Rare Cinematic Gems Exploring the Legacy of The Big Sister: Cult Guide

Dir: John B. O'Brien

In the future (1921), an alliance of several foreign countries plot to attack the US. American officials, coming to the realization that the country is basically defenseless, offer $1,000,000 to anyone who can come up with a weapon to defeat the invaders. Winthrop Clavering, a writer and inventor, hears of the reward and tells his friend Bartholomew Thompson, a scientist and inventor who has been working on developing flying torpedo. However, enemy agents have also heard about Thompson's project, and set out to kill him and steal his plans.

Dir: John B. O'Brien

A visual fragment from the archive: The thematic resonance of The Street of Seven Stars perfectly mirrors the editorial trajectory of our deep dive.

Harmony Wells, a gifted violinist, moves to Paris to complete her musical education. Her money soon disappears, and she is forced to live in an inexpensive pension house, where she meets Dr. Peter Byrne, a promising American surgeon who has come to Paris to study. The doctor falls in love with Harmony and proposes, but although she returns his love, she refuses him, determined to pursue her career. One of Peter's patients, a crippled child named Jimmy, who is dangerously ill, asks Harmony to brighten his hours by playing for him. Realizing that the boy is about to die, Harmony seeks out his mother, a dancer who deserted him for the vaudeville stage, but the woman arrives at her son's bedside too late. Shortly before Harmony's debut, she visits Jimmy's grave, where she meets the grief-stricken mother, who advises her to "play for your own children as you played for my little boy." Rushing back to Peter, Harmony accepts his proposal of marriage.

Dir: John B. O'Brien

Raised in a small town by a maiden aunt, Constance Bennett leaves her home and sweetheart John Clavering, the local grande dame's son, to go to New York, where she models at a suit and cloak house. Her employer, Edmund Berste, attempts to force his attentions on her, which provokes Berste's wife to become wildly jealous. Constance returns home and establishes her own store, but Berste follows. After Mrs. Berste arrives and denounces Constance before a crowd of customers, Constance is turned out of church and ostracized by her community. Back in New York, Constance lures Berste to her apartment where she has arranged for Mrs. Berste to overhear his avowal of love. In retaliation, Berste hires a woman detective to lure Constance to his hotel room. Clavering, who has been in Mexico, returns and after searching for Constance, bursts into Berste's room as he and Constance struggle. A pistol shot kills Berste and Constance is arrested, but after a jury acquits her, she marries Clavering and returns home.

Dir: John B. O'Brien

A visual fragment from the archive: The thematic resonance of Reputation perfectly mirrors the editorial trajectory of our deep dive.

Mary Lawson was on trial for the killing of Dr. Brundage. He had come to the little village and with his up-to-date methods had made great inroads into the practice of Dr. Kirk. Mary's mother, a confirmed invalid, was one of those who had turned to the new doctor. Mary in repulsing the advances of Dr. Brundage, had said, "You have destroyed my faith in mankind. I feel as though I could kill you." Mary's mother took a turn for the worse, so she went to summon Dr. Brundage, but on arrival at his office found him dead in a chair. Other arrivals found Mary alone with a knife in her hand and this coupled with her previous statement, which had been overheard, was the means of her conviction. Through the help of a cripple she managed to escape. Securing work in a faraway city she soon became the wife of a fellow workman, John Harlow, who turned out to be a wealthy clubman, working only on a wager. Her happiness was complete till the day when she ran across Dr. Kirk, now penniless and ragged. He forced her to take him in as her "uncle." One day, led to the vicinity by her picture, detectives came to the house. Mary, on seeing them, told her whole story to her husband. He, instead of turning her over, assisted her to escape in a sailboat. A storm arose and the boat was driven on the rocks. In the morning Mary came to, to find herself on the rocks but her husband was nowhere in sight. Overhearing voices speak of the other body, she made her way to the house for one last look at her husband. While there the detective approached only to tell her of the confession of Dr. Kirk.

Dir: John B. O'Brien

Imar the Servitor rescues an American tourist who has lost his way in the desert and the two men become friends. Before he leaves, the American gives his friend a picture of his fiancée. When the tourist returns home, he discovers that his girlfriend has married a horseman, both of whom have journeyed to the Arabian desert. Imar's master attacks the trader's wife. Her husband then accuses her of infidelity and starts to beat her. Imar recognizes her from the picture given to him by his American friend and rescues her. They both traverse the desert and meet her former fiancé, who has been sent for. Her husband and Imar's master are slain, leaving the three friends free of any retribution.

Dir: John B. O'Brien

A visual fragment from the archive: The thematic resonance of Mary Lawson's Secret perfectly mirrors the editorial trajectory of our deep dive.

Mae Carter is the ward of Col. Aitken and the fiancée of his nephew Robert. They plight their troth and after much teasing from Mae, Bob succeeds in giving her an engagement ring. While Mae and Bobby are out riding one day the shoe of Mae's horse becomes loosened. She calls for Bob to exert his masculine strength and jerk the shoe from the horse's foot to save the horse further pain. After several unsuccessful pretenses to release the shoe they go to a blacksmith. Mae discovers in the blacksmith a man of extraordinary strength. He jerks the shoe from the horse with one pull, and thereby wins the admiration of Mae. That night Mae dreams that she is the cave woman of Robert, a cave man. While eating shrubs she is attacked by another giant cave man and about to be carried off when a rescuer appears, and he proves to be none other than the blacksmith. In the morning she pays a visit to his shop and takes a snapshot of him, much to the distress of Robert. She breaks off her engagement with Robert and is about to elope with the blacksmith when her uncle, having dealt with many women in his time, and knowing feminine ways better than Bob, concocts a scheme whereby he will induce the two to live at his house for a month to find out if they still love each other, at the end of which time he promises to consent to the marriage. The girl gives an engagement party and his conduct makes her see how impossible a match would be between the two. Thoroughly disgusted, she breaks off her engagement and returns to Robert. A marriage between her and Robert is arranged by the Colonel for the following day, and the blacksmith learning of it becomes jealous. When the ceremony is about to take place, the blacksmith comes to the house and steals the bride and plans to take her to a neighboring town and marry her himself. He gets away with her and after many hair-breadth escapades he finally gets caught in the quicksand with the girl but Robert releases him and the wedding takes place.

