Masterpiece Selection that Capture the Essence of The Captive God: ...

Dir: Charles Swickard

A young Egyptian goes to the rescue of his employers, a wealthy European family, when they are menaced by a local strongman and his gang.

Dir: Charles Swickard

Widow Margaret Dennis, unaware of the abusive nature of Oliver Cathcart, agrees to become his wife. Among other cruelties, Cathcart has ruined the Taylor family in a bad business deal, causing the death of Mrs. Taylor, turning Mr. Taylor into a worthless drunk and embittering their son Raymond, who swears revenge on Cathcart. Margaret's son Jim, learning of all this, forces his mother to choose between him and Cathcart. Choosing the latter, Margaret goes to his country estate, where she finally learns her husband's true nature. Nearby live the Taylors. Raymond is courting Cathcart's maid Milly, and when he comes to the estate one day to visit Milly, Margaret pleads with him to send a message to Jim. Meanwhile, Taylor's sister Steve leaves home, seeking adventure. Receiving Margaret's message, Jim arrives and promises to take his mother away the next day. That night, Cathcart is killed, and on Milly's testimony that Jim had been at the house, he is arrested for the crime. Steve, however, hearing of Jim's arrest, returns and testifies that she and Jim shared refuge from a thunderstorm in an old shack on the night of the murder. Robert Shepherd, the estate gardener, then confesses that he killed Cathcart when he found him struggling with his beloved daughter Bess. Jim is finally freed, and Shepherd acquitted on a plea of temporary derangement.

A visual fragment from the archive: The thematic resonance of The Lair of the Wolf perfectly mirrors the editorial trajectory of our deep dive.

Dir: Charles Swickard

Just over the American side of the Mexican border, Big Jim Burmister, the Sheriff, kept law and order, being both feared and hated by the Mexicans who were thus forced to keep within the bounds. Conducting the saloon and gambling hall is Joe Nagle. His devoted slave, who is also his faro dealer, is "Blootch" White. He is much attached to Lottie Nagle, who bears the surname of the saloon-keeper by courtesy only. The Valyez family, the newest arrivals in the little town, are a source of interest to all. The girl, Nita, whose Mexican father is dead, has inherited a great many of his traits. Carlos, a gambler and a bully, is enamored of the girl. His passionate wooing almost wins her, but at the last moment her contrary nature causes her to turn upon him with angry vehemence. Carlos, angered, returns to the saloon. He starts drinking, and before long he is shooting up the place. He is arrested by Jim, who imposes a fine or imprisonment for a year. Carlos is forced to accept the latter alternative. When Nita hears of this, she hastens to the saloon and soundly berates Jim, who has just received word that the nearest town across the border had become infested with the plague. Joe Nagle gives Nita the money to pay the fine of Carlos, thus thinking to win her heart. Lottie jealously watches this, and later overhears Joe telling "Blootch" to "get Carlos." She warns Carlos and gives him a gun. She has seen the notice of the plague and conceals it so that it does not become public. When "Blootch" accuses Carlos of cheating, the latter kills the faro dealer. Then Lottie whispers to him to take his horse and Nita and go across the border, though she knows she is sending them to brave infection. Carlos goes to the cabin of Nita, telling her that he has killed the faro dealer and that they must flee; but at the last moment she does not want to leave her mother. While they are arguing, Big Jim raps upon the door. Nita hides Carlos in a closet. Then Jim plays upon her jealousy and intimates that Carlos has been having an affair with another girl. She grasps Jim's gun and shoots toward the closet, but on the instant is sorry for her act. Jim, realizing that she loves Carlos, goes outside. When Nita opens the closet she finds it empty, as Carlos has escaped through the thatched roof. As Jim is waiting outside, Carlos sneaks along the roof and shoots him. Then he rushes down to Nita, and with sheer force, compels the fainting girl to accompany him. They have just gone when her mother returns, and bandages Jim's wound. Though weak from loss of blood, he takes up the pursuit of Carlos and Nita. When he arrives, after a day's pursuit, he finds Carlos dying a victim of the plague, while Nita is caring for him. Thinking that she loves the Mexican, Jim leaves for the border, but before he has gone far he falls from his horse, where he is found later by Nita. who has come to seek him. realizing that she loves him.

Dir: Charles Swickard

Dick Bisbee loses his job in his millionaire uncle T. W. Bisbee's factory because of the hostility of crooked manager Elmer Robbins. Before leaving, Dick denounces his uncle for his niggardly ways and advises him that there are no pockets in a shroud. Dick goes to live at the home of his one office friend, bookkeeper Stetson, and he falls in love with Stetson's daughter Helen. The next day T. W. feels remorse and under Dick's guidance he abandons his miserly ways and spends his money having a good time. After overhearing Helen telling Dick what she would do if she had T. W.'s money, T. W. follows her advice. Robbins is arrested for embezzlement, and T. W. makes Stetson manager and Dick a partner in the factory.

A visual fragment from the archive: The thematic resonance of Mixed Blood perfectly mirrors the editorial trajectory of our deep dive.

Dir: Charles Swickard

Engineer Bob Durland, a rival of the wealthy Harold Blake for the hand of Alice Randolph, goes to Mexico during its revolution to prevent Morgan Randolph from losing his oil concession. Harold accompanies him, but when the Mexican insurrectionists threaten the two Americans, he becomes frightened and leaves. Upon his return, he reports that while he himself heroically fought off the revolutionaries, Bob died a coward's death, and Alice, believing her true sweetheart to be dead, agrees to marry Harold. Meanwhile, Bob saves Randolph's mines despite several attempts on his life and then returns to the United States, just in time to prevent his girl from marrying the wrong man. After evening the score with Harold in a fight, Bob takes his place beside Alice at the altar.

