Recommendations
Senior Film Conservator

Delving into the atmospheric depths of Race Wild reveals a master at work, the artistic provocations of Race Wild demand a follow-up of equal intensity. These hand-selected movies are designed to satiate your craving for Romance quality.
The enduring power of Race Wild lies in to transcend the limitations of its 1926 budget and technology.
A Kentucky colonel will lose the family homestead unless his prize racehorse, Racewild, wins the Kentucky Derby. A schemer who covets the homestead contrives to keep the horse out of the race, uncoupling the railroad car in which it is being shipped to Churchill Downs. The colonel's daughter and the jockey get the horse to the track, however, and the schemer drugs the jockey. The girl disguises herself in his colors and rides Race Wild to victory.
The influence of Oscar Apfel in Race Wild can be felt in the way modern Romance films handle nuanced performance. From the specific lighting choices to the pacing, this 1926 release set a high bar for atmospheric immersion.
Based on the unique nuanced performance of Race Wild, our vault has identified these titles as the most compelling follow-up experiences for fans of Romance cinema:
Dir: Oscar Apfel
Trader Ned Stewart's father Graehme was unjustly accused of adultery and killed. Ned sets out to avenge his father but is captured and send on "la longue traverse," the long journey to death. Virginia saves Ned, and the villain confesses Graehme's innocence on his deathbed.
View Details
Dir: Oscar Apfel
A fantasy from Ibsen's verse drama. Ne'er-do-well and braggart Peer Gynt has many adventures in varied countries, making and losing money, gaining fortune at others' expense, until he finds salvation in the love of Solveig.
View Details
Dir: Oscar Apfel
David Jenison, accused of a crime which he did not commit, escapes his guards and joins a traveling circus. Mrs. Braddock, wife of the circus owner, takes an instant liking to David and prevails upon her husband to give him a job as clown. Mrs. Braddock's daughter Christine, falls in love with David. All the performers become friends of the new clown except Ernie Cronk, a hunch-back who, himself admires Christine, takes a violent dislike to David and tries to kill him. David later saves Ernie from a bad beating at the hands of a gang of rowdies and Ernie thanking David, promises to help him clear his name of the crime charge. Ernie's friendly feeling, however, is short-lived, for in a jealous rage, he writes a note to the detectives informing them that David disguised as a clown, will take part in the afternoon performance, but Dick Cronk, Ernie's brother, learning of the latter's treachery toward David, takes David's place as a clown, while David escapes. Dick Cronk, who has learned to love Dave like a brother, goes to Jenison Hall. David's former home, and there confronts David's Uncle Frank, who he feels quite certain is the man who committed the crime David is charged with. Dick returns to the circus and tells David of his experiences at Jenison Hall. A few days later they learn that David's uncle and a notorious colored attorney have quarreled, dueled and killed each other, and in his dying confession, the uncle had completely exonerated David. David, before leaving the circus, confesses his love for Christine and asks Mrs. Braddock's permission to marry her, but Mrs. Braddock, fearing them too young, promises David that in five years, he may marry Christine if he still loves her, so David leaves, pledged to return. Col. Grand, infatuated with Mrs. Braddock and who has been following the circus about, finally through his clever scheming and the lending of money to Braddock, secures control of the circus and places Mrs. Braddock and Christine in his power. Col. Grand becomes abusive when his treatment is no longer tolerant to Mrs. Braddock and Christine. They leave the circus and return to their home in New York. Later, in New York, Braddock and Col. Grand meet and in a street fight, Braddock is arrested, accused of attempting to kill Col. Grand, and is railroaded to the penitentiary for five years. Five years have now passed and David comes to New York to claim Christine. Arriving at Christine's home, he learns that she will arrive later, from a trip to the country, and goes to the railroad station to greet her, but seeing her in the company of another young man, postpones his errand. He later meets Mrs. Braddock at a telegraph office and she gives him a wire she was just about to send him in which she tells him it is time for him to redeem his promise and he agrees to call that evening. Braddock released from prison, has sworn to kill Col. Grand on sight, and takes up a position outside the Braddock residence, and is about to enter, when Dick Cronk interferes and together, they go to a low resort where they can talk in safety. Col. Grand and Braddock meet face to face and Mrs. Braddock pleads with her husband to spare Col. Grand. Braddock does so and walks out of the house, telling them he is going to the river to end it all. During an altercation between Col. Grand, Dick and Ernie, Ernie shoots Col. Grand and when the police arrive blames it on his brother Dick, who at the trial is sentenced to death. Ernie later confesses his guilt and Dick is saved from the death chair. Braddock, instead of suiciding reforms and returns a better man. while Dave and Christine, learning of the re-union of father and mother, once again don their circus attire and together in the sawdust ring, live over in memories the days of their early love.
