Hand-Picked Alternatives Movies That Echo the Spirit of The Battle ...

Dir: Oscar Apfel

"Cameo" Kirby, so called because of his fondness for cameos, is the son of a New Orleans plantation owner who dies insolvent. When the plantation and slaves are sold at auction, Cameo's favorite body-servant is bought at auction by one of his father's friends, John Randall. John and Kirby head north on a Mississippi river boat where Randall meets Colonel Moreau. There he loses heavily on a wager and consents to a game of poker hoping to get back his losses. Kirby, through his friendship with another gambler, is adept at the manipulation of cards and suspects that Moreau is not an honest player. He joins the game and soon Randall, having lost all of his money, wagers the old homestead. Kirby wins the hand and Moreau accuses him of cheating while Randall, unappreciative of the fact that Kirby won the hand to keep Randall's estate falling into Moreau's hands, shoots himself. When his body is taken ashore, Kirby meets Randall's daughter, Adele, and instantly falls in love with her. But Kirby is on very shaky ground as he is known as the man who caused Adele's father to commit suicide, and she treats him to some southern disdain. Her brother, Tom, vows to take revenge on Kirby. He and Moreau have an un-witnessed duel and Colonel is shot dead by Kirby, who is somewhat of a dead shot among his many other talents. But Tom takes the gun from Moreau's hand so it will appear he was unarmed. Kirby, slave-owner becomes a fugitive from justice. This also deals a blow to his courtship of Adele. But, a true-blue southern gentleman such as Kirby should be able to win the day, sooner or later.

Dir: Oscar Apfel

A visual fragment from the archive: The thematic resonance of The Wild Olive perfectly mirrors the editorial trajectory of our deep dive.

Nicknamed "Wild Olive," Miriam Strange learns that her mother was an Indian, she moves to a hut near an Allegheny lumber camp. Norrie Ford, fresh from college, visits his uncle, the bullying boss of the camp, and meets Miriam. After his uncle is murdered with a knife found hidden under Norrie's mattress, Norrie is sentenced to die. He escapes a guard and, after staying a night in Miriam's hut, leaves for Buenos Aires with her letter of introduction for employment. Although he vowed to marry her, after his letters to "Wild Olive" return undelivered, Norrie, sporting a beard and an assumed name, becomes engaged to Evie Wayne, Miriam's stepsister. When Norrie is sent to be his firm's New York manager, he meets Miriam again. She sacrifices her love and agrees to marry lawyer Charles Conquest, if he will prove Norrie's innocence. After Evie learns about Norrie's past and breaks the engagement, the murderer makes a deathbed confession. Conquest releases Miriam when he sees that she loves Norrie.

Dir: Oscar Apfel

The defense attorney who was unable to obtain the acquittal of an innocent young man concocts a complicated and diabolical scheme to get revenge on the prosecutor.

Dir: Oscar Apfel

A visual fragment from the archive: The thematic resonance of The Master Mind perfectly mirrors the editorial trajectory of our deep dive.

Thomas Brainerd, Sr., as a prospector, is a dutiful and loving husband and father. Two children, Gertrude and Thomas, Jr., are born while the Brainerds live in a log cabin in the mountains. Brainerd strikes gold, goes to New York, where he becomes a financial power. He neglects his wife, devotes every moment of his time to his growing industries, simply supplies funds to his family, and his wife, alone and melancholy, is fascinated by an artist and consents to "sit" for a painting. Feeling her neglect keenly, Mrs. Brainerd becomes a victim to the wiles of the artist, who, however, is killed by the husband of a former victim before the affair has progressed too far. Brainerd, learning of his wife's affair with the artist, orders her from the house. Thomas, Jr. sides with and accompanies his mother. Heretofore a worthless spendthrift, Thomas now becomes ambitious and joins interest with a penniless inventor, goes west, establishes a factory, makes a go of it, sells out to his father at an enormous advance, convinces his father that his mother is innocent and, as he transfers the invention to his father's firm, sees his mother in his father's arms, which example he immediately follows by proposing to the girl he has always loved.

Dir: Oscar Apfel

Trader Ned Stewart's father Graehme was unjustly accused of adultery and killed. Ned sets out to avenge his father but is captured and send on "la longue traverse," the long journey to death. Virginia saves Ned, and the villain confesses Graehme's innocence on his deathbed.

Dir: Oscar Apfel

A visual fragment from the archive: The thematic resonance of The Only Son perfectly mirrors the editorial trajectory of our deep dive.

A fantasy from Ibsen's verse drama. Ne'er-do-well and braggart Peer Gynt has many adventures in varied countries, making and losing money, gaining fortune at others' expense, until he finds salvation in the love of Solveig.

Dir: Oscar Apfel

A gypsy girl brought up by a Scottish Lord is arrested for rioting escapes jail and refugee with a young Minister who falls in love with her.

Dir: Oscar Apfel

A visual fragment from the archive: The thematic resonance of The Call of the North perfectly mirrors the editorial trajectory of our deep dive.

