The Auteur's Selection Complementing the Tone of The Big Shakedown:...

Dir: Alexander Butler

In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.

Dir: John Francis Dillon

Nancy Worthing, who comes home from boarding school to find that her parents have no time for her, pawns some of her mother's jewels to buy the clothes necessary for entering society. She persuades her father's chauffeur, Phil Ballou, to take her to a notorious cabaret, where a shooting occurs. In the confusion, Phil is arrested as the assailant, and when Nancy's parents learn of the missing jewels, they bring further charges against him. At the trial, Phil reveals that he is the son of wealthy parents who simply wished to earn his own living, and Nancy clears his name by confessing all. Phil and Nancy, united by their ordeals, begin a romance.

A visual fragment from the archive: The thematic resonance of Nancy Comes Home perfectly mirrors the editorial trajectory of our deep dive.

Dir: John Francis Dillon

Brewster, the bean king, has an option of renewal on a certain bean canning plant owned by Ellis. Ellis does not desire to renew and hires Wingate, a shyster lawyer, to help him. Brewster has to send Betty to renew the contract. Later he sends his lawyer to help her and Ellis' man persuades her that he is a plotter. There follows plot and counter-plot, but all-innocently Betty carries the day.

Dir: Edgar Jones

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

A visual fragment from the archive: The thematic resonance of Beans perfectly mirrors the editorial trajectory of our deep dive.

Dir: John Francis Dillon

Eddie appears as a squatter named "Black Jack," who makes a strong fight for his rights against armed aggression. In the course of the story he kidnaps his own boy.

Dir: John Francis Dillon

Gentleman crook Boston Blackie answers a want ad for an expert safe cracker placed by Doris Macon, who claims a moral right to the safe's contents. She hires Blackie, and they break into the house where the safe is kept. Blackie blows up the safe just as owner Captain von Hoffmeier returns home. Doris disappears with papers from inside the safe, while Blackie takes phonograph records, which, when played with a special needle, reveal secrets that implicate von Hoffmeier as a German political spy. Doris is actually the girl friend of a secret service man who has followed them to the house. Blackie's talents are praised, and he goes to work for the government.

A visual fragment from the archive: The thematic resonance of In the River perfectly mirrors the editorial trajectory of our deep dive.

Dir: Bruno Ziener

A fascinating piece of cinema that shares thematic elements.

Dir: John Francis Dillon

An amusing satire on the simple village maiden who comes to the great city and falls a victim to its alluring temptations.

A visual fragment from the archive: The thematic resonance of A Prisoner for Life perfectly mirrors the editorial trajectory of our deep dive.

Dir: Wilfred Lucas

Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.

Dir: John Francis Dillon

A young lady, who "hates the law" rises from the tenements to society. Financial reverses lead her to commit a series of burglaries as "The Bird". She becomes involved with the detective investigating the burglaries. After she confesses and pays for her crimes, they marry.