Recommendations
Senior Film Conservator

For those who were mesmerized by Tangled Lives, a true cult masterpiece from 1918, the quest for comparable cinema becomes a journey through the fringes of film history. Our curated selection of recommendations echoes the very essence of Tangled Lives.
The legacy of Tangled Lives is built upon its ability to create a hauntingly beautiful cinematic landscape.
Seeing his wife Cora in the arms of John Howland, Colonel West commits suicide, not realizing that John actually has been trying to discourage Cora's attentions. When John saves Lola Maynard from the two ruffians who have attacked her on the street, she also gives him her heart, although she elects to keep her love a secret. Still hopeful of winning John, Cora informs him that his wife Hilda is carrying on an affair with a young millionaire named Paul Wescott, whereupon the outraged husband threatens to kill his wife's lover. While John serves time in prison for "murderous assault," a charge of which he is innocent, Hilda obtains a divorce and marries Paul. Upon John's release, he goes to Paul's home, this time intending to carry out his threat, but Lola and his friend, Peter Hyde, detain him. John then learns that lightning has killed Paul and permanently blinded Hilda. Finally realizing his love for Lola, John forgets his anger, and Lola completes his happiness by declaring her love for him.
Based on the unique stylistic flair of Tangled Lives, our vault has identified these titles as the most compelling follow-up experiences for fans of cult cinema:
Dir: Paul Scardon
A doctor transplants the brain of a girl who is in love with him into a girl he is in love with.
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Dir: Paul Scardon
Bob Deering on his way to business meets his sweetheart, Molly Sherman. He arrives at Milliken and Co., stockbrokers, his place of employment, just in time to save Herman, Zalmon Pinsker's 14-year-old son, from a very rough engagement with the other messengers in the office. For this act Herman takes him to his father's shop and obtains a suit at wholesale, and it is here that Bob meets Ike Mandell, who is in love with Dora, the daughter of Pinsker. Previous to this meeting Pinsker re-engaged Mandell after having hired and fired him at least ten times, and also just previous to Bob's arrival with Herman, Moses Hecht and Israel Classman had an argument with Mandell, who, trying to look after Pinsker's business, tried to force them to pay certain notes which had been endorsed by Pinsker. Mrs. Pinsker and Dora arrive and realize that if Pinsker keeps up this pace of unorganized charity they will have little if any chance of obtaining the new dresses for which they came. Later the stock market closes on account of the war, and both Herman and Bob are out of a job. Bob calls upon Molly, who is a telephone operator in a hotel. There he meets "Red" Dorgan, who interests him in war orders. Clothing, sweaters, and shirts are needed for the allied armies, so Bob goes to Pinsker and agrees to get him a contract that will at once make him a rich man. Pinsker is overjoyed. Bob returns to Dorgan, and it is arranged that the manufacturer shall meet the commission. Ike Mandell has a cousin, Abie Lefkowitz, another clothing manufacturer, and he feels that if he can give Pinsker the double cross and get the business for Lefkowitz he will be able to marry Dora. Ike arranges with Dorgan to switch the order to Lefkowitz, who has to give Ike an advance commission of $8,000 for his work. Bob apprises Molly of what he has done for Pinsker, but she has her misgivings about Dorgan. The contestants for the big war order is requested by the commission, which has quarters in the hotel in which Molly is a telephone operator, to have samples of their goods at the commission's offices. The different clothing manufacturers comply, and when each at different times receives most encouraging reply concerning their samples each refuses domestic orders so that all time possible may be devoted to the commission's order. The hotel detective becomes suspicious and after a short conversation with a Scotland Yard man who has been on Dorgan's trail for months, they, with Bob, examine the commission's quarters. They are now firmly convinced that the scheme is a fake, and Bob conveys this information to Pinsker. He is greatly discomfited over the revelation, but Bob gets an idea which will net Pinsker a considerable sum. All the other clothing manufacturers are refusing domestic orders pending advices from the commission, so Bob helps Pinsker to corner the home market. This scheme is successfully executed. Ike Mandell, jealous, is busy instituting a strike among the employees, but his plan is soon frustrated by Bob. Lefkowitz scenting that something is wrong, goes to the hotel, where he is told of the fake affair. The crooks are captured. It is then that Lefkowitz tells of a $6,000 check and that it was made out to Bob. The police now go with Lefkowitz to the shop of Pinsker, where they try to fasten the check upon Bob, but he has given it to Dorgan, and Pinsker agrees that if his is the only signature on it, he, Pinsker, will make good for Bob. Molly goes to Pinsker, who introduces her to his new partner, Bob Deering, and assures her that she need not "hello" any more if she will marry this live businessman. Molly is pleased, and is further glad to know that Mandell has lost out with Dora, who is going to marry Glassman, who is now making his fortune through Bob's methods of wide-awake business.
