The Recommended Vault Parallel to the Artistry of Speed Wild: Cult Guide

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Phillip Griswold kidnaps his brother William's daughter for ransom, and frames Christmas tree peddler Pietro Balletti for it. In the course of hunting for Pietro, William accidentally kills the Italian's daughter.

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A visual fragment from the archive: The thematic resonance of Mid-Channel perfectly mirrors the editorial trajectory of our deep dive.

Zoe Blundell, peeved at the seeming negligence of her husband Theodore, retaliates by spending most of her evenings away from home, usually in the company of men. Theodore, not sufficiently impressed with the truth of the old adage, "There is safety in number," takes issue with her, with the result that quarrel after quarrel occurs. Hon. Peter Mottram, an old friend of Theodore's, attempts to establish a reconciliation between them and almost succeeds, until Zoe's petulance overturns his plans, and a wider breach than even is the result. Finally they separate and Zoe goes to Italy, where she is followed by an old flame, Leonard Ferris, who seeks to bring about a divorce between Zoe and her husband. In the meantime Theodore has found that although experience seems to have proved that it is impossible to live with a woman, neither can he live without one, and he is discovered living in a flat with a pretty young widow, Mrs. Annerly. Several complications occur, involving Leonard Ferris and Ethel Pierpont, whose mother has been angling for Ferris as a son-in-law. Peter Mottram again steps in and this time succeeds in bringing about a reconciliation between the estranged pair. - Moving Picture World, September 25, 1920.

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Joe Hanrahan, a tough patrolman, warns fight promoter Burke to repair the shaky gallery in his arena. Burke does not comply with this order, and Joe is suspended from the force for fighting in public with Battling Kennedy, Joe's rival for the affections of Marie Ducette. Burke then matches Joe and Kennedy in an exhibition bout in his arena. Joe knocks out Kennedy and, when the gallery collapses, injuring several people, arrests Burke. Joe is reinstated on the force and wins Marie.

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A visual fragment from the archive: The thematic resonance of High and Handsome perfectly mirrors the editorial trajectory of our deep dive.

A woman finds her marriage on the rocks after she reveals to her husband some but not all the details of her one-time relationship with a current associate of his.

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A beautiful French actress is the unwitting force behind the suicide of one of her admirers. A scandal erupts, threatening to destroy her reputation.

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A visual fragment from the archive: The thematic resonance of Hush perfectly mirrors the editorial trajectory of our deep dive.

Marta Estevan is ready to leave the convent where she has been reared. Dona Luisa Artega, mother of Rafael and the young girl's guardian, arranges a marriage between the two, because she thinks that Marta's influence will rescue her son from the wild life he is leading and make a man of him. Marta rescues the American Bryton, when he is attacked by Indians, and falls in love with him. Rafael's mother sends Bryton away by telling him that the girl has entered a convent for life, and after telling Marta that Bryton had been killed on the trail she exacts a vow from the girl that she will marry her son. Marta marries Rafael. Bryton comes back after the marriage and after Marta has found out the true character of her husband. The story moves on from this point to a happy ending, but with much action of tense and strenuous nature in between. - Moving Picture World, May 15, 1920.

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John Craig, while rummaging through an old trunk, is reminded of his first sweetheart, Mary Ellen Anderson. A flashback shows their childhood together, their association while working on a local newspaper, and her assistance in preventing swindler Stuffy Shade from framing John as the perpetrator of a fraudulent oil venture. John ultimately discovers oil on the land in question and becomes the town hero. His dream ends when his wife, Mary Ellen, enters the attic with their two children.

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A visual fragment from the archive: The thematic resonance of The Forbidden Woman perfectly mirrors the editorial trajectory of our deep dive.

Wealthy contractor Michael Arnold hires civil engineer Jerry Foster to work on a dam under construction in the West. Michael hopes to enter high society and encourages his daughter, Alice, to marry Lafayette Van Renselaer, a fashionable young aristocratic. Alice is attracted to Jerry but mistakes his friendship with Kathleen O'Toole for love. Lafayette abruptly ends his affair with Kathleen when he has an opportunity to wed Alice, and accuses Jerry of trifling with Kathleen's affections. Meanwhile, Jerry discovers that Swazey, a bullying foreman, has been building the dam with inferior cement. Jerry defeats him in a fight, after which Swazey runs amok, releasing water from the reservoir and causing a flood. Lafayette drowns, but Jerry saves Alice and wins her love.

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Norma Harvey, a newspaperwoman who devotes much of her time to relieving the sufferings of slum children, still loves her childhood sweetheart, Craig Dunlap, a lawyer who tries to cover up his wife's kleptomania by bribing a witness at her trial. Dunlap, however, is exposed and disbarred. While working in the slums, Norma encounters him in a disreputable dive and takes him to her home along with little Mazie, a blind orphan. Two gossipy neighbors declare her morally unfit, and the child is removed from her custody. On Norma's advice, Dunlap decides to give his wife another chance, but he demands a divorce when he finds her rough-housing with friends. She refuses, but when he threatens to allow her to be arrested for the theft of a fur, she consents. After proving her worthiness, Norma regains the child and finds happiness with Craig.

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Clara Kimball Young portrays two roles. As Janet, a convent novitiate, she agrees to exchange places with her sister, Lucy, a cabaret dancer, who believes she has killed a man.