Hand-Picked Alternatives Movies That Echo the Spirit of Taming the ...

Dir: Charles Horan

While working as a flower girl in Devlin Maddox's nightclub, Nellie Vaughan meets wealthy young Pelton Van Teel and falls in love. Maddox, desirous of using Nellie to blackmail Van Teel, spreads a rumor that she is his mistress. This makes Nellie uncomfortable, and she demands that Van Teel marry her immediately, to which he agrees. Meanwhile, Van Teel has been losing money gambling to Maddox, who threatens to break up the marriage by producing a worthless check that the young husband has written. Venturing to Maddox's apartment for a showdown, Nellie pulls a gun and demands the check, accidentally shooting Maddox when he throws a lamp at her. Maddox plans to charge Nellie with assault, but when the police arrive, his butler, actually a detective employed by the elder Van Teel, exposes Maddox, who is then arrested, clearing the path for the couple's happiness.

Dir: Harley Knoles

A visual fragment from the archive: The thematic resonance of The Great Shadow perfectly mirrors the editorial trajectory of our deep dive.

Jim McDonald, the foreman of a shipbuilding plant and head of the labor union, strives to combat the anarchistic propaganda being put forth by Klimoff, the leader of a Bolshevik gang whose goal is to disrupt the country with strikes and anarchy. Despite McDonald's efforts, a strike is called, resulting in chaos. McDonald's child is knocked down by runaway horses abandoned by their striking driver, and dies. Mob scenes take place in America, as well as in Russia. Eventually, the unrest is quelled with an armistice called between Capital and Labor for a year, during which time wages are to be increased to reflect the cost of living, and leaders are to work out a common plan for their mutual advantage. The strikers now realize that they have been pawns of the Bolsheviks and call off the strike, agreeing to the plan.

Dir: William Parke

Bruce Wendell, the son of West Virginia coal mine owner James Wendell, graduates from West Point and prepares to lead a fighting unit to the front during World War I. As his father lies dying, however, he convinces Bruce to remain at home and guard the mine. Bruce's fiancée Ann Blair assumes that he is a coward and breaks off their engagement, but her brother Bobbie remains Bruce's loyal friend. Meyer, a German agent, persuades railroad president Parrish to refuse to transport Wendell's coal, but when Bruce adamantly refuses to close the mine, the spy's men decide to blow it up. While Ann is being abducted by Meyer, Bobbie is buried in an explosion at the mine. Bruce rescues Bobbie and then sends a plea to Lieutenant Parrish to rescue Ann. Meyer and his gang are captured and Ann renews her vow of love to Bruce.

Dir: Arthur Rosson

A visual fragment from the archive: The thematic resonance of The Key to Power perfectly mirrors the editorial trajectory of our deep dive.

Doc Saunders, an alcoholic, leaves his little daughter Mayme in the care of his sister and goes West to start a new life. In the little town of Sago, Doc becomes an avowed prohibitionist, thus earning the enmity of Art the saloon keeper. Back East, Mayme grows to adulthood and marries reporter Jimmy Baggs who has just been hired by the newspaper in Sago. When Jimmy begins to drink heavily, Mayme appeals to the town doctor for help. Doc Saunders, recognizing her, chooses not to disclose that she is his daughter, but instead invites them to move into his house for treatment. Jimmy reforms until one day he is sent to the saloon to get a statement on the liquor question for his paper. When Jimmy returns home drunk, Doc, enraged, invades the saloon brandishing a gun and shooting wildly. Doc is arrested and tried, but pronounced not guilty by a jury that sympathizes with him. With Art's power finally broken, Doc confesses to Mayme that she is his daughter, and the family sees an end to their troubles.

Dir: Wilfred Lucas

Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.

Dir: Arthur Rosson

A visual fragment from the archive: The thematic resonance of A Case at Law perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Edward LeSaint

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.

Dir: Arthur Rosson

A visual fragment from the archive: The thematic resonance of The Jackeroo of Coolabong perfectly mirrors the editorial trajectory of our deep dive.

Dreamer dairyman Phineas Dobbs of Cow Hollow suddenly acquires a fortune when oil is discovered on his ranch, and celebrates by throwing a party for the whole town. One day a young woman comes to town, delayed by train trouble. Dobbs rescues her from the town bully, and agrees to follow her to San Francisco. The woman is actually a princess who is being forced into a marriage with a man who wants to share her throne. Dobbs rides by Market Street to the St. Francis Hotel in his Western garb, and performs daring stunts to rescue the princess in distress. Together they free the princess' father. Dobbs then returns to Cow Hollow, and the princess gives up her throne to become Mrs. Phineas Dobbs.

Dir: Arthur Rosson

Cassidy, a derelict suffering from tubercular lungs, who is stranded in San Francisco, realizes that death is imminent and desperately seeks to return to his home town of New York. Determining to rob a house in order to procure the funds to complete his journey, Cassidy breaks into District Attorney Grant's home but is caught by Grant. After hearing the boy's story, Grant is so touched that he gives Cassidy money to return home. Cassidy is able to repay his debt that very night when the district attorney's daughter is kidnapped by his political enemies. Learning the girl's whereabouts from his friend, the bartender, Cassidy rescues her and takes her home. Then, badly wounded, he makes his way to the railroad station where he dies.

Dir: Arthur Rosson

Millionaire spendthrift Sam Morgan marries Constance Winwood, who tries to break Sam's spending habits by convincing Downer, the trustee of Sam's inheritance, to pretend to abscond with Sam's money. During their honeymoon, Sam spends his $10.30 pocket money, then discovers that his checks are bouncing. Unable to pay an increasingly-large taxi fare, Sam and Constance keep the cab and its sleepy driver engaged after they are thrown out of a hotel. After a friendly thief gets Sam a job in a herring refinery, Sam uses his rudimentary knowledge of Spanish to buy a shipload of herring from a South American dealer and sell it to the refinery's directors, who know no Spanish, thus making enough profit to pay his now-exorbitant taxi bill. Constance confesses her scheme, and although it seems that Downer really has absconded, he finally returns. Wealthy again, Sam and Constance adorn their bedroom with taxi meters and headlights.