View Details
Dir: Oscar Apfel
Henry Disney, a milkman residing in a small city, is discovered by Phipps, a lawyer, to be the heir to the title and fortune of the Duke of Walshire. Phipps and his sister Laura, being pressed for money and anxious to maintain their social position, conspire to arrange a marriage between the sister and the milkman before he knows that he is the Duke. Phipps has Disney assaulted and arranges to be near in order to rescue him and take him to the Phipps house. In the meantime, however, Disney has met Ethel Hamilton, one of the young social leaders of the town, and has fallen in love with her, although he doesn't dare to speak of his love on account of the great difference in their social positions. His love for Ethel, however, prevents him from falling victim to Laura's wiles, and he finally escapes from Phipps' house, where they are trying to keep him on the pretense that he is very ill. He then discovers that he is the Duke. The efforts of the milkman to be a Duke and to win the girl he loves lead to many humorous complications, and, finally at a ball which the milkman gives in honor of Ethel, his conduct so displeases her that she refuses his love and tells him very plainly that the social snobs who have been fawning upon him on account of his title have been making a fool of him. The milkman then begins to see a great light, and, after resenting an insult to Ethel by one of the snobs, takes occasion to tell them what he thinks of them. The dance breaks up in confusion and the milkman, sore at heart, sees that he is being used by the snobs, while they are making fun of him behind his back. He renounces his wealth and title and goes back to his milk route, where Ethel finds him. He agrees to do this on condition that Ethel will act as his instructor and teach him how to be a Duke. This she finally consents to do and he drives her home in the milk wagon, after an understanding between them which promises a happy ending to his love story.
View Details
Dir: Oscar Apfel
Nicknamed "Wild Olive," Miriam Strange learns that her mother was an Indian, she moves to a hut near an Allegheny lumber camp. Norrie Ford, fresh from college, visits his uncle, the bullying boss of the camp, and meets Miriam. After his uncle is murdered with a knife found hidden under Norrie's mattress, Norrie is sentenced to die. He escapes a guard and, after staying a night in Miriam's hut, leaves for Buenos Aires with her letter of introduction for employment. Although he vowed to marry her, after his letters to "Wild Olive" return undelivered, Norrie, sporting a beard and an assumed name, becomes engaged to Evie Wayne, Miriam's stepsister. When Norrie is sent to be his firm's New York manager, he meets Miriam again. She sacrifices her love and agrees to marry lawyer Charles Conquest, if he will prove Norrie's innocence. After Evie learns about Norrie's past and breaks the engagement, the murderer makes a deathbed confession. Conquest releases Miriam when he sees that she loves Norrie.
View Details
Dir: Oscar Apfel
Ted Ewing, a young New Yorker, is the guardian of Nora Hildreth, with whom he is in love. He invests her fortune of $50,000 and an equal amount of his own money (constituting almost his entire property) in a stock exchange speculation. When this speculation apparently fails he seeks to reimburse the girl by taking out a life insurance policy in her favor and then killing himself. But, as the policy has a clause invalidating it in case of suicide, he has to arrange an "accidental death" for himself, and, to this end, enters into an arrangement with the chief of the S.S.S., a blackmailing society which has already threatened his life. The humorous complications really begin when it develops that the money has not been lost but doubled, so that Ted, instead of wishing to die, has every reason imaginable for wishing to live. It is, however, almost impossible to break his sworn pact with the S.S.S. and his own Japanese valet, to whom he gave the money to pay for his death, refuses to divert the money from the one use to which it has been pledged. The manner in which Ted manages to escape from his own plots against his own life, and the details of his romance with Nora form the concluding episodes of this highly amusing photodrama.
View Details
Dir: Oscar Apfel
Thomas Brainerd, Sr., as a prospector, is a dutiful and loving husband and father. Two children, Gertrude and Thomas, Jr., are born while the Brainerds live in a log cabin in the mountains. Brainerd strikes gold, goes to New York, where he becomes a financial power. He neglects his wife, devotes every moment of his time to his growing industries, simply supplies funds to his family, and his wife, alone and melancholy, is fascinated by an artist and consents to "sit" for a painting. Feeling her neglect keenly, Mrs. Brainerd becomes a victim to the wiles of the artist, who, however, is killed by the husband of a former victim before the affair has progressed too far. Brainerd, learning of his wife's affair with the artist, orders her from the house. Thomas, Jr. sides with and accompanies his mother. Heretofore a worthless spendthrift, Thomas now becomes ambitious and joins interest with a penniless inventor, goes west, establishes a factory, makes a go of it, sells out to his father at an enormous advance, convinces his father that his mother is innocent and, as he transfers the invention to his father's firm, sees his mother in his father's arms, which example he immediately follows by proposing to the girl he has always loved.
