Cinematic Discoveries Resonating with the Themes of Simple Souls: C...

Dir: Robert Thornby

A feud over boundaries between the McKinstry and Harrison families, both from Kentucky, but squatting in California in search of gold, has caused Cressy McKinstry to show disdain for Joe Masters, a cousin of the Harrisons, even though she secretly loves him. Nellie Dabney, who left her husband Ben for city-bred John Ford but then was deserted by him, returns and is rejected by Ford, who is now the schoolteacher of the settlement and is attracted to Cressy. After Ben fights Ford and takes Nellie back, Cressy schemes with Ben for him to buy the land in her name. A San Franciscan representative of the legal owner arrives to take possession and provokes a fight at the boundary line which leaves Joe with a bullet in his arm. Cressy proves that the land belongs to her and Joe, who she will soon marry, and the families are reconciled.

Dir: Robert Thornby

As Nan Lorimer's mother lies dying, she makes Nan promise to take care of her younger sister Masie. Unfortunately, Masie falls for the shady Dr. Thornton and travels secretly around New York City to meet him. One night she is rescued during a subway accident by wealthy John Harwood, a miner, who falls in love with her and marries her. Although the two are deeply in love, John begins to neglect his wife for his mining business, and soon Masie begins to see Dr. Thornton again. Complications ensue.

A visual fragment from the archive: The thematic resonance of The Almighty Dollar perfectly mirrors the editorial trajectory of our deep dive.

Dir: Robert Thornby

Susie is the daughter of a very good bricklayer. The lad who loves her is a very rich lad, as all lads should be, but, alas are not. To win her, he poses as a hod-carrier, certainly an unromantic disguise for a wooer. His mother has social aspirations for him, with Newport as a base of action, but what cares he? He loves the bricklayer's daughter. Is it not simple? It is. Simple, but sweet. Later Susie gets rich by means of a legacy, and the bricklayer's family moves into opulent quarters. Then sweet Susie is elegantly-gowned, but no happier. What are mere dollars to sweet Susie? The main situation in which Susie figures is one of finance. Seeing that dollars mean unhappiness, she plans to induce her father to invest in the stock market and to let him believe that he has lost all. This scheme succeeds in bringing the picture to its ideal end, and Susie marries the lad who posed as the hod-carrier. - Picture Play Magazine 1917.

Dir: Robert Thornby

The Highlanders and Lowlanders are sworn enemies until Lieutenant Kemper, the son of Brigadier Kemper, the leader of the militaristic Lowlanders, is held hostage by the Highlanders until his father's army has retreated to its own boundaries. Much to his surprise, the lieutenant is treated with kindness and consideration by his captors, especially by Boyadi and his beautiful daughter Nathalia, whom he learns to love. Thus, instead of obeying his father's command to escape at an appointed time when the Lowlanders plan to violate their pledge and storm the fortress, he keeps his promise to his captors and remains a prisoner. The Highlanders, inflamed by the Lowlander's broken word, are about to kill the lieutenant when news comes of the approach of another foe and, hailing the Kempers as saviors, the two former enemies unite to defeat this new foe.

A visual fragment from the archive: The thematic resonance of A Kiss for Susie perfectly mirrors the editorial trajectory of our deep dive.

Dir: Robert Thornby

Rose, a pretty young country girl,gets engaged to Steve, a handsome young lumberman whom she loves, but Claude, a city slicker who wants Rose, cons her into believing that Steve's obsessive love for her is ruining his life and that she should leave him for his own good. Steve, however, mistakenly thinks that Rose and Claude are having an affair, and breaks off the engagement. Complications ensue.

Dir: Robert Thornby

Mazie-Rosie Carden, a waif who pays her board by selling papers on the street, saves the life of starving musician Deal Hendrie by giving him her cherished "lucky dime." Meanwhile, her brother Ben, employed as a weigh-master by the West Coal Company, has been discharged on a trumped-up accusation by the company's manager, Samuel Winter, of falsifying weights. Later, West finds proof of Winter's false records, summons him to the house and, after a fight, is killed by his employee. Ben, induced by Mazie to go to West and say that he has been falsely accused, arrives in time to see Winter robbing the body of his employer and taking Mazie's dime, which Hendrie had lost. Winter attacks Ben, knocks him unconscious and escapes, but is seen by Mazie. The next Sunday, while at the church where Hendrie is employed as an organist, Mazie sees Winter contributing the lucky dime and accuses him of murder before the whole congregation. Mazie's accusation is corroborated by her brother Ben, who has regained consciousness to testify against Winter, and all ends happily when Hendrie proposes to Mazie.

A visual fragment from the archive: The thematic resonance of The Hostage perfectly mirrors the editorial trajectory of our deep dive.

Dir: Robert Thornby

According to old Mr. Barry's will, if his son Jim fails to marry, the vast Barry estate will revert to the O'Maras. When one night Jim, an irresponsible drunk, falls down the stairs and is given until morning to live, Mrs. Barry, in order to protect the property from the O'Maras, pleads with Molly Shawn to marry her son. Molly, although in love with Barney Malone, agrees out of a sense of indebtedness to the Barry family, and the two are married. Much to everyone's surprise, Jim recovers and Molly pines for her sweetheart Barney until it is discovered that the priest who performed the ceremony was really a criminal who, to escape the law, had disguised himself in priests' robes. Overjoyed, Molly is disentangled and now free to marry Barney, the man she loves.

