Hidden Genre Gems for Fans of Stardust: Cult Guide

Dir: Hobart Henley

Carlotta lives with Giuseppe a violinist, in "Little Italy." the Italian quarter of a great city. With Rags, a monkey, they earn a livelihood playing on the streets. One day Tom, a wealthy chap, is attracted to the girl and asks her to dance at a charity ball, giving her his card and the date. But Giuseppe drags the girl away. Tom and his friend follow them home, but they are seen by Giuseppe, who tells Michael Gavotti, a leader of Black Handers, and his master. Gavotti threatens Giuseppe if he allows Tom to see the girl again. He also tells two of his men to watch the place. While Giuseppe is absent, Tom appears and persuades Carlotta to come to the charity dance. He is seen by Tony, a fruit vendor. In love with Carlotta, and jealous of her, Gavotti's men also see him and are ordered to abduct the girl. Giuseppe returns, finds her gone, and informs Tony. The two are heart-broken. Tony learns that Carlotta is not Giuseppe's daughter. Giuseppe happens to see the monkey, "Rags," near a building and with the aid of Tony he manages to rescue the girl. It is the night of the Charity Ball and Carlotta pleads to be allowed to go and finally Giuseppe consents, if Tony accompanies her. Judge Andrews and his wife have received word from the Black Handers that their granddaughter, held in custody, would be returned upon receipt of a sum of money. Their daughter ran away with an Italian count, and, dying, had left the granddaughter in care of an Italian friend, the father having died some time before. On the night of the charity dance the Black Hand promised to return the girl. Andrews attends the ball, intending to slip away at the appointed time. When Gavotti cannot find the girl, he goes with his men to Giuseppe's room, where they find the old man packing. Not until after they have tortured him does he reveal that Carlotta has gone to the charity ball, where the Judge and his wife are startled by her resemblance to their daughter. Carlotta goes into the garden and is abducted by Gavotti. Tom, Tony and the Judge take up the chase, which ends in Gavotti's quarters. Most of the gang, including Gavotti, are killed. The Judge and Tom take the girl home. Mrs. Andrews is overjoyed at having Carlotta safe. She marries Tom. On her return from the honeymoon she seeks out Giuseppe and Tony, who rejoice with her.

Dir: Hobart Henley

A visual fragment from the archive: The thematic resonance of The Double Room Mystery perfectly mirrors the editorial trajectory of our deep dive.

Morris, a hardened criminal, is imprisoned for larceny and has engaged William Newman, a police court lawyer, to defend him. As recompense, Morris gives Newman his vest in which are sewed four valuable diamonds. Newman is attracted by a girl who slaves for the proprietress of his boarding house. Georgianna, who is afraid of Newman, is arrested for the theft of several cheap rings belonging to the proprietress, which have been mislaid. While in prison Newman promises to pay her bail, if she is willing to meet his advances. Newman cuts the diamonds from the vest, as he is determined to get away with all instead of one, according to the agreement. The new hole in the vest is discovered, and Morris is brought before the chief. The two are left alone and Morris hits the chief and disappears through the window. Georgianna's case is dismissed, but she thinks Newman is responsible for her being set free. On arriving at his rooms a fierce struggle ensues. A knock is heard and she is told to hide behind the couch. Morris enters the room and shoots Newman, who falls dead. Georgianna is held for the murder, Morris having escaped into the room adjoining Newman's, in which McHugh, a newspaper reporter, is dressing. Willy, a roustabout in the boarding-house, and an admirer of Georgianna's, becomes suspicious. He stacks furniture and looks through the transom when the furniture falls with a clamor. Morris is terrified and is about to draw his revolver when McHugh hits him with a bottle and then handcuffs him. Leaving Willy to guard the captive, he dashes to the police station and to his office to write up his scoop. Meantime, Bennett, another reporter, arrives and looking over the transom sees Morris still handcuffed and Willy guarding him. He phones for help, and is disappointed because of not being the first to get the story. McHugh feeling sorry for them sends Willy and Georgianna, who has been set free to live with an uncle of his.

Dir: Alexander Butler

In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.

Dir: Bruno Ziener

A visual fragment from the archive: The thematic resonance of The Night Riders perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Hobart Henley

Two baby boys are born in Owentown. One is the unwanted offspring of an avaricious grasping father. He grows to an evil manhood, and loses his one chance of real happiness to the play-fellow whose parents have met their responsibilities.

Dir: Hobart Henley

A visual fragment from the archive: The thematic resonance of Eva, wo bist du? perfectly mirrors the editorial trajectory of our deep dive.

Susie organizes plays to benefit the Red Cross. She marries her hero, Robert, but finds out he did it to avoid the draft. She begs to be taken in his place and is soon captured by the enemy. Will Robert become the hero she believed he was?

Dir: Hobart Henley

Susan Sweeney inherits a country hotel. When she arrives to take possession, she discovers it to be not the palatial resort she believed, but a run-down inn with an attached saloon. As she struggles to make something of her new operation, she becomes involved in the life and difficulties of her new community.

Dir: Wilfred Lucas

A visual fragment from the archive: The thematic resonance of Parentage perfectly mirrors the editorial trajectory of our deep dive.

Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.

Dir: Hobart Henley

Sylvia Martin runs away from her abusive father and almost succumbs to the cold on the doorstep of Louis Gordon, a crook. They marry, but later when faced with capture, Gordon kills himself. Gordon's gang accuses Sylvia of murder, and although she is acquitted for lack of evidence, her name is included in the Police Index. Years later, upon finding the Index on the shelf of her second husband, Washington diplomat David Maber, Sylvia fears exposure. Her fears heighten when her arresting officer, John Alden, now chief of the Secret Service, tries to induce her to entrap a Bolshevik agent, Hugo Declasse, who is attracted to her. When Alden appeals to patriotism, she acquiesces. Declasse finds the Index and threatens to expose her unless she cooperates in getting plans for an uprising to London agents, but Declasse is foiled when his trusted Japanese butler turns out to be a Secret Service agent. Maber, learning of Sylvia's past, forgives her.

Dir: Edward LeSaint

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.