftwind is made acquainted with the moral defect inherent in Wallace and pities and protects him whenever the lad is made the subject of the jeers of his friends because of his born defect. Swiftwind becomes a graduate physician and receives a commission as assistant army surgeon, detailed to Fort Terry, in command of Colonel Gray. His immediate superior is Dr. Sherwood, an unscrupulous man. Florence Dunbar and Wallace Gray, traveling in a stagecoach to Fort Terry, are attacked by Indians. Wallace, with a cringing fear, deserts his companion, who is saved only by the timely arrival of Dr. Sherwood and troops. Sherwood marries Florence, nothing more being heard of Wallace, who, however, enlists in another regiment under General Crook, deserts under fire, and ultimately surrenders himself to his father, in the hope that he will be condemned to death. The boy, however, is sentenced to the "pyramids." While working under "ball and chain" he hears that his father and a small band of Americans are hemmed in a canyon by Indians with no hope of relief. The latter, having observed the Northern Lights in the heavens, follow their belief that the "Lights" foretell victory in battle and start on a massacre. General Crook calls for a volunteer to pass through the Indian lines to deliver a message to Colonel Gray. Swiftwind volunteers, but being weak from exhaustion and privation, falls as he is about to commence his ride. Wallace begs for the opportunity to redeem himself, and mounting his horse, arrives with the message to the besieged band just as they are about to recognize a false flag of truce of the Indians. Sherwood attempts to kill his wife by substituting cholera germs in a bottle labeled morphine. He is injured, however, and Swiftwind, intending to alleviate Dr. Sherwood's suffering with morphine, inoculates him with the cholera germs, unwittingly putting an end to him. Wallace's redemption restores him to the affection of Florence, whom he marries.
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Dir: Edgar Lewis
Philip Morrow grows to manhood in the belief that the blood in his veins is the most aristocratic in the South. "Clif" Noyes, a distiller of whiskey of the fiery brand manufactured for consumption, persuades Morrow to run for Governor. Upon his election to the Governorship he decides to sign a Prohibition Bill which means the ruin of Noyes' business. Noyes visits Morrow. He has found papers proving that Morrow has blood in him. Morrow, undaunted, makes the Prohibition Bill a law, and resigns his office and sacrifices his love to devote his life to the uplift of the Negro.
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Dir: Edgar Lewis
The picture opens in Pennsylvania 25 years ago, during the winter of terrible drought. Vogel, the village's most prosperous farmer, is called to his only brother's bedside to take charge of his 4-year-old nephew George. On his way home from the suicide's house, Vogel finds an old gypsy woman carrying an infant almost frozen to death. Vogel takes the infant home with him and the next day adopts her with George. The old gypsy is paid a sum of money to give up all claim of the child on condition that she will not interfere in the future. She accepts and departs. Marika and George are known in the town as the calamity children. Three years later, a daughter, Gertrude, is born to Vogel. The family is returning from her christening when the old gypsy woman suddenly seizes Marika and caresses her. The crowd drives off the old woman, the the incident makes an impression on Marika's young mind. Marika and George become childhood sweethearts, and when George is 12, he and Marika plant a little tree in the garden behind the house and call it their sweetheart tree. Seeing this, Vogel chides George for being so sentimentally silly, and orders him to get to work filling the grain bins. George resents Vogel's manner, and Vogel angrily flings out that George's father was a suicide who left Vogelto pay all his debts and bring up his son. George runs away, vowing that he will not return to the village until he can repay Vogel in full. Years pass and Marika and Gertrude are grown to young womanhood. Marika, with the memory of George ever in her heart, learns that he has prospered and is about to return to the village. Vogel, who hears this news, decides that George is the man to marry his daughter Gertrude. George returns, and is hailed with delight by all except Marika, who, actuated by a motive of gratitude because of all Vogel has done for her in the past, stifles the call of her own heart and keeps her love for George locked within her own breast. Later George asks Marika why she avoids him, but she's evasive, and he, in a fit of pique, proposes to Gertrude. When she hears of this, Marika insists upon fitting up the new home which George and his future bride are to occupy in a neighboring village. This necessitates her making frequent trips at night, returning to her home the following day. On one of these trips Marika again meets the old gypsy woman, who seizes her and calls her her daughter. Marika rushes to her home and later, as she hears the family discussing the incident of meeting the gypsy years ago, she realizes for the first time that the old hag is her own mother. It is St. John's Eve, two days before the wedding of George and Gertrude, and Marika is to make her last trip to the couple's new home. The family have retired and George has remained up to keep Marika company until train time. As she realizes that George is soon to go out of her life forever, Marika is unable to restrain the pent-up passion of years, and she begs George to take her in his arms. This action is seen through the window by the old gypsy, who realizes that from now on she can secure money from George to keep the facts of what took place from the public. As the day dawns George begs Marika to let him go to Vogel and tell his love for her, but she, knowing that the shock would kill Gertrude and break her foster parents' hearts, refuses. Later she silently looks on with breaking heart as George and Gertrude are married. During the wedding ceremony the old gypsy enters Vogel's house and is found by the returning guests in the cellar, intoxicated. She is arrested and taken to jail. Marika learns of this and goes at once to her mother, and finds her very ill. She dies in delirium. The next morning Pastor Hoffman, who has always loved Marika, comes to the cell and finds his beloved bending over the body of her mother. He takes her into his arms and she leaves the prison with him.
View DetailsAnalysis relative to Put 'Em Up
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| The Bar Sinister | Gritty | Dense | 91% Match |
| A Sister to Salome | Gothic | High | 88% Match |
| The Great Divide | Surreal | Linear | 91% Match |
| The Sign Invisible | Ethereal | Abstract | 85% Match |
| The Littlest Rebel | Gothic | High | 92% Match |
This guide was algorithmically generated using the cinematic metadata of Edgar Lewis's archive. Last updated: 5/13/2026.
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