The Essential Watchlist Similar Cinematic Experiences to Reaching f...

Dir: John Emerson

Doug is an American mining engineer. Pres. Valdez of Paragonia (Aitken) wants him to reopen the country's mines. Doug is not interested ... until he sees the President's beautiful daughter, Juana (Rubens). Valdez returns to Paragonia, but is deposed by Generals Sanchez and Garcia and locked in San Mateo Prison. The Americano arrives. His company's local office has been ransacked, but he finds loyal caretaker Dan (Wilson) in hiding there. He is contacted by former Prime Minister Castille, now in disguise as a peddler... Valdez writes the mysterious date "23 Noviembre 1899" on scraps of paper which are then thrown from the prison window as garbage. Juana checks her father's diary. That date contains an account of a successful escape from San Mateo, using the secret tunnel! But Garcia demands that Juana marry him the next day or Valdez will die...

Dir: John Emerson

A visual fragment from the archive: The thematic resonance of Old Heidelberg perfectly mirrors the editorial trajectory of our deep dive.

Karl Heinrich is the heir to the throne of the small European principality of Rutania, but he's a lonely child, not allowed to play with other children and knowing little about life outside the castle. When he reaches college age he is sent to attend the University of Heidelberg, and really starts to enjoy himself for the first time, even falling in love with Kathie, his only friend during childhood and the niece of an innkeeper. However, political turmoil in Rutania forces him to return. He finds that the only way out of declaring war on a neighboring country would be to marry the daughter of its king--but that would require giving up Kathie, the only woman he's ever loved.

Dir: John Emerson

During World War I, Herr Dresser, a German-American professor from West Hoboken, New Jersey, invents a "mustache fixer," which stiffens the whiskers, making the wearer look very fierce. Much to the consternation of Dresser's daughter Elsie, a patriotic American, Kaiser Wilhelm calls them to Berlin to begin mass production of the tonic for the German army. Elsie's boyfriend, Teddy Swift, is particularly disturbed by this turn of events and decides to earn enough money to follow her to Germany. When the United States joins the war, Teddy is among the first to enlist, and soon he finds himself in Berlin trying to help Elsie escape from prison. After several narrow escapes, the two make their way to the mustache factory and blow it up. Brought before the Kaiser, they are rescued when American troops storm the palace, and the Kaiser loses his mustache and the war.

Dir: John Emerson

A visual fragment from the archive: The thematic resonance of Good-Bye, Bill perfectly mirrors the editorial trajectory of our deep dive.

A little English girl, abandoned in India and raised by an Indian swordmaker, learns of her true origin and returns to England to seek out her birthright.

Dir: John Emerson

In the town of Fremont, janitor Abraham Lincoln Jones is being groomed as the successor to Mayor Joe Bush. The old men who discuss politics in back of Hobart's grocery store like Abe, as does Mary Shelby, whose dress shop carries Vogue magazine and the latest New York City fashions. Feminist Aurora Noyes and her daughter Lotta arrive in town to politicize the women. Abe finds Lotta intellectually stimulating and loses interest in Mary. After war is declared, the eligible men in town enlist, Aurora ousts Joe, then convinces the townswomen to assume men's jobs and wear men's clothes, to the detriment of Mary's business. When Abe returns, he finds that Lotta has replaced him, the old men are doing housework, and the women will not relinquish their jobs or their clothing. He campaigns for mayor against Aurora by showing the townswomen pictures of American boys enjoying the charms of French girls. To win their men back, the women abandon their feminist ideals, patronize Mary's store, and elect Abe, who then weds Mary.

Dir: John Emerson

A visual fragment from the archive: The thematic resonance of Less Than the Dust perfectly mirrors the editorial trajectory of our deep dive.

A healthy outdoors-type follows the girl he loves to a resort for wealthy hypochondriacs. In order to prove to her and the other patients that their "illnesses" are all in their minds, he hatches a scheme to take them on a boat ride, then get them stranded in the wilderness, where he can show them that they can live without their pills, doctors and "cures".

Dir: John Emerson

The civilized inhabitants of a formerly wild western town scramble to recreate the town's rough and rowdy heyday in order to indulge the fantasies of a rich newcomer.

Dir: John Emerson

A visual fragment from the archive: The thematic resonance of Oh, You Women! perfectly mirrors the editorial trajectory of our deep dive.

Shakespeare's tragedy of the Scots nobleman whose ambition leads him to betrayal, murder, and damnation.

Dir: John Emerson

To avoid unwanted attention at her next job, a young professional disguises herself, leading to some unintended consequences.

Dir: John Emerson

Pete Prindle wins the affections of Christine Cadwalader, but the father of the girl demands that Pete shall get a half interest in his father's food product company before he is allowed to marry her. Pete accepts the ultimatum. Proteus Prindle, father of Pete, is angry when he receives the request from his son. He shows how his two girls have broken into print with an illustrated article in Vegetarian Gazette. Pete offers to get his picture on the front pages of all the New York papers. Proteus gives Pete $100 and tells him not to come back till he makes good his boast. Pete wrecks an auto, wins a prize fight, swims to shore from a steamer and is locked up after a fight with the police. But none of these adventures net him more than a line or two in the papers. Then he foils a band of yeggs and rescues a train from being wrecked. Christopher and his daughter are on board and congratulate him. It ends with his getting his picture in all the metropolitan papers.