Henry Disney, a milkman residing in a small city, is discovered by Phipps, a lawyer, to be the heir to the title and fortune of the Duke of Walshire. Phipps and his sister Laura, being pressed for money and anxious to maintain their social position, conspire to arrange a marriage between the sister and the milkman before he knows that he is the Duke. Phipps has Disney assaulted and arranges to be near in order to rescue him and take him to the Phipps house. In the meantime, however, Disney has met Ethel Hamilton, one of the young social leaders of the town, and has fallen in love with her, although he doesn't dare to speak of his love on account of the great difference in their social positions. His love for Ethel, however, prevents him from falling victim to Laura's wiles, and he finally escapes from Phipps' house, where they are trying to keep him on the pretense that he is very ill. He then discovers that he is the Duke. The efforts of the milkman to be a Duke and to win the girl he loves lead to many humorous complications, and, finally at a ball which the milkman gives in honor of Ethel, his conduct so displeases her that she refuses his love and tells him very plainly that the social snobs who have been fawning upon him on account of his title have been making a fool of him. The milkman then begins to see a great light, and, after resenting an insult to Ethel by one of the snobs, takes occasion to tell them what he thinks of them. The dance breaks up in confusion and the milkman, sore at heart, sees that he is being used by the snobs, while they are making fun of him behind his back. He renounces his wealth and title and goes back to his milk route, where Ethel finds him. He agrees to do this on condition that Ethel will act as his instructor and teach him how to be a Duke. This she finally consents to do and he drives her home in the milk wagon, after an understanding between them which promises a happy ending to his love story.

Dir: Oscar Apfel

David Jenison, accused of a crime which he did not commit, escapes his guards and joins a traveling circus. Mrs. Braddock, wife of the circus owner, takes an instant liking to David and prevails upon her husband to give him a job as clown. Mrs. Braddock's daughter Christine, falls in love with David. All the performers become friends of the new clown except Ernie Cronk, a hunch-back who, himself admires Christine, takes a violent dislike to David and tries to kill him. David later saves Ernie from a bad beating at the hands of a gang of rowdies and Ernie thanking David, promises to help him clear his name of the crime charge. Ernie's friendly feeling, however, is short-lived, for in a jealous rage, he writes a note to the detectives informing them that David disguised as a clown, will take part in the afternoon performance, but Dick Cronk, Ernie's brother, learning of the latter's treachery toward David, takes David's place as a clown, while David escapes. Dick Cronk, who has learned to love Dave like a brother, goes to Jenison Hall. David's former home, and there confronts David's Uncle Frank, who he feels quite certain is the man who committed the crime David is charged with. Dick returns to the circus and tells David of his experiences at Jenison Hall. A few days later they learn that David's uncle and a notorious colored attorney have quarreled, dueled and killed each other, and in his dying confession, the uncle had completely exonerated David. David, before leaving the circus, confesses his love for Christine and asks Mrs. Braddock's permission to marry her, but Mrs. Braddock, fearing them too young, promises David that in five years, he may marry Christine if he still loves her, so David leaves, pledged to return. Col. Grand, infatuated with Mrs. Braddock and who has been following the circus about, finally through his clever scheming and the lending of money to Braddock, secures control of the circus and places Mrs. Braddock and Christine in his power. Col. Grand becomes abusive when his treatment is no longer tolerant to Mrs. Braddock and Christine. They leave the circus and return to their home in New York. Later, in New York, Braddock and Col. Grand meet and in a street fight, Braddock is arrested, accused of attempting to kill Col. Grand, and is railroaded to the penitentiary for five years. Five years have now passed and David comes to New York to claim Christine. Arriving at Christine's home, he learns that she will arrive later, from a trip to the country, and goes to the railroad station to greet her, but seeing her in the company of another young man, postpones his errand. He later meets Mrs. Braddock at a telegraph office and she gives him a wire she was just about to send him in which she tells him it is time for him to redeem his promise and he agrees to call that evening. Braddock released from prison, has sworn to kill Col. Grand on sight, and takes up a position outside the Braddock residence, and is about to enter, when Dick Cronk interferes and together, they go to a low resort where they can talk in safety. Col. Grand and Braddock meet face to face and Mrs. Braddock pleads with her husband to spare Col. Grand. Braddock does so and walks out of the house, telling them he is going to the river to end it all. During an altercation between Col. Grand, Dick and Ernie, Ernie shoots Col. Grand and when the police arrive blames it on his brother Dick, who at the trial is sentenced to death. Ernie later confesses his guilt and Dick is saved from the death chair. Braddock, instead of suiciding reforms and returns a better man. while Dave and Christine, learning of the re-union of father and mother, once again don their circus attire and together in the sawdust ring, live over in memories the days of their early love.

Dir: Oscar Apfel

Bob Van Buren's rescue of an upper-class Turkish girl and her duenna in Constantinople when they are waylaid by robbers paves the way for a romance between them. The romance progresses rapidly despite the hullabaloo raised by Demetra's father and by the Turk fiancé he is trying to force upon her; but the very thought of a girl, so highly educated, so gifted with needle and loom, so famously graceful as a dancer ending up in a harem instead of a respectable home, drives Bob Van Buren to desperation. At length he persuades Demetra to elope with him to America, where Demetra could be married at his mother's in New York. Getting wind of it, the malicious Osman hires a band of ruffians who make away with Bob Van Buren on the very eve of departure. With her young American mysteriously vanished, and the day of her now-all-the-more-odious wedding to Osman drawing near, Demetra can stand it no longer, and taking her duenna, flees to a cousin's in New York on the P. and O. boat on which Bob had reserved sailings. Osman pursues the little refugee, corners her in New York, and with oriental cunning sets a trap into which Demetra walks blindly. Having her in his toils again Osman summons a second Turkish priest and is just forcing Demetra to her knees before him when the door bursts open and in rushes Bob Van Buren, who had finally escaped the dungeon in Constantinople to which he had been consigned. He routes Osman and takes Demetra to his mother's. Mrs. Van Buren suggested that the lovers wait until September, but their hearts were set on June. And so, as you may very well imagine, June it was.