Visionary Picks In Alignment with the style of The Broadway Bubble:...

Dir: Alexander Butler

In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.

Dir: Robert N. Bradbury

A visual fragment from the archive: The thematic resonance of Into the Light perfectly mirrors the editorial trajectory of our deep dive.

A simple country girl, brutally mistreated by her stepfather, awakens first the sympathy, then the love, of The Boy. The Spider, who lusts after The Girl, makes a bargain with the stepfather and takes her to the city where, kept prisoner, she is soon broken in health and spirit. Cast out and near death, she is taken in by The Boy. Following the demise of The Spider, The Boy takes her to church, where he prays, and after many hours she is restored to health.

Dir: Wilfred Lucas

Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.

Dir: George L. Sargent

A visual fragment from the archive: The thematic resonance of The Jackeroo of Coolabong perfectly mirrors the editorial trajectory of our deep dive.

Shye, seated under a tree near the seminary, is not so wrapped in his studies as to fail to see the trim ankle displayed by Tottie as she stoops to tie her shoelace. His eyes stray upward until they rest upon her face. At once Shye forgets all about his studies. The love-sick young man follows Tottie, who happens to be on her way to Maxim's, where she is due to take part in a Saturday matinee performance. Returning home, he suggests to his three friends (much to their amazement) that they make a trip to Maxim's that evening. Anxious to see the girl who has made such an impression upon him, Shye waits for midnight, when the cabaret is due to commence, with extreme impatience. The sight of Tottie in the various numbers fills him with ecstasy. The first part of the performance over, Shye collects the flowers from the holders on the tables and then endeavors to enter Tottie's dressing room. A man guards the door, however, and Shye is compelled to grease his palm before he can gain admittance. Tottie appears glad to meet him and promises to have supper with him after the show. Unknown to Shye, his friends are also smitten with the little blonde and like him, get Tottie's promise to have supper with them. The men hasten around to the rear entrance and the sight of each other waiting for the same girl fills them with ire. A fight is about to take place, when out walks Tottie, clinging to the arm of the individual whom all had to bribe before they could see her. Calmly introducing Tottie to the love-stricken youths as his wife, he and the little blonde walk away.

Dir: Edgar Jones

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

Dir: George L. Sargent

A visual fragment from the archive: The thematic resonance of Midnight at Maxim's perfectly mirrors the editorial trajectory of our deep dive.

Mary, the maid in a boardinghouse, falls in love with boarder John Slocum. Planning to marry, the couple jointly opens a savings account. In order to increase the account, John deprives himself of the barest necessities until he realizes that his scraggly appearance is making him the laughingstock of his office. After winning a lottery, John takes his winnings and invests them in fine clothes which allow him entry into exclusive restaurants where he eavesdrops on the brokers for stock tips. Meanwhile, Mary, suspicious of John's new raiment, believes that he is having an affair, but is pleasantly surprised when the tips pay off, making John a millionaire.

Dir: George L. Sargent

Episode 1: Dr. Ralph Burke, a scientist and inventor, perfects an apparatus enabling submarine craft to remain underwater indefinitely without relying wholly upon compressed air stored in the boat. The discovery is perfected at the opening of the story and has been offered to the United States government. Lieut. Jarvis Hope. U.S.N., is dispatched to witness a practical demonstration of the invention. Arriving in the city where Dr. Burke lives, Lieut. Hope meets an old acquaintance. Hook Barnacle, whose life he once saved. Hook had his right hand bitten off by a shark, and an iron hook being substituted gained for him the odd sobriquet. Hook escorts the lieutenant to the Burke home and relates to Cleo, the doctor's "daughter," how his life had been saved by the young naval officer. Cleo and Hope become mutually interested. Hook is much given to talking and it is not long before the entire village knows the reason for Lieut. Hope's visit. Among those who learn the news are Sextus, a Russian, and Satsuma, a Jap, working under the orders of one Mahlin. The following day is set for the demonstration. Satsuma watching his chance has secreted himself aboard the submarine. Olga Ivanoff, head of the Russian bureau in this country, receives a visit from Sextus, who is commanded by her to obtain the secret of the submarine. Meantime Calvin Montgomery, a wealthy lobbyist, upon advices from influential friends at Washington, sends his nephew, Gerald Morton, an unprincipled rounder, to obtain the secret. Gerald is suspicious of his uncle's interest in Cleo Burke, but fails to learn anything definite before he leaves to see the inventor. On board the submarine the apparatus is being manipulated satisfactorily and Lieut. Hope is much impressed. The party repairs to the salon for lunch, affording opportunity for Satsuma to crawl stealthily from his hiding place. The Jap is examining the mechanism of the invention when he is surprised by Dr. Burke, who gives the alarm. Sailors rush in to overpower the Jap but he is desperate. Shots are fired, one of which disables the Burke apparatus. Satsuma throws over the lever opening the conning tower trap, leaps up the ladder, gains the top and dives off into the sea as the boat quickly sinking is almost lost to view. The water pours down through the open trap. The air machine is broken and with the boat uncontrollable, the inventor and his party battle for life in the watery darkness.

Dir: George L. Sargent

A visual fragment from the archive: The thematic resonance of In the River perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Dallas M. Fitzgerald

Confidence artist Flossie Golden attempts to fleece foolish but wealthy James Venable with a breach-of-promise suit. Venable's shrewd attorney, Richard Harding, outwits Flossie by proposing that she marry Venable and live on an allowance of $3,000 per year. Flossie is determined to get even with Harding for ruining her plans. In an attempt to con him, she poses as Innocence Page, but falls in love and marries him instead. Larry, Flossie's former accomplice, endeavors to blackmail her with her errant past, but Harding is already cognizant of the facts and Larry fails.

Dir: George L. Sargent

William H. Langdon has been elected senator from Mississippi, and reaches the national capital with the experience in big politics that might be expected of a man who has lived his life on a plantation forty miles from a railroad. With him are his two fair daughters, Carolina and Hope. He has scarcely reached his hotel when he hires "Bud" Haines, a newspaper man, as his secretary. Charles Norton, representative from Mississippi, James Stevens, senior Senator, and Horatio Peabody, senator from Pennsylvania, are interested in a scheme to have a naval station located at Altacola, Miss., and they need the assistance of the new senator. They have purchased all the land in the neighborhood and plan to dispose of it to the government at their own price after the bill is put through. In order to insure his support Norton induces Langdon's son to invest $30,000 in Altacola and also puts in the fortune left the Senator's daughter by her mother. He is the girl's accepted suitor, by the way. Haines, in the meantime, has been a thorn in the side of the crooks, but by reporting to each that the other has played false and invested money in the land project, they bring about an estrangement between him and Langdon, which is set right by Hope Langdon telling Haines, with whom she is in love, of the plot. Langdon and Haines find they have been duped and the man from Mississippi decides to balk the thieves, even if it ruins his family. The story comes to a right ending by Langdon stepping into the Senate to make his maiden speech, denouncing the intended fraud, and declaring that he and the conspirators bought up the land to save the national treasury from being looted after having discovered a conspiracy in another quarter to commit the holdup. Before this important event he has compelled the two rascally senators to come to his way of thinking through fear of exposure. Congressman Norton is sent on his way in disgrace. Haines, again secretary, is engaged to wed Hope.