View Details
Dir: Oscar Apfel
Daniel Esmond, an English writer, discovers he has a half-sister who is a gypsy. He joins a gypsy clan to find her, and eventually becomes chief of the clan.
View Details
Dir: Oscar Apfel
While engaged in battle, Pierre Duval, a French soldier, stumbles onto the mortally wounded Count de Morave. Before dying, the count begs Pierre to deliver some family jewels and papers to the Vicomte Raoul de Reyntiens. At home, Pierre places the jewels in a box that also contains a necklace given to Margot, his wife, by the Duke D'Auberg. While stealing the box, Lazare, a war correspondent who witnessed Pierre's scene with the count, attacks and kills Margot. Found guilty of the crime, Pierre is sentenced to life imprisonment but is pardoned after performing a dangerous jailhouse rescue. Mavis, his daughter, who has been adopted by the duke, falls in love with the poor vicomte but is courted by Lazare, now posing as the Count de Morave. To win her love, Lazare gives her some of the stolen jewels, including the duke's necklace, but when Pierre sees the necklace later, he exposes Lazare and wins retribution.
View Details
Dir: Oscar Apfel
The treasure of the Aragon family has never been found or any trace of it, until one day, while Princess Maria Theresa is looking over her jewels, she drops the casket and a secret compartment flies open, disclosing an old parchment which tells of a locket that contains the diagram describing the location. The Princess goes for the locket and finds it has been stolen. Carmencita, her maid, has stolen it and, being jealous of her rival, Juanita, for Jose's affections, has sold it to Gaines, an American art collector. Juanita, during a fit of jealousy, stabs Carmencita, and Carmencita, on her death bed, tells the Princess and her brother she sold the locket. The Duke D'Alva overhears the conversation and starts in search of it, as does the Princess and her brother. In a southern town a feud has existed between the Jarvis and Markam families, and Markam kills Judge Jarvis. Warren Jarvis, his son, follows Markam to New York. Markam goes along the street and sees the locket brought from Spain by Gaines, the collector, and buys it. The Princess enters and finds the locket has been sold. She starts to find Markam. The Duke enters the store and asks about the locket, and he also starts to find Markam. The Princess gets the locket from Markam, who is at the same hotel that she is staying at. Jarvis, in search of Markam, finds him and kills him. While trying to escape he enters the Princess' room and tells her the story. Her trunk is nearly packed to go on the boat for her return to Spain. She hides Jarvis in trunk and he is taken on board the boat. In the meantime, Jarvis has telephoned to Rusty, his colored servant, to procure tickets. Two detectives enter and search for Jarvis, but fail to find him. He goes to Spain to help the Princess recover her treasure. Before the Princess goes to America, her father, who enters the castle which is supposed to be haunted, but in reality the ghosts are only the tools of the Duke dressed in armor and as ghosts, is killed by the Duke's men who also capture her brother and hold him prisoner. Jarvis, upon his arrival in Spain, starts with Rusty, his servant, to explore the castle. While at the inn near the old castle, the Duke steals the locket from the Princess' bag and tells Robledo, his tool, to keep Jarvis away from the castle. The Princess learns that the locket has been stolen and tells Jarvis. Jarvis starts to go out, when Robledo appears with drawn gun. He and Jarvis both fire. Jarvis seriously wounds Robledo who, on his death bed, tells the Princess about the castle and also about her brother. The brother, who has escaped by diving into the same place where the Duke's tools killed the Princess' father, swims the moat and escapes on the horse Jarvis rode to the castle. He notifies the police, who come to the castle. They are about to seize the Duke when he jumps down the trap and is killed. Jarvis and the Princess then each discover a mutual desire to possess the other and the story ends with the pair pledging their troth.
View DetailsAnalysis relative to Race Wild
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| The Call of the North | Gothic | Linear | 88% Match |
| Peer Gynt | Gothic | Dense | 91% Match |
| The Circus Man | Gothic | Abstract | 92% Match |
| Snobs | Surreal | Dense | 87% Match |
| The Wild Olive | Gritty | High | 92% Match |
This guide was algorithmically generated using the cinematic metadata of Oscar Apfel's archive. Last updated: 6/23/2026.
Back to Race Wild Details →