Hidden Genre Gems In Alignment with the style of The Beauty Shop: C...

Dir: Unknown Director

The Judge needs a present for his wife's birthday, so Harry suggests a new corset. They go to the shop, but he's so embarrassed to ask the saleslady he hides in a phone booth.Harry goes in, but finds a GUY wearing one, and runs out.They both dress as women to get back in, but Mrs. Rummy gets there and chases him out.

Dir: Edward Dillon

A visual fragment from the archive: The thematic resonance of Putting One Over perfectly mirrors the editorial trajectory of our deep dive.

Traveling on a Pullman train are two strangers who, except for a difference in hair color, bear a striking resemblance to each other. Horace Barney, the heir to a fortune, is on his way to a mental sanitarium, accompanied by his unscrupulous guardian Maurice Claypool and Claypool's accomplices, Dr. Wallace and Thomas Farrel. Jack Trevor, an automobile salesman, is substituted for Barney when the train crashes and Barney is killed. When Trevor awakens from his unconscious state, he finds himself in a mansion and addressed as Barney. He falls in love with Helen Townsend, Barney's cousin who is next in line for the inheritance. Trevor realizes the fraud and sets out to save the estate for Helen. Claypool, who wants to marry Helen, tries to declare Trevor insane and commit him to an institution. A series of fights, chases, and misunderstandings ensue, but Trevor finally forces a confession from Claypool and wins both Helen and the fortune.

Dir: Reggie Morris

A fascinating piece of cinema that shares thematic elements.

Dir: Edward Dillon

A visual fragment from the archive: The thematic resonance of Striking Models perfectly mirrors the editorial trajectory of our deep dive.

Ann Wharton, a rambunctious young student at the prestigious Bredwell Academy, is in trouble after a spoonful of cereal she flung at a classmate hits Mrs. Bredwell in the face. As she is being reprimanded in Mrs. Bredwell's office, a misunderstanding results in a member of the football team arriving at the office with Ann's clothes--she had left them behind when she changed into a football uniform so she could play football with the team--and Mrs. Bredwell writes to Ann's father notifying him that Ann is being expelled. She intercepts the letter, but her troubles are far from over.

Dir: Edward Dillon

Born on Friday the thirteenth with thirteen letters in his name, Reginald Jones has been plagued with bad luck his entire life. Attempting to escape his jinx, Reginald attends a chauffeur's ball, where, after he helps a girl whose companion is berating her, the girl hits Reginald for interfering. After Reginald loses at matching coins, is sold out in the stock market, and is fleeced of his money in a badger game, he loses his inheritance of $999,998.60 when he gets arrested for fighting, and misses his aunt's funeral. Reginald then boards a schooner and meets millionaire Professor Lattimore and his daughter Helen, supposedly there to look for buried treasure. After falling in love with Helen, Reginald discovers the ship captain's plot to hold Lattimore for ransom. Reginald fights off all the crew members and forces the wireless operator to signal a U. S. Destroyer, which arrives and saves them. Reginald and Helen marry.

Dir: Edward Dillon

A visual fragment from the archive: The thematic resonance of The Antics of Ann perfectly mirrors the editorial trajectory of our deep dive.

In a mock fraternity initiation, a group of Yale students haze Paul Browning for tattling. When he learns that the leader of the group, oarsman Buck Simmons, is also winning the favor of Aida Courtlandt, the dean's niece, the jealous Browning and gambler Burton Hampdon, to whom Browning owes money, attempt to disgrace Buck so he will not be allowed to participate in the upcoming Yale-Harvard race. After they fail to lure Buck to bed with a girl, Browning takes Aida to a roadhouse so that Buck will have to break training rules to go there. When the coach, suspicious about the roadhouse incident, finds a letter planted on Buck about a deal for him to throw the race, he suspends Buck, but with Aida's influence, the dean straightens matters out. After Yale wins a close race, Browning shoots at Buck, who then trounces him. Proclaimed captain of the next year's team, Buck becomes engaged to Aida.

Dir: Charley Chase

A young married couple volunteer to take charge of several orphans after the asylum has burned down. Of course they find their hands full with their troublesome charges.

Dir: Edward Dillon

A visual fragment from the archive: The thematic resonance of Never Say Quit perfectly mirrors the editorial trajectory of our deep dive.

Mr. Goode, a wealthy old gentleman, takes his wife and daughter, Evelina, out for a spin in their automobile, but throwing in the wrong lever the machine backs into the side of the road and burns up. They continue their journey on foot. Meanwhile, Foxy Monte, a polished crook, has stolen a beautiful car that has been left standing at the curb in a nearby town, and as he whizzes by he sees the Goode family. He stops and offers them a lift. Of course, they gladly accept. And while the ride is continued he persuades Mr. Goode to buy the roadster. Mr. Goode is so easy, in fact, that Monte determines to impose on him again. When Goode is called out of town on business he makes the trip in his new machine. As an alarm has been sent out to the police by the original owner of the car he is immediately apprehended and thrown into jail. His family, believing he has been detained on business, make no inquiry about him, but go on entertaining Foxy Monte, who has come into their circle disguised by full beard and another alias. Ever making the best of his condition, Goode has the jail refurnished and otherwise contributes to the comfort of the inmates. Upon leaving at expiration of his sentence, he invites the jailbirds to come and visit him at the first opportunity. Shifty Ed and his best girl, Shorty Sal, come to the Goode home to pay that visit just as Mr. Goode is entertaining a very fashionable house party, Monte in the number. Sal recognizes Monte, and he, realizing he is in danger, informs the hostess that Ed and Sal are notorious crooks. Then he persuades Evelina, whose hand has been refused him by Mr. Goode, to elope with him. It is at this point that Ed Ed and Sal make a big return for the kindness of Mr. Goode, and there is a thrilling finish.

Dir: Edward Dillon

A young girl, Rose Eastmen ( Besie Love ) lives with her lazy Uncle, who works as a janitor in a publishing house. Lacking education, both Rose and her Uncle are susceptible to the socialist ideas of writer Rudolph Creig. One day Rose encounters Jack Stevens the wealthy son of the owner of a publishing house, working on his car. She believes he is a common laborer, and she begins courting him. Through her exposure to Jack, Rose begins to realize the rich are not such an abominable people. Rudolph has also reached this conclusion after learning Stevens has published his book. Now bolstered by success and armed with a hefty royalty check, Rudolph is able to marry Rose.

Dir: Edward Dillon

Her education in a French convent school completed, plain Justine Spencer returns to New York. There she is shocked to discover that her mother Dodo is a flamboyant musical comedy actress with many male admirers. Dodo, on the other hand, is dismayed to find Justine priggish and dowdy. One of Dodo's suitors is Billy Ferris, who, in a fit of jealousy, murders her and slays himself. Out of pity, Cosmo Spotiswood, another admirer of Dodo, marries Justine, but soon tires of his platonic marriage and leaves for Europe. Upon his return, Cosmo finds Justine transformed. Under the tutelage of Dodo's maid Loti, she has bobbed her hair and donned fashionable apparel. Thus changed, Justine is surrounded by suitors. Stung by jealousy, Cosmo falls in love with his sophisticated wife.