Dir: Robert Thornby

An Englishman who has made his fortune in America decides to return to England. He takes his daughter Octavia to pay a visit to her relatives, especially Miss Belinda Bassett, an aunt whom she has never seen. An important business cable calls the father to America, and Octavia goes on alone to her aunt. The aunt's home, Slowbridge, is a sleepy little English village whose snobbish small-town aristocracy is headed by pompous Lady Theobald, who has everyone under her thumb, including Miss Bassett and her own granddaughter Lucia, a sweet, shy English girl. Octavia has the effect of a dynamite bomb in Slowbridge. Her dresses, her breezy ways, her unconventional conduct, all infuriate Lady Theobald, and at first terrify her aunt. Little by little, however, Octavia becomes a general favorite. She enjoys engineering a love affair between bashful Lucia and a fine young man who has no social standing in Slowbridge just because he is a mere manufacturer and not a "gentleman of leisure." The worst blow to Lady Theobald comes when her nephew Captain Barold becomes exceedingly fond of Octavia. His manner of demonstrating his affection does not please Octavia; he seems to feel that he is doing her a tremendous favor in bestowing his affection upon her. She decides to teach him a lesson. Lady Theobald wants Captain Barold to marry her niece Lucia, who is actually in love with the manufacturer. Lady Theobald is horrified when she sees Octavia snatching this wonderful catch away from Lucia. Just when Slowbridge is about to blow up with agitation, Captain Barold puts his fortune to the test. He asks Octavia to marry him. She refuses, thereby succeeding in injuring his bump of conceit. Octavia's father arrives with the news that he is more than a millionaire; that his mining stock has recently doubled in value. With him comes Jack Belsays, an energetic American youth who is a type as foreign to Slowbridge as Octavia. What is the surprise of the small township to learn that Octavia has been engaged to Jack all the time, and never at all anxious to fasten herself upon English small town society or to intrude into their affairs. A marriage ceremony follows in Miss Bassett's little villa with young Poppleton, the curate officiating. Through Octavia's good offices, another wedding follows later, that of Lucia and the young manufacturer, whom even Lady Theobald has come to realize is fully worthy of respect, and of the hand of her granddaughter Lucia.

A visual fragment from the archive: The thematic resonance of Rose o' the River perfectly mirrors the editorial trajectory of our deep dive.

Dir: Robert Thornby

Bradford Stewart, a young American surgeon studying in Germany, is dining in Cologne with a German friend, Ritter Bloem, a philosopher and a patriotic German. The latter is called away by German officers, and on his return announces to Stewart that war has been declared. After Bloem's departure, Trapadoux, chief of the French Secret Service maintained in Germany, who has been listening to their conversation, accosts Stewart, claiming to be one of the German police agents, inspects his passport, and learns to which hotel he will go in Aachen, which is his next destination. Frau Schanne, the proprietress of the Holmer Hof, secretly maintains French sympathies, but her servant, Hans, is a German spy. In Stewart's absence from his room, Trapadoux brings Frau Schanne a package, the contents of which he instructs her to place in Stewart's baggage to avert police suspicion during their later moves. Upon his return to his room Stewart finds in his luggage a lady's slippers, silk hose and dainty lingerie. The door of his room is opened and Little Comrade hurries in, embraces him fondly and calling him husband. Outside the door Hans listens, perplexed and a little suspicious, but had he not seen the lady's garments in Stewart's belongings? Perhaps, after all, she is his wife. After making sure of Hans' retirement, Little Comrade explains to Stewart that she is a French spy fleeing from Germany with secrets stolen from the German officers with whom she has been wont to flirt in Alsace-Lorraine; that even now they are on the watch for her and that if she is brought back, death will be the penalty. Stewart consents to help her, and watches while she forges an addition to his passport, adding to his own name and description, the description of herself as his wife traveling with him. Together they pass the gauntlet of police inspection and board the train for Brussels. At the frontier the train is held up and all passengers inspected. The police inspector stationed there holds Stewart and his "wife" for the coming of a German' officer from Metz to identify Little Comrade. One of the French spies on the frontier summons Trapadoux, who comes in the guise of the officer from Metz, and after inspecting Little Comrade, states that she is not the woman spy they feared. In the morning they arrive at the Belgium camp, where they are welcomed, but a few hours later the Belgians muster in battle against the German invaders. Little Comrade and Stewart are wounded, and while Stewart goes for a stretcher for her, she is captured by a genuine officer from Metz, who takes her to German headquarters and denounces her as a spy. Bloem, who is in command is unable to persuade her to confess. When Stewart discovers Little Comrade gone, weak from loss of blood, he becomes unconscious for several days. Upon regaining consciousness he learns that Little Comrade has been captured, so he concentrates his energies on delivering to General Joffre the papers she confided to his keeping. In gratitude, General Joffre bestows on Stewart the ribbon of the Legion of Honor, but overwhelmed by his loss and weak from this last effort, Stewart is borne away delirious. At the German headquarters, Bloem finding Little Comrade obdurate, is about to pass sentence upon her when she begs him to send her last words of love to Stewart. Finding that Stewart is her lover, Bloem, whose life was once saved by Stewart, refuses to condemn her, claiming that there is not sufficient evidence, and sends her back to "her American husband." There follows a joyous reunion in the hospital between Stewart and Little Comrade.

Dir: Robert Thornby

Mining engineer Paul Grayson writes a play that is sent to theatrical producer McKay Hedden, who decides that it is so good it is worth stealing. Hedden makes a copy and then returns the original with a note that it is worthless. At Hanleytown Harbor on the New England coast, Hedden meets Silver Sands, the daughter of an old sea captain, and decides to star her in the play. Paul also visits the harbor and falls in love with Silver. Hedden begins rehearsals with Silver in New York, then a drama critic notifies his friend Paul of the treachery. Paul arrives in New York and rescues Silver from Hedden's advances. Hedden acknowledges Paul as author of the play which is a success with Silver in the leading role.