Cinematic Discoveries Following the Footsteps of Tansy: Cult Guide

Dir: Arthur Rosson

The Hopkinses are a family of squatters struggling against the wealthy landowners or "hilltoppers." When Jerry Hopkins is unjustly imprisoned, his young wife and baby die as a result of the shock, but his sister Polly maintains the faith that has been instilled in her by her grandmother. Later, Polly meets hilltopper Robert Robertson and the two fall in love. Their courtship is disrupted when Robert's sister Evelyn is blackmailed by Oscar Bennett, the man to whom she is secretly wed. In her efforts to help Evelyn, Polly falls under unjust suspicion. Meanwhile, MacKenzie, one of the vindictive landowners, arrests Polly's father and sends her brother to an orphanage. Devastated by these events, Polly's grandmother dies of grief and Polly swears revenge. She has Evelyn kidnapped and brought to her cabin, but the memory of her grandmother prevents Polly from harming her tormentor. Polly's nobility inspires Evelyn, who exonerates Polly, thus clearing the path for her marriage to Robert.

Dir: Jerome Storm

A visual fragment from the archive: The thematic resonance of An Old Fashioned Boy perfectly mirrors the editorial trajectory of our deep dive.

David Harrington plans to marry Betty Graves. He is an old-fashioned boy, believing in marriage, having children, and living a suburban life. Betty is more ultra-modern, and independent. When Betty gets a tour of the bungalow that David has built for them, she says it's cute but she would hate to have to live in it. The two break up and Betty goes back to a former sweetheart. Sybil, the wife of David's friend Herbert, has just has a row with her husband because he wouldn't buy her a new hat. So she takes their three children and hides in David's home, hoping to throw a scare into her husband. Now David tries to take care of the kids, hoping to forget his own troubles. Herbert phones David that he is coming over, but David tells his friend he has the measles. Meanwhile, Sybil's kids have gotten sick from eating too much taffy. So David calls Betty's father, who is a doctor. Betty comes over with her father, and David cooks up a scheme with the doctor to quarantine the house so that Betty will have to stay and help him take care of the children. Herbert arrives and chaos ensues when he discovers his wife and kids are there. Eventually, things get straightened out and David regains Betty's love.

Dir: Raoul Walsh

Dave Henderson, an orphan who has become the beneficiary of a rich man's will, falls in with race-track crooks Martin Tydeman and Bokky Sharvan who bilk him out of his $100,000 inheritance. In retaliation, Dave steals the money from Tydeman's safe, but is caught and sentenced to five years in jail. In prison, Dave becomes friendly with Millman, who is about to be released, and reveals the money's hiding place to him, arranging to rendezvous at the end of Dave's term. Once released, Dave is hounded by members of Tydeman's gang as well as the police, who are waiting for him to retrieve his bounty. While taking refuge at the house of Capriano, an old bomb maker, Dave falls in love with the old man's daughter Teresa. However, Capriano sets a trap for Dave, who awakens in a drugged state to find the $100,000 missing. With the help of Millman and Teresa, Dave recovers the money, turns it over to the police and resolves to go straight.

Dir: Maurice Elvey

A visual fragment from the archive: The thematic resonance of From Now On perfectly mirrors the editorial trajectory of our deep dive.

A lady marries a horse trainer but withholds herself until her crippled brother is cured.

Dir: Cecil M. Hepworth

A miser forces a girl to marry him and pose as his dead wife who was her double.

Dir: Jacques Jaccard

A visual fragment from the archive: The thematic resonance of The Hundredth Chance perfectly mirrors the editorial trajectory of our deep dive.

Douglas MacLeod of the Royal North West Mounted Police is in love with Suzanne Foucharde, who has adopted an abandoned Indian baby, the illegitimate child of Louis La Rocque and Na Fa Kowa. When La Rocque insinuates that the baby is Suzanne's, her brother Henry defends his sister's honor and kills the villain. In spite of his love for Suzanne, it is Douglas' duty to arrest Henry. He does so, but later allows him to escape, taking the bullet himself that was fired after Henry by Constable Burke. Meanwhile, the dead body of Na Fa Kowa is found, accompanied by a note proving that the Indian was the baby's mother. In the spring, when Douglas recovers from his wounds, he and Suzanne are married.

