Underground Favorites Mirroring the Impact of The Burning Trail: Cu...

Dir: Arthur Rosson

Upon his arrival in Dry Bottom, New Mexico, Easterner Kent Hollis beats up the town's crooked boss, then decides to stay and bring law and order to the community. When he discovers that Big Bill's men are rustling his cattle, Big Bill threatens him, challenges him to leave town within a few hours, then attacks him. Kent is nursed back to health by Nellie Hazelton, who is also desired by Big Bill. Kent places his name in consideration for sheriff and enforces a fair election although Big Bill's men attempt to stuff the ballot box. Kent wins the election but also the ire of Big Bill, who chases and attacks him. Kent wins the shootout and the love of Nellie. Law and order is restored to Dry Bottom.

Dir: Bruno Ziener

A visual fragment from the archive: The thematic resonance of Eva, wo bist du? perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Eduardo Notari

A crime drama in the Gennariello-series. The police detective in Naples that is confronted with modern gangsters and crime events.

Dir: Alexander Butler

A visual fragment from the archive: The thematic resonance of 'A mala nova perfectly mirrors the editorial trajectory of our deep dive.

In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.

Dir: Robert N. Bradbury

A simple country girl, brutally mistreated by her stepfather, awakens first the sympathy, then the love, of The Boy. The Spider, who lusts after The Girl, makes a bargain with the stepfather and takes her to the city where, kept prisoner, she is soon broken in health and spirit. Cast out and near death, she is taken in by The Boy. Following the demise of The Spider, The Boy takes her to church, where he prays, and after many hours she is restored to health.

Dir: Arthur Rosson

A visual fragment from the archive: The thematic resonance of The Night Riders perfectly mirrors the editorial trajectory of our deep dive.

Parisian music hall celebrity Mignon marries young American civil engineer John Stanley. When John is suddenly assigned to undertake an engineering project in the Sahara, Mignon accompanies him and her son to the desert, although she is accustomed to a life of frivolity. After months of discontent, Mignon leaves her husband and son for Russian Baron Alexis, who establishes her in a palace in Cairo. Brokenhearted, John becomes a drug addict. Mignon later runs across her husband and son, who have become beggars. She is filled with remorse and returns to the desert to nurse her husband. John recovers slowly, reconciles with his wife, and the family finds happiness together.

Dir: Charles Horan

While working as a flower girl in Devlin Maddox's nightclub, Nellie Vaughan meets wealthy young Pelton Van Teel and falls in love. Maddox, desirous of using Nellie to blackmail Van Teel, spreads a rumor that she is his mistress. This makes Nellie uncomfortable, and she demands that Van Teel marry her immediately, to which he agrees. Meanwhile, Van Teel has been losing money gambling to Maddox, who threatens to break up the marriage by producing a worthless check that the young husband has written. Venturing to Maddox's apartment for a showdown, Nellie pulls a gun and demands the check, accidentally shooting Maddox when he throws a lamp at her. Maddox plans to charge Nellie with assault, but when the police arrive, his butler, actually a detective employed by the elder Van Teel, exposes Maddox, who is then arrested, clearing the path for the couple's happiness.

Dir: Arthur Rosson

A visual fragment from the archive: The thematic resonance of Into the Light perfectly mirrors the editorial trajectory of our deep dive.

Doc Saunders, an alcoholic, leaves his little daughter Mayme in the care of his sister and goes West to start a new life. In the little town of Sago, Doc becomes an avowed prohibitionist, thus earning the enmity of Art the saloon keeper. Back East, Mayme grows to adulthood and marries reporter Jimmy Baggs who has just been hired by the newspaper in Sago. When Jimmy begins to drink heavily, Mayme appeals to the town doctor for help. Doc Saunders, recognizing her, chooses not to disclose that she is his daughter, but instead invites them to move into his house for treatment. Jimmy reforms until one day he is sent to the saloon to get a statement on the liquor question for his paper. When Jimmy returns home drunk, Doc, enraged, invades the saloon brandishing a gun and shooting wildly. Doc is arrested and tried, but pronounced not guilty by a jury that sympathizes with him. With Art's power finally broken, Doc confesses to Mayme that she is his daughter, and the family sees an end to their troubles.

Dir: Arthur Rosson

Cassidy, a derelict suffering from tubercular lungs, who is stranded in San Francisco, realizes that death is imminent and desperately seeks to return to his home town of New York. Determining to rob a house in order to procure the funds to complete his journey, Cassidy breaks into District Attorney Grant's home but is caught by Grant. After hearing the boy's story, Grant is so touched that he gives Cassidy money to return home. Cassidy is able to repay his debt that very night when the district attorney's daughter is kidnapped by his political enemies. Learning the girl's whereabouts from his friend, the bartender, Cassidy rescues her and takes her home. Then, badly wounded, he makes his way to the railroad station where he dies.

Dir: Edward LeSaint

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.