Dir: Paul Scardon
Stanley Ormsby, a dramatic critic, runs foul of an author and dramatic company who have just put on a new play which he announces as "rotten." On his way home from the play, after waiving aside the author's pleas for a merciful criticism, his adventures begin. He interferes between a couple quarreling on the street and is rebuffed. Later he gets an assignment from his editor to go to a certain apartment house to interview a singer. Entering the place he is diverted from his mission by a woman falling apparently dead at his feet, before the door of Apartment 29. Carrying her inside he finds her to be the woman of the quarrel, and there finds also her husband shot. There alone, he realizes suddenly that circumstances are against him and wishes to flee. The playwright, who lives in the same building, offers refuge, but in return asks a large sum of money, which Ormsby is only too glad to give. A girl in the playwright's apartment hides him while the police search the place. He has a dozen hairbreadth escapes and is finally shocked as the playwright demands a bribe to keep him hidden. Finally Ormsby escapes from the house with the girl, only to run into a nest of thugs, who attack him. He is then rescued by the very police, who then charge him with murder, after which...well, it winds up all right, but it was a hair-raising experience, mates.
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Dir: Paul Scardon
After landing a big "haul," Dave Darcey, a crook, decides to spend part of his booty by holding a dance for his followers. Paddy Burns, leader of a rival faction, decides to settle an old score with Dave by breaking up the affair. On the night of the dance he goes at the head of his gang with the avowed intention to "get" Dave. In the struggle, Dave shoots Paddy and makes good his escape. He is seen by Phillip Brenton, the son of the owner of the steel works, who thinks he is there to rob the house and demands an explanation, Dave explains the whole affair to him, and Phillip gives him a chance to make good by giving him a job in the steel plant. Phillip's father is not so sure of Dave's reformation, and tests him by leaving a large roll of bills exposed. Dave sees the money and a struggle with his other self follows. The new Dave comes out the winner and he returns the money. The Baroness Von Ehrenstein, a secret agent for a foreign government, learns that the Benton Steel Works have accepted a huge war order for a nation hostile to her own. She gets permission from Phillip to visit the plant on the pretext of getting local color for a novel she is writing. Phillip personally guides her and her accomplices through the plant and they make a thorough study of the place. Phillip has become greatly interested in the Baroness and is neglecting his fiancée, Grace. The latter notices his continued absence and asks Dave the cause. The latter, in order to protect Phillip, tells her that it is business. Dave, suspicious of the Baroness, warns Phillip of her and his young employer resents his interference and discharges him. While Phillip is in a drunken stupor, the Baroness steals his office keys from him and gives them to her confederates who hasten to the steel works. Suspicious of their actions, Dave follows them and sees them plant bombs in the factory. He tries to foil them and a fight follows. Dave is finally subdued and is left, bound hand and foot, by the burning bombs. He rolls himself over to a saw and works frantically till he severs his bonds. He then starts to stamp out the fuses of the bombs, but one of them explodes and he is caught in the wreckage. The watchman, having seen part of the struggle, follows the conspirators. The police arrive at the scene and are closely followed by Phillip and his father. The latter accuses Dave of attempting to destroy his plant, and also charges him with the murder of Paddy Burns. The watchman returns with the real culprits and tells the true story, thus clearing Dave of guilt. One of the policemen then tell Dave that he need not fear of trial for murder, as Paddy is still alive, having been only slightly injured by the shot. Dave is acquitted of the charge of assault which he had to answer to for the shooting and returns to a better job with the Benton Steel Works. Phillip and Grace are reunited.
