Cinematic Discoveries Following the Footsteps of The Atom: Cult Guide

Dir: Frank Borzage

The matriarch of a poor Jewish family nurtures her talented son's dream of being a great violinist, but as an adult, global events call for him to postpone his dream.

Dir: Frank Borzage

A visual fragment from the archive: The thematic resonance of The Gun Woman perfectly mirrors the editorial trajectory of our deep dive.

A saloon owner loans her lover the money to buy a house, which he has led her to believe they will live in after they're married. Instead, he takes the money and buys a saloon in another town.

Dir: Frank Borzage

Giulia, a Neapolitan girl, much against her will, becomes the mistress of a wealthy gangster. Her "protector" is stabbed to death by Giulia's hot-headed musician lover Tony (Francis McDonald), whereupon the heroine takes refuge in the villa of French playwright La Farge. Under La Farge's careful tutelage, Giulia develops into a famous actress, capturing the heart of the Duke De Chaumont. Though LaFarge himself has fallen in love with the girl, he does not stand in her way when she accepts the Duke's proposal. But Giulia has not reckoned with Tony, who is still crazy about her and still willing to kill any man who stands in his way. Tony murders LaFarge, then sets his sights on the Duke, intending to kill the poor fellow during the wedding ceremony. Hoping to save the Duke's life, Giulia pretends to have fallen out of love with him and returns to Tony.

Dir: Frank Borzage

A visual fragment from the archive: The thematic resonance of The Ghost Flower perfectly mirrors the editorial trajectory of our deep dive.

In the Latin Quarter of Paris, American artist David Lane (Norman Kerry) marries his model Yvonne (Olive Thomas), but just prior to the birth of their baby, David's mother dies, and he is forced to depart for the United States. In David's absence, his father hires a lawyer to convince Yvonne that David has abandoned her, and grief-stricken, she dies soon after her little girl is born. Yvonne's trusted friend Pierre rears the girl as a boy, whom he calls Toton, and trains her to become a skilled pickpocket. Meanwhile, David adopts a boy named Carew, and when he grows to manhood, the two move to Paris to establish an art studio. In robbing the studio, Pierre recognizes David, and to avenge Yvonne's death, he claims that Toton has been taught to hate her father. Later, Pierre becomes convinced of David's innocence, and before he dies, he reveals the truth to Toton. Finally, the girl is reunited with her father and marries Carew.

Dir: Frank Borzage

Lambert, a young man out to make his fortune, is out west trying to sell a gadget that can peel potatoes, open cans, pull out nails and perform other handy tasks. He comes to a cattle ranch and runs into a group of cowboys eating supper. He impresses the cowboys so much that they make him their leader, and it's not long before he's hired by pretty young ranch manager Vesta Philbrook as her aide and bodyguard. "The Duke", as he's now called, falls in love with her and sets out to help her get rid of a gang of vicious cattle rustlers that are constantly raiding her ranch.

Dir: Frank Borzage

A visual fragment from the archive: The thematic resonance of Toton perfectly mirrors the editorial trajectory of our deep dive.

After a young inventor discovers a powerful new explosive, agents from a German chemical firm induce him to study at a German university. While there, he is repelled by certain aspects of the people, and he leaves for Belgium. When the war begins, the inventor saves a Belgian burgomaster's daughter from Prussian invaders. The inventor and the girl endure horrible suffering because of the war, but they find happiness at its end, while the formerly fighting nations direct their effort towards world peace at the Paris conferences. The assassination of Kurt Eisner of Bavaria occurs at the end.

Dir: Frank Borzage

Charmed by the bright smile of Taro San, a Japanese rickshaw boy, Grant Barton takes the young man to the United States as his valet. Grant marries Marion Craig, but when she departs for California to visit her sick mother, he becomes enamored of Tonia Marsh, a vamp. Marion discovers them together and leaves Grant, whereupon Taro resolves to help his kind employer out of his difficulties. Persuading Tonia that he is a member of the imperial family of Japan, Taro pays court to the adventuress, and when Grant finds them in each other's arms, he immediately fires Taro. Grant and Marion are reconciled, while Taro sadly returns to Japan.

Dir: Frank Borzage

A visual fragment from the archive: The thematic resonance of The Duke of Chimney Butte perfectly mirrors the editorial trajectory of our deep dive.

Josiah Pringle, a benevolent old musician, who ekes out his livelihood by giving music lessons, after playing the organ for twenty years in the church of a little New England hamlet, must make way for a younger man, Gordon Howard, who comes from Boston. Faith Pringle, adopted by Josiah and his aged sister, Letitia, is leader of the choir, and when Pringle is replaced, she refuses to sing, but relents at Pringle's gentle insistence. When the new organist appears, Pringle's pupils leave him for the younger man, but he feels no resentment against Howard and compliments him on his playing. A young ruffian attacks Faith, but Howard rescues her and Pringle, deeply appreciative, invites Howard to the house. For many years Pringle has been working upon an improvement in organs. He shows the model to Howard who discovers a point that has baffled the old musician for ten years. The young ruffian, seeking a way to revenge himself on Howard through Pringle, shows Pringle a newspaper bearing the picture of a young man, resembling Howard closely, sought as an embezzler, but Pringle, in his kindly way, says that if Howard has reformed, he will not be the first to persecute him. Pringle places his model in the hands of Howard, to obtain a patent. Howard writes that he has secured an advance of $20,000 royalties and they hear nothing further from him. As the weeks drag by and Pringle's small store of money is exhausted, he and his sister are forced to the decision that Faith must be returned to the orphanage whence she came. The day of her departure comes all too soon. At the last moment, Howard comes in and explains that after receiving the money he placed it in a safe for the time being. In passing a building in the course of construction, he was injured. At the hospital to which he was taken, no means of identification were found on him, and just as soon as he recovered his memory he returned to the Pringles. The cloud on his antecedents is cleared when he looks at the newspaper pictures and says "My brother, the poor fellow is dead now." Through Howard's influence, Pringle is reinstated as organist and the friendship between Faith and Howard quickly ripens into love.

Dir: Frank Borzage

When Benny Boggs, a good-natured hobo, is rejected by the U.S. Army, he decides to overcome his aversion to work and offers assistance to a farmer known as Old Man Cushing. Cushing falls seriously ill and, believing he is about to die, asks Benny to deliver a package to his daughter Ruby, who left home to pursue an acting career. Benny soon learns that the package contains $50,000, but resolves to earn the old man's trust, despite his poverty. After arriving in the city, Benny rescues Beatrice Burnett from an attacker, and the two become friends. Later, Beatrice takes Benny to visit her ailing friend, who identifies herself as Cushing's long-lost daughter. Benny gives the money to Ruby and accompanies her back to the farm, where they receive a warm greeting from Cushing, who has recovered from his illness. The army finally accepts Benny, and Ruby promises to marry him when he returns from active duty.

Dir: Frank Borzage

Kirby kills a man in self-defense and becomes a fugitive from the police.