Dir: Roy Clements

A man agrees to marry the daughter of a deceased friend - who is, in fact, being impersonated by the servant girl of the daughter, who has also already died.

Dir: Cecil M. Hepworth

A visual fragment from the archive: The thematic resonance of Boundary House perfectly mirrors the editorial trajectory of our deep dive.

Gerard, the eldest son of a wealthy family, is destined by his father for the church, although his own inclinations lie elsewhere. The young fellow is a born artist. His first success comes when he reads of the announcement of a public competition in which a big prize is to be paid for the best picture. It is at this period that he meets Margaret and her aged father. He falls in love with Margaret, and their fast-growing affection is viewed with great concern by the burgomaster of Rotterdam who is keeping in his possession some valuable parchments which relate to Margaret's fortune. Gerard's affection is discovered by his father, who sternly reprimands him, bidding him to think of the vocation in life that he has to fill. Gerard defies his father and family, and goes to his patroness, who, on hearing his story, tells him to put aside all ideas of priesthood for the present, and that she will pay for him to go to Rome and study art. Gerard gratefully accepts the offer, but at the same time he determines that before he leaves, he will wed Margaret secretly. In the meantime his father has been to the burgomaster, attempting to put the law in force against his disobedient son. The burgomaster, fearing for himself if the union between Gerard and Margaret should come to pass, promises his aid. Accordingly Gerard is torn from the arms of his newly-made bride at the very foot of the altar. He is imprisoned in the burgomaster's house. But thanks to the efforts of Margaret and his sister and crippled brother, he makes his escape. While escaping he accidentally discloses a trapdoor which conceals the secret hiding-place of the burgomaster's papers, and thinking that some of them will be useful to him in his work as an artist, he fills his pockets full. He finds on examination that one of them is the actual document relating to Margaret's fortune, and he keeps this, giving the others to Margaret to bury in the garden. He then sets out for Rome and on his way falls in with Denys of Burgundy, a Burgundian soldier of fortune. A friendship springs up between the gentle artist and the rough soldier. Then follows the attempted murder of the two men in the inn by the rascally landlord and his two accomplices, from which Gerard and his companion emerge victorious. Gerard arrives at Rome, and continues his studies. In the meantime his brothers, who have always been jealous of him, discover his whereabouts, and with the connivance of the burgomaster, send a letter to him to the effect that Margaret is dead. This information drives Gerard to such a state of despair that when his life is attempted by an assassin who is bribed to kill him by Princess Cloelia, whose overtures he has rejected. He offers no resistance, but the assassin overcome with remorse drops his dagger and flees from the scene. A year elapses, and Gerard, now a priest, returns to his own country. He is summoned to the death-bed of an old hermit and when he dies. Gerard takes up his life in the old man's cave. His wife comes to the spot to pray, and recognizes Gerard by a birthmark on his hand. The unfortunate man then learns for the first time that he has been deceived, that his wife is alive and that he has a son five years old. When he realizes the extent of the treacherous trick that has been played upon him, he bursts in upon his family and denounces his brothers. The rage of his father knows no bounds, and he is with difficulty restrained from slaying the son who has wrecked his elder brother's life. He next visits the burgomaster, and by the aid of the incriminating parchment, which he has kept all these years, forces him to restore Margaret's fortune. This, however, is the most he can do, and, after taking an agonizing farewell of his wife and child, he is forced to go out in the world alone, for there is no power that can absolve him from the duties of his holy calling, nor is it possible for a man to mix again with the world over whose head the sacred words have been spoken, "Thou art a priest forever, after the order of Melchisedech."

Dir: Cecil M. Hepworth

A young woman weds a rich and handsome opera singer, only to find out afterwards that he is already married to someone else.

Dir: Cecil M. Hepworth

A doctor makes a drunkard's death look like murder so he may marry his widow.