Cinematic Discoveries Resonating with the Themes of Swords and the ...

Dir: Henry Kolker

Dance-hall queen Kate Carewe is the toast of the gold-mining camp of Huxley's Gulch. One day a minister, Ralph Bowen, arrives to "clean up" the town. He is scorned by the miners, gamblers and "loose women" of the place, especially Kate, who resents that Bowen calls her a "scarlet woman". One day a plague hits the settlement and many of the townspeople abandon the disease's victims and head for the hills--except for Kate and Ralph, who begin to see each other in a new light.

Dir: Aubrey M. Kennedy

Wealthy oil magnate Harry Mangin is in love with his competitor James Murdock's daughter Blanche. Mangin schemes to ruin Blanche's father so that the girl will be forced to accept his attention. However, Blanche loves "Sky Eye" Blake, an aviator at the adjoining U. S. aviation field. When Mangin is driven in desperation to muster his own private air force in order to destroy his rival's oil plants, "Sky Eye" takes to the skies to quell the riot. After several daring escapades, "Sky Eye" captures Mangin and wins Blanche for his bride.

A visual fragment from the archive: The thematic resonance of Sky-Eye perfectly mirrors the editorial trajectory of our deep dive.

Dir: Alexander Butler

In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.

Dir: Harley Knoles

Jim McDonald, the foreman of a shipbuilding plant and head of the labor union, strives to combat the anarchistic propaganda being put forth by Klimoff, the leader of a Bolshevik gang whose goal is to disrupt the country with strikes and anarchy. Despite McDonald's efforts, a strike is called, resulting in chaos. McDonald's child is knocked down by runaway horses abandoned by their striking driver, and dies. Mob scenes take place in America, as well as in Russia. Eventually, the unrest is quelled with an armistice called between Capital and Labor for a year, during which time wages are to be increased to reflect the cost of living, and leaders are to work out a common plan for their mutual advantage. The strikers now realize that they have been pawns of the Bolsheviks and call off the strike, agreeing to the plan.

A visual fragment from the archive: The thematic resonance of The Night Riders perfectly mirrors the editorial trajectory of our deep dive.

Dir: Frank Beal

During a raging Montana snowstorm, Doctor Jim Barnes collapses at Esther Anderson's cabin door. Esther offers Jim refuge, but when he discovers that their food supplies are running dangerously low, he braves the journey into town in order to replenish them. On the way, he is overcome with exhaustion and fails to return. Esther, unaware of Jim's condition and abused by her stepfather, joins a theatrical troop and leaves home. Time passes and Jim finally finds Esther, but a vindictive member of her troupe accuses her of having an affair with the manager and Jim believes the accusation. He leaves and Esther goes to New York City where she becomes engaged to a jealous artist, although she still loves Jim. Sam Tuttle, a long time friend, is aware of Esther's continuing love, and so brings Jim to New York City in time to save Esther from an unhappy marriage.

Dir: Maurice Elvey

A lady marries a horse trainer but withholds herself until her crippled brother is cured.

A visual fragment from the archive: The thematic resonance of The Great Shadow perfectly mirrors the editorial trajectory of our deep dive.

Dir: Bruno Ziener

A fascinating piece of cinema that shares thematic elements.

Dir: Edgar Jones

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

A visual fragment from the archive: The thematic resonance of The Devil's Riddle perfectly mirrors the editorial trajectory of our deep dive.

Dir: Tod Browning

Achmet Bey, a Turkish chieftain, catches one of his many wives in adultery and murders her lover. Throwing aside the cuckolding wife, he abducts his harem an innocent girl. However, a brave American who loves her comes to her rescue.

Dir: Edward Dillon

Her education in a French convent school completed, plain Justine Spencer returns to New York. There she is shocked to discover that her mother Dodo is a flamboyant musical comedy actress with many male admirers. Dodo, on the other hand, is dismayed to find Justine priggish and dowdy. One of Dodo's suitors is Billy Ferris, who, in a fit of jealousy, murders her and slays himself. Out of pity, Cosmo Spotiswood, another admirer of Dodo, marries Justine, but soon tires of his platonic marriage and leaves for Europe. Upon his return, Cosmo finds Justine transformed. Under the tutelage of Dodo's maid Loti, she has bobbed her hair and donned fashionable apparel. Thus changed, Justine is surrounded by suitors. Stung by jealousy, Cosmo falls in love with his sophisticated wife.