Hidden Genre Gems In Alignment with the style of The Adopted Son: Cult Guide

Dir: Charles Brabin

After wandering the world for fifteen years, Hiram Perkins returns home to find his wife running a small town newspaper to support their two daughters. With pity in her heart, Mrs. Perkins allows her husband to stay in the house providing that he not disclose his identity. Mrs. Perkins is waging a battle against the re-election of Joel Skinner for a seat in the assembly, and when she learns that Skinner has mistreated old Mrs. Miller, she is determined to expose his actions. Rome Preston, running in opposition to Skinner, requests that she stop the story, but Mrs. Perkins refuses and so Preston disables the press. With Hiram's help, Mrs. Perkins prints the story and Skinner is defeated. In revenge, Skinner's men burn the press and demand that Hiram be tarred and feathered. At this moment, Mrs. Perkins acknowledges that Hiram is her husband and all is forgiven as the Perkins family is reunited.

Dir: Charles Brabin

A visual fragment from the archive: The thematic resonance of Kathleen Mavourneen perfectly mirrors the editorial trajectory of our deep dive.

Kathleen, the daughter of a poor tenant farmer, dreams of her wedding with her beloved Terrence. The dream is interrupted when the Squire of the estate takes an interest in Kathleen and forces her father to allow him to marry her to forgive the father's debt. Unfortunately the Squire loses interest in Kathleen once a potential gravy train arrives in the person of the exceedingly wealthy Lady Clancarthy. To be rid of Kathleen the Squire abandons her in the forest where she is beset upon by ruffians, but is rescued by Terrence, who is framed for murder for his troubles.

Dir: Charles Brabin

Babette is living with her father, the jailer and hangman in the castle-jail at La Fourche. Raveau, a criminal, comes to the castle and meets her. Her sweetness and purity cause him to realize his form of life is an empty shell. He even restores a necklace purloined from a tourist. Later he and Babette realize their love for each other. Their wedding is celebrated with much pomp. Guinard, a detective, turns up. Realizing his danger, Raveau convinces his wife that their friends are planning to separate them, and gets her to escape with him. They elude Guinard. In Montmartre, Raveau and Babette are like two doves. He again takes up art. But his work is not up to date and he finds the purse growing slimmer. When Babette shyly confesses that there will be another mouth to feed, and that she has given much of their store to Fifine, a "Quarter" girl, whose husband is just coming from prison, Raveau realizes how desperate is his need. He tries once more to sell his wares, without success. An appeal to an old partner brings a turn-down. Raveau then steals banknotes from a man in the post office. Guinard turns up after the baby is born. Without letting Babette know of his crime, Raveau parts from her, saying he has a commission which may take him away for a long time, but in the Commissionaire's office he learns his prosecutor is the husband of a woman to whom he had restored the money won at a gaming salon just before his marriage. The man refuses to recognize Raveau as the thief and he returns to Babette to say he has passed up the commission and will stay with her always, and Babette is happy in her husband's love, ignorant of his sacrifice for her.

Dir: Charles Brabin

A visual fragment from the archive: The thematic resonance of Babette perfectly mirrors the editorial trajectory of our deep dive.

Henry Burgess favors a match between his ward, Virginia Parke, and his nephew, Peter Warburton, but she is only interested in her poodle, Frou Frou, and Peter devotes all of his attention to his business. To bring them together, Uncle Henry rents twin babies of the laundrywoman, Bridget McGroghan, placing one on Peter's doorstep and the other on Virginia's. Each discovering that the other has a baby, Peter and Virginia soon begin to share their views on child rearing and matrimony, and are about to become engaged when the babies disappear. Michael McGroghan, the twins' father, hires a pair of crooks to kidnap the babies so that he may collect the $25,000 bond that has been put up by Henry for their safe return. Peter, however, tracks down the kidnappers, and after the infants are returned to their grateful mother, he and Virginia look forward to having their own babies.

Dir: Charles Brabin

Episode 1: "Land of the Intrigue" Taking advantage of his monarch's lack of funds. Prime Minister Simond of Alania, who secretly aspires to the throne, induces him to pass an obnoxious tax bill. Then, with his sovereign unpopular, Simond feels it a good time to strike, so he causes the assassination of the King, Phillip II and Queen Alize, while they are hunting in the royal forests. Capt. Barreto, Commander of the Alanian palace guard, and a loyal friend of Phillip II, realizes Simond's dastardly plan, and when he hears him issue an order for the apprehension of the little Crown Prince, the only obstacle remaining in his path to the throne, he dashes off with him to America, with the aid of Juan, a fisherman. Barreto makes arrangements with Juan to keep in communication with his brother, Lieut. Jarreto. Simond proclaims himself Prince Regent, and with a bold bid for popularity, rescinds the obnoxious tax bill, his first official act.

