The Recommended Vault Parallel to the Artistry of Riders of Vengeance: Cult Guide

Dir: John Ford

The owner of a gambling hall is entrusted with the care of a pretty young girl. He falls in love with her, but he must decide whether to let her go to his best friend, with whom he believes her to be in love, or to try to win her for himself.

Dir: John Ford

A visual fragment from the archive: The thematic resonance of The Secret Man perfectly mirrors the editorial trajectory of our deep dive.

Convict Cheyenne Harry escapes from prison in a garbage truck and boards a train, where he eludes capture with the help of passenger Henry Beaufort.

Dir: John Ford

A man declined admission to fight in the American Civil War joins a gang of marauders and winds up as a fugitive.

Dir: John Ford

A visual fragment from the archive: The thematic resonance of The Scarlet Drop perfectly mirrors the editorial trajectory of our deep dive.

A grizzled hero is revisiting the town of his youthful exploits.

Dir: John Ford

A cowboy must save his girlfriend from captivity and then cross the desert on foot with a single waterhole on the way.

Dir: John Ford

A visual fragment from the archive: The thematic resonance of The Last Outlaw perfectly mirrors the editorial trajectory of our deep dive.

Cowboy Lin McLean's restlessness takes him to Denver, where he becomes enamored of a waitress named Katie.

Dir: John Ford

Cattleman Flint cuts off farmer Sims' water supply. When Sims' son Ted goes for water, one of Flint's men kills him. Cheyenne is sent to finish off Sims, but finding the family at the newly dug grave, he changes sides.

Dir: John Ford

A visual fragment from the archive: The thematic resonance of Hell Bent perfectly mirrors the editorial trajectory of our deep dive.

The Northwest Mounties are after Cheyenne Harry for the murder of an Indian boy, and the only witness to the crime is a priest - who can't tell what he saw because the real killer, Black Michael, has confessed to him.

Dir: John Ford

"Cheyenne Harry", owner of the biggest cattle ranch in his corner of the West, is having trouble with John Merritt, a land-grabbing Chicago meat-packer. By some artifice of shrewd legal aid, Merritt manages to seize Harry's ranch under a bogus writ of foreclosure. Failing to get justice by his many letters to Merritt, "Cheyenne Harry" goes East and calls at the millionaire's mansion. At first, Merritt refuses to see him. Then, to cause amusement for his daughter Helen and her guests, he invites the "uncouth" Westerner into his dining hall. He is sure that he will make some grave error in table deportment and afford them all a laugh. To the amazement of Merrit and the guests Harry's table manners are faultless. Then, to trick him into an embarrassing position, Merritt eats with his knife. Harry, realizing that it is proper for the guest to follow the example of the host, does likewise. He leaves the house chagrined but more determined than ever to get justice from Merritt.

Dir: John Ford

The head of a band of cattle rustlers is defied, prompting him to call his phantom riders together and route the defier's cattle, and then seek their owner intent on taking his life.