Dir: Charles Swickard

At the death of Count de Beaulieu, his daughter Jeanne learns that her father had been the arch criminal known as The Phantom. The only other person who knew her father's identity was his lieutenant, Franz Leroux, who now demands that Jeanne marry him in return for his silence. She agrees and they go to America where Jeanne meets an old friend, Jane Elliot. Jeanne confides her secret to Jane, and the two decide to flee to Florida. When en route their train is wrecked and Jane killed, Jeanne, in order to protect herself from her criminal husband, assumes Jane's identity. Posing as Jane, she visits the Marstons and falls in love with Henry Marston. Soon after, Leroux arrives and Jeanne is forced to tell her story. While explanations are in progress, one of Leroux's confederates, whom he had double-crossed, kills the criminal. Henry then forgives Jeanne her deception and together they begin a new life.

A visual fragment from the archive: The thematic resonance of The Spender perfectly mirrors the editorial trajectory of our deep dive.

Dir: Charles Swickard

Priscilla Worth, an innocent country girl, goes to the city to visit her aunt, a typical society butterfly, who has sent for her, thinking her child-like simplicity will afford a welcome relief to Vincent Morgan, a wealthy bachelor, and man about town. The plan works well. Vincent marries Priscilla, and takes her on a tour around the world. However, one of his sweethearts, Marie Delys, a vampire chorus girl, resents being cast aside; and after Vincent returns, although he struggles with his better nature, he again succumbs to her charm. Priscilla grieves, but the memory of his love keeps alive her faith. Maxfield Durant, an artist, who painted her portrait when she first came to the city, had also fallen in love with her, but before he declared his love, she accepted Vincent. He advertises for a model who is beautiful, but not of the brazen type, and secures Peggy Lovel, a girl from the slums. Both Vincent, who is having Marie's picture painted, and his friend, Billy Van Duyn, become interested in Peggy. This arouses Marie's jealousy. Priscilla, remembering her portrait, requests Durant to bring it to her. He cannot refrain from showing his great love. Vincent, seeing this, flies into a terrible rage. Priscilla, conscious of no wrong, seeks consolation in the coming of her child. She gazes into a crystal which they brought from Egypt, and views scenes of horror, but her love for her husband renews her faith in him. Durant, unable to longer endure being so near Priscilla, closes his studio and becomes a wanderer. This throws Peggy out of employment, and she goes to Vincent, seeking help for herself and invalid mother. Billy, intoxicated, wants her, but Vincent sends her away, and takes Billie to his home. Peggy, knowing her mother's need of food, returns to Vincent's apartment, where he finds her asleep. As Vincent removes the glass stopper from a bottle of liquor, he sees, as in a crystal; Peggy sacrificing herself, and being sneered at by Billy. She returns home, finds her mother is dead, and takes to drugs to forget her dishonor. Finally she goes to a café where Marie and Vincent are drinking, and falls dead at the foot of the stairs, while Marie stabs Vincent and herself. The horror of this vision awakens Vincent's better nature and he sends Peggy home unharmed. Priscilla, who has been waiting with her baby, sees in the crystal, the fight for Vincent's soul, and when the face of the Christus appears, she knows the victory is won. Soon after, Vincent returns repentant.

Dir: Charles Swickard

Wealthy young American Carrington O'Connell is traveling Europe with a "social advisor" to become more polished and sophisticated. While stopping at an inn in Switzerland, he is entranced by pretty young Adrienne Le Blanc, whose parents own the inn and in which she entertains travelers. Adrienne falls for him, but his "advisor" warns him against such a socially "unacceptable" relationship, and he reluctantly leaves. Adrienne soon gets a contract with a theatrical agent for appearances at a musical hall in America, where she happens to meet Carrington's wealthy father Michael. Complications ensue.

A visual fragment from the archive: The thematic resonance of Hitting the High Spots perfectly mirrors the editorial trajectory of our deep dive.

Dir: Charles Swickard

Diligent American art student studying in Paris, Claire Martin suffers a blow to her head that transforms her into a woman of questionable morals. She then becomes involved with Scott Houghton, an unscrupulous artist who paints a suggestive portrait of her. When Houghton attempts to seduce Claire, she resists and in the struggle strikes her head and is restored to her former personality. Claire returns to America with no recollection of her lurid life, but when she meets Houghton at a party, he promises to illuminate her past. He lures Claire to his hotel room where his nephew stabs and kills him. The violence traumatizes Claire, who believes that she perpetrated the crime. When Houghton's nephew confesses, Claire is cleared of the crime and her seedy past and is free to marry her sweetheart Howard Kent.

Dir: Charles Swickard

George Farrelly, the bored custodian of the safe-deposit vaults in a New York bank, is visited by his childhood sweetheart, Charity Garvice, who tells him that his blind old teacher, Martha Owen, has a premonition that something is wrong in George's life. For the teacher's benefit, George tells a story of taking a diamond necklace left out of a strong box belonging to bank president Harrington's wife, almost giving it to a girl and then keeping it because it is too late to return it. The teacher is relieved when George accepts her advice to return the necklace, but Charity worries when he tells her that the story is true. He returns the necklace and Harrington gives him one hour to see Charity before he calls the police. After George marries Charity, Harrington admits that the necklace was left to test George's honesty, and he offers George the position of assistant manager.