Dir: Charles Brabin

A visual fragment from the archive: The thematic resonance of A Pair of Cupids perfectly mirrors the editorial trajectory of our deep dive.

The son of millionaire James Carter, Vantyne deliberately shuns work, which sickens his father, he decides to test his son's ability to become self-sufficient. Carter, Sr. has his lawyer report that he has been killed on a hunting trip, and at the reading of the will, Van learns that, unless he can support himself within six months with only an old farmhouse left to him as working capital, he will lose the family fortune to his cousin Teddy Brown. Van immediately gets busy and, with the help of Arizona Brown, a visiting Westerner with whom he has fallen in love, turns the old farm into a thriving and very fashionable resort. His chance of becoming a millionaire fading fast, Teddy arranges with actress Edith Trentoni to ruin the hotel's reputation by means of a kitchen strike and a jewel robbery. He succeeds, but old Carter finally appears to turn the villain out and proclaim Van and Arizona a successful team.

Dir: Charles Brabin

The forerunner of all serials, "What Happened to Mary" was a series of 12 monthly one-reel episodes, each a complete entity in itself, revolving its immediate dramatic and melodramatic problems within the framework of a single episode and designed more for story and suspense situations than action. Episode Titles (q.v.): #1: "The Escape from Bondage"; #2: "Alone in New York"; #3: "Mary in Stage Land"; #4: "The Affair at Raynor's"; #5: "A Letter to the Princess"; #6: "A Clue to Her Parentage"; #7: "False to Their Trust"; #8: "A Will and a Way"; #9: "A Way to the Underworld"; #10: "The High Tide of Misfortune"; #11: "A Race to New York"; #12: "Fortune Smiles."

Dir: Charles Brabin

A visual fragment from the archive: The thematic resonance of The Secret Kingdom perfectly mirrors the editorial trajectory of our deep dive.

After young Ruth Bowman's mother dies, the child is raised by Agatha Pixley, and in time, the girl falls in love with Agatha's son, Eric. While Eric is at sea with Captain Scudder on a boat owned by Jim and Hiram Hawley, a jealous villager spreads the tale that Ruth is illegitimate, and the townspeople inevitably snub her. Jim Hiram sets his boat on fire after its arrival in port so that he can collect insurance money, and Ruth, believing that Eric is on board, tries to rescue him. When Ruth and Eric escape safely, Captain Scudder reveals that he, Ruth's long-lost father, was legally married to her mother, which re-establishes Ruth's good name and enables her to marry Eric.

Dir: Charles Brabin

John Spaulding saves Helen Molloy-Smythe and her mother, who has recently acquired great wealth, from a train robbery while they are on vacation out West. Some time later, John returns to his father's country estate on Long Island and again saves Helen when she almost drowns. The two fall in love, but when John learns that Helen has a reputation as a society coquette, he plans to teach her a lesson in humility. Learning of his plan, Helen retaliates by accepting the proposal of the fortune-hunting Count Berratti. All ends happily, however, when John saves Helen for a third time and she trades the count's proposal for his.

Dir: Charles Brabin

Becky, a child, is left an orphan by the death of her father and is consigned to the tender mercies of the Misses Pinkertons, who conduct a fashionable school for girls. Becky feels keenly the semi-charitable nature of her life, and, when kindly-hearted Amelia Sedley invites her home, she eagerly accepts. It is then that Becky, the child, becomes Becky, the adventuress, cold, calculating and selfish. With the entrance of Becky into the peaceful Sedley home comes misfortune. Sedley goes bankrupt. Old man Osborne promptly breaks the engagement between Amelia and his son, George. Becky lays her traps for Joseph Sedley, Amelia's brother, and nearly succeeds in her designs on that self-satisfied young man. Urged by his faithful friend, Captain Dobbin, George marries Amelia. This change throws Becky into new surroundings. She goes to Queen's Crawley and enters the most active sphere of her existence. Her adventures with old Pit Crawley, her marriage to Rawdon Crawley, their poverty Becky's flirtation with Lord Steyne and her subsequent separation from Rawdon, the Battle of Waterloo and the death of George Osborne are all faithfully portrayed incidents of Thackeray's novel.