Recommendations
Archivist John
Senior Editor

Looking back at the 1917 milestone that is S.O.S., the specific cult status of this work is a gateway to a broader cult world. Our archive is rich with titles that mirror the cult status of William Buckley.
As William Buckley's most celebrated work, it defines to create a dialogue between the viewer and the cult status.
Harold and John Drexel, heirs to the Drexel estate, live alone with their sister Vivian. John is sensible while Harold is reckless. When John proposes to Ruth Dixon, her sister Mary, who had always been in love with him, is heartbroken. Meanwhile Harold becomes entangled with Lorrane Del Rica, a woman of few scruples who, with her lover, Freddie Brooks, is in the racket of blackmailing the sons of the rich. Through Lorrane, Harold contracts a venereal disease. On the eve of their marriage, Ruth induces John to take her to a bar where she meets Harold. Becoming enamored of each other, Ruth and Harold marry after she breaks her engagement to John. She soon realizes her mistake, however, when their child is born a hopeless cripple. Harold, placing the blame on Lorrane and Brooks, rushes to their home and slays them, committing suicide after the deed is accomplished. Ruth also attempts suicide, but is prevented from doing so. All does not end darkly, however, as John finally realizes his love for Mary and the two are wed.
Based on the unique cult status of S.O.S., our vault has identified these titles as the most compelling follow-up experiences for fans of cult cinema:
Currently, our vault is digging deep to find exact matches for this unique masterpiece.
This guide was algorithmically generated using the cinematic metadata of William Buckley's archive. Last updated: 5/13/2026.
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