Dir: Paul Scardon
The actress is on her way to visit the Prince in his castle when she is stranded on a lonely road by an accident to her motor car. The Hillman happens along and takes her to Peak Hall. He is still young and handsome, but marked by the stern fanatical belief of his family that no member of it ever should leave the hills. In an exchange of confidence, the Hillman warns the actress not to visit the dissolute Prince, and she in turn tells him that for once he should try the broader life of the cities. Both heed the other's advice. She returns to the city, and he, in a brief period, follows. The Prince, still pursuing the actress, seeks to entangle the Hillman by throwing a notorious dancer in his path, but fails. Strangeway, the Hillman, proposes to Louise, the actress, but she withholds her answer. His brother comes from the hills to reclaim him, but his mission is vain. Again the Hillman proposes to Louise, who is always in the company of the Prince, and this time is accepted. Angered at his apparent loss of the actress, the Prince makes a scandalous remark about her at his club, which is resented with blows by the Hillman, whose love is all but crushed, when hurrying to Louise she admits what the Prince said is true. The Hillman returns to Peak Hill where a few months later as he is reading in a paper of the engagement of the actress and the Prince, she arrives at his home. She assures him that she is good, not bad, and that she did make the promise to the Prince when she believed he loved her, and both the Hillman and his brother receive her as one of them.
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Dir: Paul Scardon
Famous architect Harrison Stuart is taken over with alcoholism and begins living in flop houses, he is saved by Billy Lane, a young architect who has always admired the older man. Lane reunites Harrison with his family and falls in love with Harrison's daughter. After announcing his engagement to her, however, Lane himself becomes an alcoholic when another woman, jealous of his fiancée, spikes his punch and tricks him into heavy drinking. Then Harrison gives in to his old habit but before submitting completely, he kills himself. The suicide brings Lane to his senses; he swears off drinking and returns to Harrison's daughter.
Dir: Paul Scardon
Lawler, a dishonest promoter, has Winton in his power, the latter believing that he has killed Yawkey, Lawler's partner. For his silence, Lawler demands the hand of Winton's daughter Josephine. Meanwhile, Billy Mountain, a man whom Lawler has swindled, arrives and, disguised by a heavy beard, interests his old enemy in a proposition. He invites Lawler on his yacht and makes him a prisoner. Josephine, fearing that Lawler will expose her father, accompanies them when they sail for a South American country involved in a revolution. When they land, Josephine frees Lawler, who joins the forces of the government. Billy and his partner, allied with the revolutionaries, plan an attack on the president and his forces. In the battle, Billy is captured and sentenced to death, but when the tide turns in favor of the revolutionaries, he escapes. With the appearance of Yawkey, Josephine is freed from Lawler's power and begins life anew with Billy.
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Dir: Paul Scardon
Lieutenant Commander Colton, U.S.N., is in love with Caroline Austen, daughter of a prominent political power in Washington. Colton has a rival in James Archer, a journalist of prominence, unscrupulous and secretly in league with the Ruanian Ambassador, who is endeavoring to obtain for his country inside information as to the United States naval resources. Gilman Austen, Caroline's brother, receives an appointment to the Naval Academy. He is much in love with Ethel McMasters, daughter of a superintendent, and pays so much attention to her that his term marks in navigation are so low as to preclude his passing the semi-annual examination. He is told of this by Captain McMasters, and Colton, Caroline Austen and Ethel McMasters then get busy in Oilman's behalf, Caroline working with Colton, who is in love with her. and Ethel attempting to influence her father, but these two officers absolutely refuse to exercise any influence in Oilman's favor. Mr. Austen, Sr., then takes a hand in the game, but finds naval men a different proposition from politicians, and as a result Gilman is forced to leave the Academy. Mr. Austen uses his power and has Colton transferred to the command of a collier. Gilman Austen, however, grits his teeth and 'lists in the navy as an apprentice, and here we see him carried through all his training experiences. Colton being of an inventive turn of mind and realizing the weakness of the submarines is in the battery, invents a new battery. Archer hears of this and informs the Ruanian Ambassador, who offers the traitorous journalist almost any sum to secure these plans. Archer is prevented from securing them by Gilman Austen, who is now a full-fledged able seaman, serving under the name of Roger Brown. The Ambassador then determines upon a big coup. He directs Archer, who now is completely in his power, to have a Ruanian merchant ship lay a series of mines in the channel through which the warships must pass. Colton has been placed in command of the submarine flotilla, and Gilman Austen is on duty with the D-2. Through Caroline Austen, Colton learns of the plot, and as the ships are due to arrive that night, Colton takes command of the D-2, goes out and submerges his boat. Time is precious, and Colton realizes that he cannot take the D-2 through the mines, so he has himself shot out of a torpedo tube and swims through the mines, goes on board the merchant ship and blows up the mines just before the fleet comes in. Colton is badly wounded and is rescued by Gilman Austen and the submarine crew. For his work in this action, as well as his general reputation and good character, Gilman Austen is sent back to the Naval Academy. Colton marries Caroline.
