Recommendations
Archivist John
Senior Editor

As a cultural touchstone of United States, Tears and Smiles resonates with its cult status, audiences who connected with its message often look for similar thematic gravity. We've assembled a sequence of films that complement the tone of Tears and Smiles perfectly.
For many, the first encounter with Tears and Smiles is to establish William Bertram as a true visionary of the 1917s.
Little Marie, terrified after her drunken father beats her mother, flees from the house. Finding herself alone after her father is arrested for the assault and her mother rushed to the hospital, Marie becomes attached to a little dog that she finds in the park. The maid who is walking the dog is unable to part the two, and so she brings the little girl home to the Greer mansion where Mr. Greer, desperate for the child that his socialite wife is too busy to give him, insists upon adopting Marie. After Marie's mother recovers, she is reluctant to deprive her daughter of the riches she may inherit, and so obtains the position of governess in the Greer household in order to be near her own child. Gradually, a deep attachment develops between Mr. Greer and Marie's mother. After Marie's father is killed during a jailbreak, and Mrs. Greer, suffering from her superficial existence, commits suicide, Greer marries Marie's mother and the reconstituted family begins a new life.
Based on the unique cult status of Tears and Smiles, our vault has identified these titles as the most compelling follow-up experiences for fans of cult cinema:
Dir: William Bertram
A former Annapolis cadet is thrown out of the Naval Academy for cheating on an exam. Of course he was framed, but he must enlist in the Navy to clear himself. Meanwhile he and his sweetheart search for a buried treasure on Lost Island, which everyone is after.
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Dir: William Bertram
A fascinating piece of cinema that shares thematic elements.
Dir: William Bertram
Nada Mayhew persuades her sick father to spend a few months in the mountains, where they are mistakenly suspected as being federal agents by bootleggers Bob Clark and Jim Hendricks. Using a map that Nada found, she and her father set out in search of a hidden vein of silver, but they must make a wild ride to Ghost City to escape the gang, who also wish to find the silver. When surveyor Dick Carroll finds Nada in his cabin, Nada assumes that he is one of the gang and ties him up. Jim Hendricks arrives and captures Nada. Realizing her mistake, Nada gnaws at Dick's bonds while Hendricks searches for the map, accidentally drinks poison, and causes a fire in his agony. All three escape. Dick overcomes Hendricks, and Nada and Dick start out in search of the vein.
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Dir: William Bertram
Dolly lives with her aunt, who is a seamstress. The child is sent home from school because she has been naughty, and finds her aunt in the act of making a Red Cross costume for a huge mechanical doll. The doll can walk and talk and excites Dolly's interest intensely. Some of her playmates come and run away with the doll, which is later smashed by a runaway horse. Dolly then dresses in the Red Cross costume, hides in the big box, and is taken to the rich woman's home. She reveals her secret to the daughter, a little girl who is sick. The fairy story touches thrown in here are very fine and will appeal to the imagination of small observers. Dolly carries out her deception successfully at the Red Cross bazaar, but later is kidnapped by a gang who have been raiding the house of the wealthy woman. Dolly assists in rounding up the gang.
Dir: William Bertram
A rancher stands up for an employee unjustly accused of cattle rustling.
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Dir: William Bertram
Instilled with the spirit of patriotism after her teacher reads to her the story of Joan of Arc, Marie Yarbell goes home, persuades her father to enlist and then organizes a "military company" comprised of her playmates. Wealthy old Nathan Mulhouser, who is financing the development of a torpedo, is so touched by the children's patriotism that he buys them a flag. Marie's mother rents out a vacant room to Hertz, a stranger, who instructs her to see that no one enters his room because he is working on an important invention for the government. Curious, Marie follows Hertz as he leaves the house carrying a suitcase. He goes to a building that houses Mulhouser's laboratory, tosses in a bomb and runs away. Marie disposes of the bomb in time, but is stunned by the explosion. Mulhouser finds Marie in a state of shock and takes her to his home. Meanwhile, Mr. Yarbell has returned home at his wife's alarm and finds Marie's soldiers holding the spies prisoner. Mulhouser finally ascertains Marie's identity, discovering that she is his granddaughter, and all ends happily.
Dir: William Bertram
Blossom Ruggles, the fiercely independent daughter of Arizona cattleman Hank Ruggles, loves neighboring rancher Asa Harris. To pique Asa, however, she flirts with mining engineer Frank Stimpson, who unknown to her, has deceived pretty half-wit Amelia Young. While riding the range, Blossom is attacked by a Mexican bandit, but manages to overpower him, and deliver him to Asa and the cowboys, who throw him from a cliff. Later, the bandit is found unconscious by the sheriff and taken to jail. Learning of the half-wit's plight, Blossom mounts a posse, apprehends Frank, and forces him at gunpoint to marry Amelia. After the ceremony, Asa and Blossom are also wed.
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Dir: William Bertram
Christine, known as Tiny, whose mother eloped with a circus clown and became a parachutist, spends most of her time with her lame dog and an elephant. When the circus passes through her home town, Tiny's mother is rejected by her sister Sylvia, thought to be an old maid because of her all-consuming interest in mathematics. Seeing her mother depressed, Tiny convinces her father to join her for her nightly stunt of parachuting from a balloon. While Tiny plays with a precocious black child, her parents' chute fails to open and they die. Thinking herself friendless, Tiny attempts to drown herself, but her dog brings Sylvia and Frank Dodge, who loves her. Sylvia lets her other suitor, Professor Caldwell, who wants her fortune, direct Tiny's upbringing "scientifically," but after Tiny and Frank expose the professor's plot to destroy Sylvia's book on the fourth dimension, because it is better than his own book, Sylvia, who now loves Tiny, accepts Frank's proposal.
Dir: William Bertram
Dolly McKenzie's mother fancies herself a gifted painter and goes to the city to live a Bohemian life style. Meanwhile, Dolly's father John, facing an imminent strike in the factory he runs, sends the child, together with her little friend, Ebenezer Eczema Abraham White, and his mother, to his brother Howard's farm. The children soon bring chaos to "Peaceful Acres" with their pranks, but on one of their escapades, they become lost in the woods. Even the striking employees join in the search party, but it is Dolly's mother, coincidentally in the country for a weekend party, who finally finds the frightened children. The negligent mother willingly returns to her family, and John, grateful to his men for their help, promises to settle the labor dispute the next morning.
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Dir: William Bertram
Secret service man, posing as crook in order to capture counterfeiter, rescues girl from death in stream, but grandfather, recognizing the man as one whom he believes a crook, orders him not to try to see girl again. Crooks steal gold from mine of grandfather and are aided, apparently, by secret service man who desires to learn their secrets. Secret service man finally brings about capture of crooks, making a thrilling jump from cliff into automobile, driven by girl he loves, who is threatened by crook in car with her, in capturing the last of the crooks and recovering the grand- father's gold.
View DetailsAnalysis relative to Tears and Smiles
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| Neal of the Navy | Tense | Abstract | 95% Match |
| Who Is Number One? | Ethereal | Abstract | 94% Match |
| Ghost City | Surreal | Dense | 87% Match |
| Dolly Does Her Bit | Tense | Linear | 98% Match |
| The Wolverine | Gritty | Dense | 95% Match |
This guide was algorithmically generated using the cinematic metadata of William Bertram's archive. Last updated: 5/13/2026.
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