The Recommended Vault Parallel to the Artistry of Speed Wild: Cult ...

Dir: Harry Garson

Joe Hanrahan, a tough patrolman, warns fight promoter Burke to repair the shaky gallery in his arena. Burke does not comply with this order, and Joe is suspended from the force for fighting in public with Battling Kennedy, Joe's rival for the affections of Marie Ducette. Burke then matches Joe and Kennedy in an exhibition bout in his arena. Joe knocks out Kennedy and, when the gallery collapses, injuring several people, arrests Burke. Joe is reinstated on the force and wins Marie.

Dir: Harry Garson

A visual fragment from the archive: The thematic resonance of The Worldly Madonna perfectly mirrors the editorial trajectory of our deep dive.

Clara Kimball Young portrays two roles. As Janet, a convent novitiate, she agrees to exchange places with her sister, Lucy, a cabaret dancer, who believes she has killed a man.

Dir: Harry Garson

After robbing a small suburban bank, a gang of outlaws led by Bill Kilgore hides out in the neighboring town of Red Rock. Failing to interest Carmen Harroway by his rough romantic attentions, Kilgore forbids the terrorized townspeople to patronize her small confectionery store. A stranger, Bob Vincent, appears in town and, after becoming friendly with Carmen, inexplicably joins Kilgore's gang, passing himself off as a forger. Kilgore and Vincent plan to rob a mail train, but, just before the appointed time, Kilgore kidnaps Carmen, and Vincent, who tries to help her, is knocked out in a fight. Kilgore ties him to a handcar and sends it down the line toward an oncoming train, but Vincent frees himself and stops the train, thus averting the robbery. Kilgore and his gang are captured with the help of Vincent, who turns out to be the president of the robbed bank. He retrieves the stolen bonds and asks Carmen if she would like to become a banker's wife.

Dir: Harry Garson

A visual fragment from the archive: The thematic resonance of The No-Gun Man perfectly mirrors the editorial trajectory of our deep dive.

Joe Mulhall, a city fireman, and Otto Nelson, pride of the police force, vie for the hand of Nora McCarron. Joe and Rizzoli ring in a fire alarm in the industrial district, and Joe makes a daring rescue of two women, delivering them to Rizzoli. Officer Nelson, attracted to the scene, falls onto Joe from the roof, knocks him out, and makes a rescue; the newspapers give Nelson all the credit, and his stock rises with Nora. Joe asks Nora to the Fire and Police Ball, but he is delayed and she goes with Nelson; furthermore he disgraces himself by spilling refreshments on the mayor and the commissioner. That night Nora feels sorry for him and signals him from her window. In her father's office she is captured by two burglars; Nelson investigates and is knocked unconscious. Joe arrives, overcomes the burglars as they dynamite the safe, and wins the favor of Nora.

Dir: Harry Garson

Bored with his daily routine, Breckenridge Gamble accepts a secret mission from some oil magnates to deliver a message to President Losada of the South American Republic of Centralia. Upon his arrival, Gamble learns from Angela, the president's daughter, that her father has been imprisoned by Cortez, the leader of the revolutionaries. Gamble also is imprisoned but frees all the prisoners as well as himself by impersonating the prison comandante. After forming an army, Gamble delivers the message--a large money draft sufficient to pay the army and secure President Losada's government--and is rewarded with Angela's love.

Dir: Harry Garson

A visual fragment from the archive: The thematic resonance of Mulhall's Great Catch perfectly mirrors the editorial trajectory of our deep dive.

Michael Faversham, a puritanical minister determined to stomp out immorality, orders one of his parishioners, Rose Gibbard, to confess in public that she is the mother of an illegitimate child, knowing that it will bring shame and condemnation to her. Meanwhile, he is consumed with desire for another of his parishioners, the lovely Audrey Lesden. One day the two of them find themselves alone on a deserted island, and the attraction of Faversham and the married Audrey for each other is too difficult for them to resist. Complications ensue.

Dir: Harry Garson

John Craig, while rummaging through an old trunk, is reminded of his first sweetheart, Mary Ellen Anderson. A flashback shows their childhood together, their association while working on a local newspaper, and her assistance in preventing swindler Stuffy Shade from framing John as the perpetrator of a fraudulent oil venture. John ultimately discovers oil on the land in question and becomes the town hero. His dream ends when his wife, Mary Ellen, enters the attic with their two children.

Dir: Harry Garson

A visual fragment from the archive: The thematic resonance of Heads Up perfectly mirrors the editorial trajectory of our deep dive.

Norma Harvey, a newspaperwoman who devotes much of her time to relieving the sufferings of slum children, still loves her childhood sweetheart, Craig Dunlap, a lawyer who tries to cover up his wife's kleptomania by bribing a witness at her trial. Dunlap, however, is exposed and disbarred. While working in the slums, Norma encounters him in a disreputable dive and takes him to her home along with little Mazie, a blind orphan. Two gossipy neighbors declare her morally unfit, and the child is removed from her custody. On Norma's advice, Dunlap decides to give his wife another chance, but he demands a divorce when he finds her rough-housing with friends. She refuses, but when he threatens to allow her to be arrested for the theft of a fur, she consents. After proving her worthiness, Norma regains the child and finds happiness with Craig.

Dir: Harry Garson

A beautiful French actress is the unwitting force behind the suicide of one of her admirers. A scandal erupts, threatening to destroy her reputation.

Dir: Harry Garson

Following the robbery of the Inspiration Gold Mine, Circus Lacey drifts into the border town of Esmeralda, where he saves Ethel Slocum from the unwanted advances of Red Lucas, a notorious gunman. When Ethel later also refuses to submit to the sheriff's demands, the sheriff frames her father for the mine robbery. Circus saves Pa Slocum from mob violence and captures one of Red's hired gunmen, thereby discovering the secret den of the bandits. Circus is surprised there by Red and forced to surrender, but he escapes, returns to town in time to prevent a bank robbery, proves that the sheriff is one of Red's hirelings, and wins Ethel for his wife.