Dir: Paul Scardon
David Solomon, a wealthy banker, is merciless in his dealings with his rich clients, from whom he exacts the highest interest. He aids the poor as much as possible. To facilitate his kindness among the people of the Ghetto, he runs there a pawnshop, unlike all others, for to the needy he measures out money, not according to the value of the articles they offer, but according to their needs. David's son, Maurice, is given to high living. It grieves his father, who is, however, consoled by the fact that his daughter, Ethel, seconds her father's charities by maintaining a day nursery for the children of the poor. One day David sees a young girl fall unconscious in the street. He takes her to the hospital where the doctor tells him that the girl, Mary, is suffering from exhaustion. David's heart is touched and he resolves to make Mary's future his own care. When she has regained her strength he finds her a position as a model in a dress house of a friend, Silver. Ethel visits the dress house to buy gowns, bringing Maurice with her. He sees Mary for the second time, having noticed her upon the street. Maurice arranges to meet Mary under an assumed name, and pursues his courtship with all seeming love. She so learns to worship Maurice that she gives him all, not stopping to count the cost, nor to demand the wedding ring. For a brief while Mary tastes of a great happiness, but Stevins, the man for whom she once worked, and who, because she would not encourage his advances, drove her from every honest position, naming her as a thief, visits the dress house to get gowns for "The Bunch of Flowers," a set of girls so termed by Maurice who has been much in their company. He recognizes Mary, repeats the accusation, and her employer discharges her. Mary returns to the little flat supported by Maurice, where she tells her story. Maurice has begun to tire of her. He seeks Stevins, who tells a seemingly truthful story. Maurice believes it and leaves Mary, writing to this effect. He, however, does not know that the girl he has wronged is about to become a mother. Six years elapse, and we find Mary and her little son, living in poverty. Again she is rescued by David Soloman, who has called to see a deserving case next door to Mary, the object of his charity being Mrs. Payne, the landlady who drove Mary from her door, and who is now a paralytic. Mary tells David her story, showing him the letter from her lover. He recognizes the writing of his own son. He takes his grandson home with him where the child is seen by Maurice, who is conscience stricken. Heinstitutes a search for Mary. Stevins, the man who hounded Mary, needs a further extension of his loan from David. But David, having learned what he has done, Mary forces him to the wall and ruins him. Goldstein, who has been a faithful secretary to David, resigns. He loves the daughter of David, but being a poor man does not declare his love and so decides to leave for other parts of the country. David has watched the love which has existed between Ethel and Goldstein, and gives Goldstein a check for a large amount, quite sufficient to start them on their honeymoon. David informs Maurice by telegraph, not signing his name, where Mary may he found. He then goes to her with her little son. Maurice arrives, and makes reparation by marrying Mary.
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Dir: Paul Scardon
The Hawk, Count George De Dazetta, preys upon society with the aid of his beautiful wife. She seems to be in love with a young French nobleman, who is the real aggressor in this triangle. De Dazetta finds that the young nobleman's love for his wife is changing her for the better, that she begins to abhor his gambling profession and his inroads upon society. However, he continues to use her beauty as a lure to his gaming tables and wins heavily. In the meantime the nobleman breaks with a young woman aristocrat whom his mother wishes him to wed. During a transaction with an American from whom he borrows money to repay his gaming losses to De Dazetta the nobleman learns of the Hawk's love for his wife, and that she is helping her husband to win. Marina, the wife, washes her hands of the whole earning enterprise and is accused of infidelity by her husband, who tried to kill the nobleman. Failing, he leaves, and the nobleman protects the wife while attempting to locate the gambler and get his consent to a divorce. Finally this is effected, and Marina herself pleads for the divorce, that is until she learns that De Dazetta is now penniless, having lavished his every cent upon her and really loves her, and has consented to give her up only because he thinks it best for her future welfare. Her womanhood comes to the surface and she goes to him, renouncing the nobleman, her love for the latter having been without sin throughout.
View DetailsAnalysis relative to Tangled Lives
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| The Love Doctor | Gritty | Linear | 92% Match |
| Phantom Fortunes | Gritty | Dense | 90% Match |
| Apartment 29 | Ethereal | Layered | 88% Match |
| The Redemption of Dave Darcey | Surreal | Abstract | 93% Match |
| In the Balance | Gothic | Linear | 90% Match |
This guide was algorithmically generated using the cinematic metadata of Paul Scardon's archive. Last updated: 5/15/2026.
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