Hidden Genre Gems for Fans of Sheltered Daughters: Cult Guide

Dir: Wilfred Lucas

Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.

Dir: Harley Knoles

A visual fragment from the archive: The thematic resonance of The Great Shadow perfectly mirrors the editorial trajectory of our deep dive.

Jim McDonald, the foreman of a shipbuilding plant and head of the labor union, strives to combat the anarchistic propaganda being put forth by Klimoff, the leader of a Bolshevik gang whose goal is to disrupt the country with strikes and anarchy. Despite McDonald's efforts, a strike is called, resulting in chaos. McDonald's child is knocked down by runaway horses abandoned by their striking driver, and dies. Mob scenes take place in America, as well as in Russia. Eventually, the unrest is quelled with an armistice called between Capital and Labor for a year, during which time wages are to be increased to reflect the cost of living, and leaders are to work out a common plan for their mutual advantage. The strikers now realize that they have been pawns of the Bolsheviks and call off the strike, agreeing to the plan.

Dir: Edward Dillon

Dodo Warren, an ingenuous young bride, decides to take her three rejected suitors - Bobo Brown, Tommy Belden, and Dr. Elliott - along with her and her husband Herb on their honeymoon. Herb's protests fall on deaf ears, and soon all five are comfortably ensconced in a Florida resort. Herb finds Dodo in what appears to be a compromising position with Dr. Elliott, but her heartfelt explanation convinces him of her innocence. A year later, Dodo tries to rescue Angie Martin, who has quarreled with her fiancé Bobo and therefore plans to attend a party with George Haywood. After calling Dr. Elliott, Dodo asks Bobo to accompany her to the party, which Angie fails to attend, and later that evening, the well-meaning young wife is locked into Haywood's apartment. Following a new round of explanations, Dodo promises never to look at another man again.

Dir: Edward Dillon

A visual fragment from the archive: The thematic resonance of Our Little Wife perfectly mirrors the editorial trajectory of our deep dive.

Ann Wharton, a rambunctious young student at the prestigious Bredwell Academy, is in trouble after a spoonful of cereal she flung at a classmate hits Mrs. Bredwell in the face. As she is being reprimanded in Mrs. Bredwell's office, a misunderstanding results in a member of the football team arriving at the office with Ann's clothes--she had left them behind when she changed into a football uniform so she could play football with the team--and Mrs. Bredwell writes to Ann's father notifying him that Ann is being expelled. She intercepts the letter, but her troubles are far from over.

Dir: Edward Dillon

In a mock fraternity initiation, a group of Yale students haze Paul Browning for tattling. When he learns that the leader of the group, oarsman Buck Simmons, is also winning the favor of Aida Courtlandt, the dean's niece, the jealous Browning and gambler Burton Hampdon, to whom Browning owes money, attempt to disgrace Buck so he will not be allowed to participate in the upcoming Yale-Harvard race. After they fail to lure Buck to bed with a girl, Browning takes Aida to a roadhouse so that Buck will have to break training rules to go there. When the coach, suspicious about the roadhouse incident, finds a letter planted on Buck about a deal for him to throw the race, he suspends Buck, but with Aida's influence, the dean straightens matters out. After Yale wins a close race, Browning shoots at Buck, who then trounces him. Proclaimed captain of the next year's team, Buck becomes engaged to Aida.

Dir: Edward Dillon

A visual fragment from the archive: The thematic resonance of The Antics of Ann perfectly mirrors the editorial trajectory of our deep dive.

While vacationing with his father Edward at a Palm Beach hotel, George Welston becomes smitten with Eve Pendleton, the daughter of Edward's business rival Judson. After George prevents Pendleton from getting an option on a deal by racing in his car with his father's $100,000 deposit, Pendleton favors Eve's other suitor, Arthur Trask, whose gentlemanly manner conceals his intent to rob Eve and her wealthy friends. When George sees Trask climb into Eve's window, he follows and is apprehended by a detective, who reluctantly releases George in response to Eve's pleas. Later, Trask binds, gags and robs society belle Marian Trevor. After Trask's dropped cigarette starts a fire, George rescues Marian, who upon reviving, accuses him of theft, arson and abduction. George's father puts up $100,000 needed for an important deal for George's bail, then George chases Trask, who has stolen the $600,000 which Pendleton put up for the same deal. After a fight, George apprehends Trask and races to court before the bail money is forfeited. Pendleton and Welston become partners, while George and Eve marry.

Dir: Robert N. Bradbury

A simple country girl, brutally mistreated by her stepfather, awakens first the sympathy, then the love, of The Boy. The Spider, who lusts after The Girl, makes a bargain with the stepfather and takes her to the city where, kept prisoner, she is soon broken in health and spirit. Cast out and near death, she is taken in by The Boy. Following the demise of The Spider, The Boy takes her to church, where he prays, and after many hours she is restored to health.

Dir: Bruno Ziener

A visual fragment from the archive: The thematic resonance of The Winning Stroke perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Edward Dillon

Through the death of a relative, New York sweatshop worker Lizzie Holt is transformed into Miss Elizabeth Holt, heiress. Elizabeth soon tires, however, of the shallowness of society life and occupies herself by working in a settlement house on the lower East Side. There she falls in love with John Russell, an idealist who despises the rich, and to escape his scorn, she identifies herself as Miss Holt's secretary. John's efforts to close up ward boss Ted Phelan's gambling house next door prove successful when the place is raided, but when several of Elizabeth's acquaintances on a "slumming party" seek her aid in escaping arrest, John discovers her true identity. He is about to change his mind about marrying her, when Elizabeth convinces him that her love and her character are true, and the two are united.

Dir: Edgar Jones

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.