Masterpiece Selection Resonating with the Themes of Safety in Numbe...

Dir: Victor Schertzinger

Ezra Hollins, though a hired man, is ambitious because he loves Ruth Endicott, his employer's daughter. Ruth, not knowing of his love, helps him with his studies, though secretly, because she knows her father would not approve. Ezra passes his entrance examination, but at the last moment gives his tuition money to save the brother of the girl he loves from the results of his speculations from the bank. His failure to go to college is misunderstood, but in the end his name is cleared and Caleb is proud of his chosen son-in-law.

Dir: Victor Schertzinger

Jim Bowen, a cashier in a prosperous insurance firm, lives happily with his wife Mary and son Frankie until Alan Perry, the profligate son of Jim's employer, frames Jim for forgery. Because the fraudulent check was cashed in ward boss John Boland's cabaret, Mary decides to work there while Jim serves his time, in the hope of tracking down the real criminal. Perry, who frequents the café, becomes infatuated with Mary and, on the very night her husband escapes from prison, follows her home and tries to force his attentions on her. When Boland arrives unexpectedly, Perry knocks him down, apparently killing him, whereupon Mary threatens to call the police unless he confesses to having framed Jim. Boland hears Perry's confession as he regains consciousness, and on the basis of his testimony, Perry is arrested and Jim freed.

A visual fragment from the archive: The thematic resonance of Quicksand perfectly mirrors the editorial trajectory of our deep dive.

Dir: Victor Schertzinger

An American munitions manufacturer and his son become ensnarled with enemy agents from Germany during the First World War.

Dir: Victor Schertzinger

James Ashe sends his son James Jr. off to manage a family-owned logging mill. While attending to his duties, James Jr. falls in love with a beautiful girl.

A visual fragment from the archive: The thematic resonance of The Claws of the Hun perfectly mirrors the editorial trajectory of our deep dive.

Dir: Victor Schertzinger

When the circus comes to town, the town's orphans are treated to an outing to see the show. The circus troupe's 'Jinx' girl causes so many problems for the performers and performances that, to escape punishment, she must run away. She mingles with the orphans and runs away to join an orphanage.

Dir: Victor Schertzinger

A young man with little ambition is given an opportunity to set himself up in business by means of financial support from his father. But the young man becomes involved in a shady railroad deal which threatens to destroy his own father.

A visual fragment from the archive: The thematic resonance of Sudden Jim perfectly mirrors the editorial trajectory of our deep dive.

Dir: Victor Schertzinger

Farmer Toby Watkinsm whose fanciful poetry does not impress his exasperated uncle, leaves the farm to become a subscription solicitor for the "Sawbert Weekly Clarion." In Sawbert, Toby meets Mayor Lot Morris' daughter Jean, and the shy young people fall in love. Crooked stock promoter Kendall Reeves arrives in town and unveils his plan to open a string-bean cannery. While the venture receives the mayor's support, "Clarion" editor Zachary Bartrum, Morris' political enemy, suspects Reeves and decides to block the scheme. On the night Reeves presents his plan to the citizens, Bartrum falls ill and asks Toby to deliver his opposing speech, but seeing Jean in the audience, he loses his courage and dashes from the hall. The next day, Toby overhears Joe Farley, Reeves' former partner, demanding a share of the profits. Farley learns of this and warns Reeves, who goes to the mayor's home and, gun in hand, demands $5,000. Toby arrives and defeats the crook in a fight, after which the grateful mayor becomes reconciled to Bartrum and bestows his blessing on his daughter's romance with Toby.

Dir: Victor Schertzinger

Everett Nelson was born on a farm and is an only son. He does all the hard work on the place for his father, who keeps the country bank. Unable to stand the bondage any longer, Everett leaves for New York in quest of work. While job hunting he sees a sign on the door requesting the services of a janitor. On entering to apply for the position he finds himself on the stage of a theater, where a rehearsal for a musical comedy is in progress. The astounded manager gazes at this apparition, and then an idea strikes him. He hires the "Clodhopper" for a rural number in his show. How the "Rube" makes the hit of his life as well as showing he is not to be laughed at as a prodigal son is shown in the events that follow.

A visual fragment from the archive: The thematic resonance of Jinx perfectly mirrors the editorial trajectory of our deep dive.

Dir: Victor Schertzinger

Matthew Denton is a product of a New England village. His father was a prominent business man who, during the latter part of his life, had encouraged a number of his fellow-townsmen to invest in the Centipede Company, owners of Texas oil property. Matthew lives with his widowed mother. She showers a wealth of motherly care on him, and refuses to permit him to mingle with the other lads of the town, with the result that he grows up tied to her apron strings and is known as "his mother's boy." The purchasers of the Centipede stock receive notice that there will be no dividend, that the stock gives every indication of becoming worthless because of a loss in the wells' producing capacity. A delegation of townspeople call on Matthew's mother and denounce her late husband for having induced them to purchase the stock. Matthew overhears the tirade, comes to his mother's assistance, and declares that none shall lose a penny through this investment, for he will go to Texas, work in the oil fields himself, and eventually pay off the investors. The story shifts from the quaint New England village to a bustling town in Texas, a typical oil town with its hordes of workers, its rudely constructed hotel and ever-present bar, and its town drunkard, who has a wife and a pretty daughter. Matthew begins his career as a workman in one of the oil wells, lives at Mrs. Glenny's boardinghouse, and meets her daughter daughter Mabel. , and lives at the boarding house of Mrs. Glenny, where he meets her daughter, Mabel. To procure liquor money, town drunk Tom Glenny has been tapping the line of the Centipede Company and diverting the flow into another concern. Most of the workers live at the Glenny home, among them Banty Jones, the town bully, who paid Tom Glenny to tap the Centipede line. Banty wants to marry Mabel Glenny, but Matthew wins her love, and the girl proudly displays an engagement ring, Jones gives Matthew 24 hours in which to leave town, with the alternative of being the target for Jones' gun. Matthew's innate timidity makes him cower at Jones' verbal attacks, much to Mabel's disgust; she returns the ring and announces that the engagement is off. Meanwhile, Matthew has discovered the parallel pipe lines, and that night sees Tom Glenny about to tap the Centipede line. He hurries to the telegraph office and notifies the president of the Centipede Company of his discovery. Later, Matthew overhears Jones denounce Tom Glenny for failing to tap the line, and, as he realizes the father of the girl he loves has only been the tool of the bully, the hitherto timid and shrinking boy suddenly turns into a ferocious being. When Jones attempts to assault him he returns his blows with such effectiveness that the battle is soon over, and in Matthew's favor. Then follow a series of exciting episodes, the story ending happily.

Dir: Victor Schertzinger

Jimmy Duncan, the son of the well-respected Reverend Duncan, takes over his local newspaper as manager. He takes on the criminal element in town with great vigor, until he realizes that his own father is in league with those devils.