Essential Cult Cinema Drawn from the Same DNA as The Bride's Bereav...

Dir: Lloyd Ingraham

While walking along the street one day, Arthur P. Hampton, an impoverished young doctor, and his chums, Stub Masters and Johnny Stokes, are persuaded to part with their last remaining funds by tag day solicitor Mary Jane Smith, with whom the doctor promptly falls in love. Doc's friends then hit upon a get-rich-quick scheme. Knowing that his Uncle George has promised a large sum of money upon his nephew's marriage, they persuade Doc to send out fake wedding invitations naming Mary Jane as the blushing bride. Uncle George, elated at the good news, writes to Mary Jane's aunt, Angelica Burns, an old sweetheart, to invite Mary Jane and Angelica to be his guests on an ocean voyage. Meanwhile, Mary Jane pays a visit to the doctor's office and, upon seeing the wedding invitations, becomes so flustered that she trips and sprains her ankle. Doc comes to her rescue and then begs her to pose as his wife. She agrees, but at ship-side, Stub and Johnnie confess all to Uncle George, who flies into a rage until Doc announces that he and Mary Jane have chosen a wedding at sea.

Dir: Richard Smith

A visual fragment from the archive: The thematic resonance of Lunatics in Politics perfectly mirrors the editorial trajectory of our deep dive.

Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.

Dir: Charley Chase

A young married couple volunteer to take charge of several orphans after the asylum has burned down. Of course they find their hands full with their troublesome charges.

Dir: Robert F. Hill

A visual fragment from the archive: The thematic resonance of Kids Is Kids perfectly mirrors the editorial trajectory of our deep dive.

Criminals steal a death ray that concentrates the rays of the sun. The inventor's daughter and a government agent try to retrieve it.

Dir: Robert Thornby

Mary Willard takes over her father's railroad after his death. Her major competitor is a ruthless crook named Harvey Judson. She arranges for Judson to be kidnapped and taken to an isolated spot deep in the forest and turned loose to fend for himself. She accompanies the kidnappers to the wild and Judson, not knowing who she is, begins to fall in love with her. Complications ensue.

Dir: Edgar Jones

A visual fragment from the archive: The thematic resonance of The Flaming Disc perfectly mirrors the editorial trajectory of our deep dive.

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

Dir: Jerome Storm

Ne'er-do-well Homer Cavender ventures to the city from Mainsville in an effort to find fame and fortune. Both elude him, and after clerking for two years, Homer returns home for a vacation. Impressed by his flashy clothes, the townspeople assume that Homer has achieved success. Attempting to win Rachel Prouty from his rival, Arthur Machim, Homer continues the deception by announcing that his employer, Kort and Bailly, has dispatched him to enroll stockholders for a proposed new plant to be built in Mainsville. Machim discovers the sham and denounces Homer as a crook. Meanwhile, Homer returns to New York, convinces his employers of the merits of his plan and comes home triumphant, with a proposal for both the new plant and for Rachel's hand in marriage.

Dir: Frank Moser

A visual fragment from the archive: The thematic resonance of The Deadlier Sex perfectly mirrors the editorial trajectory of our deep dive.

The simple story is about two siblings, little brother Bud and big sister Susie. After they've been reading "Huckleberry Finn" they dream of adventures on the Mississippi River.

Dir: Reggie Morris

A fascinating piece of cinema that shares thematic elements.

Dir: Robert F. Hill

Jim Crosby has shifted for himself since his early childhood. He has become a gangster, feared by all his companions because of his strength. In a fight, which he enters for his sister's sake, he is arrested and sent to jail for a term of months. In the meantime Ann Payton, a society girl, has rented a saloon which she has turned into a mission. She is engaged to be married to Temple Vaughn, her father's young secretary, but decides to wait a year before marrying. The day that Jim is released from prison he gets mixed up in a brawl, and knowing that the police are just waiting a chance to arrest him again, he seeks refuge in the old saloon, a former hangout. Ann takes him in and shelters him from the police. Vaughn has been leading a fast life and has become involved with a woman by the name of Costello and a gambler called Johnson. He loses heavily, and to pay the debt forges a check. Jim, who has been given a position in the bank, recognizes Johnson when he comes to cash the check. He discovers that Vaughn is not able to meet the check, and in lieu of settlement Johnson forces Vaughn to invite a number of his wealthy friends to his house for a game of cards. Jim overhears the two planning the card party and, knowing Ann's love for Vaughn, he decides to get the check and so prevent any further blackmail. At the party Vaughn stands seeing his friends fleeced as long as he can and then accuses Johnson of cheating. Then a figure appears at the door, holding a pistol. He rifles all their pockets, taking the money on the table and the forged check. But in robbing Vaughn, Jim slips in his pocket the forged check. Jim is caught while trying to make his escape and is sentenced to a term in prison. Some time later Vaughn finds in his pocket the forged check and realizes that Jim has committed the crime only to save him. He offers to take all the blame, but Jim will not listen. After his marriage Vaughn again gets connected with Johnson and his mistress. There is a quarrel and Johnson is arrested for running a gambling house. In prison he meets Jim and tells him that the first thing he does upon his release from prison will be to kill Vaughn. Later they are both released on the same day. Jim goes at once to warn Vaughn who arrives a few moments after and who accuses Jim of paying attention to his wife. Jim tries to warn him, but Johnson steps out from behind a screen and shoots him through the heart. In the last scene Jim and Ann are seen together, establishing another mission in the Bowery. It is left to the spectator whether or not Jim will ever succeed in overcoming the great social gap which lies between them.