Dir: John B. O'Brien

Robert Powers devotes himself to a life of dissipation until he meets Lillian Vale, the daughter of the curate of St. Anthony's church. Lillian marries Powers, determined to reform him. Years later, the happiness of their home threatened by the appearance of Hattie Lee, one of Powers' former lovers. While Lillian is at her father's deathbed, Powers is lured away by Hattie Lee one night. That evening, the house catches fire and when he returns, the place is in ashes. Frenzied with the belief that his son has perished in the flames, Powers goes to beg the forgiveness of his wife and discovers that she has saved the child's life. Her all-forgiving nature and the love of their son causes Powers to rise from his past life with a triumphant soul.

Dir: John B. O'Brien

A visual fragment from the archive: The thematic resonance of Imar the Servitor perfectly mirrors the editorial trajectory of our deep dive.

Rich artist David King sends his infant daughter Molly to an orphanage, then years later regrets it and tries to find her. She's sent to slave at a boarding house, and the mistress of the orphanage passes her niece off as Molly.

Dir: John B. O'Brien

When the marriage of Justus and Dorothy Druce fails, their daughter Dorothy goes with her mother to the Catskills, while her twin sister Justine settles in New York with Justus. Years later, Justine becomes engaged to Charlton Sloane, who offers to help Justus out of his financial difficulties by pawning the Druce family jewels. Justus' niece Adelaide, bitterly disappointed in her love for Charlton, convinces her uncle that the young man stole the jewels, prompting Justine to seek the services of Warde MacMahon, a young lawyer vacationing in the Catskills. When Warde's car overturns, Dorothy tends to his injuries in her childhood hideaway, "The Inn of the Blue Moon," and the two fall in love. Dorothy and Justine finally meet, and following several adventures involving their identities, Charlton's name is cleared, the daughters are married to their prospective suitors, and the long separated parents are reunited.

Dir: John B. O'Brien

Robert Armstrong, falsely accused of a murder committed thirty years ago in a western gambling hall, faces the alternative of imprisonment or paying blackmail. A letter from Tom Mason, formerly a miner, prepares him for a visit, at which time he must make his choice. Armstrong confides in his son, Dick, assuring him that the murder was committed by Mason, who used trickery to make it seem that he (Armstrong) was the culprit. Dick broods over the injustice to his father, and Armstrong cannot conceal his nervousness. The visitor comes and makes his demands. Armstrong grapples with him as the lights are turned off. Suddenly there is a shot, and when the lights are turned on again Mason is lying dead on the floor. Fearing the servants will enter, Dick drags the body through a window to the grounds outside, takes Mason's pistol out of his pocket, fires a shot into the body and places the weapon in the dead man's hand. Dick returns to the house and a policeman hurries to the scene. Dick thinks he has covered up his tracks, but Burke, chief of detectives finds the other bullet in the body and has no difficulty in connecting the murder with the Armstrong family. He does not succeed in getting a confession from either father or son, and decides to resort to strategy. Phyllis Lord is a model in Martel's establishment for women's apparel. The discrepancy between the gowns she wears to display to customers and her own modest raiment eats into the girl's consciousness. Then, too, she is befriending Bessie Allen, a young wife who has been deserted by her husband, and finds herself unable to help Bessie as she would like. A wealthy woman who is buying gowns boasts of having won five hundred dollars at Crandell's, a fashionable gambling resort, on a five dollar wager. Phyllis obtains a card of admission to Crandell's, without permission borrows one of Martel's gowns, and visits the gambling house. She loses the money she has brought and fifty dollars more which Crandell loans her. Burke, who has been watching the girl, has Phyllis dismissed from Martel's, making it appear that she has stolen money, and she is placed in such a position that she is obliged to accept Burke's offer to help him with a case. She consents to get a confession from Dick Armstrong. She is installed in a handsome apartment and given beautiful clothes. Bessie Allen, who is ill, is taken to a hospital. Burke puts a dictaphone into Phyllis's apartment. The pre-arranged courtship progresses favorably. Dick finds the trick Phyllis has played and denounces her. Phyllis is heartbroken, and anxious to atone for what she has done. She goes to Dick's father, and Armstrong, greatly agitated, writes a confession saying that he alone shot Mason. At police headquarters Dick is put through the third degree, and finally he gasps, "I did it." Phyllis, in the next room, hears him, and rushes in with Armstrong's confession. Burke's lieutenant makes out a warrant for his arrest. Phyllis goes home, exhausted, when a messenger brings a letter from Bessie, written just before her death. The letter encloses her marriage certificate, and photograph of the husband who deserted her. Phyllis rushes to the minister who performed the ceremony, and takes him to Burke's office. It is Burke who is Bessie's husband, and as he has illegally married another woman, Phyllis threatens him with arrest on a charge of bigamy. She offers to exchange her documents for Armstrong's confession, and Burke accepts. Then Phyllis falls sobbing into a chair, holding out her hands in supplication to Dick.