The Definitive Guide Deeply Connected to The Cherokee Strip: Cult G...

Dir: Frank Beal

During a raging Montana snowstorm, Doctor Jim Barnes collapses at Esther Anderson's cabin door. Esther offers Jim refuge, but when he discovers that their food supplies are running dangerously low, he braves the journey into town in order to replenish them. On the way, he is overcome with exhaustion and fails to return. Esther, unaware of Jim's condition and abused by her stepfather, joins a theatrical troop and leaves home. Time passes and Jim finally finds Esther, but a vindictive member of her troupe accuses her of having an affair with the manager and Jim believes the accusation. He leaves and Esther goes to New York City where she becomes engaged to a jealous artist, although she still loves Jim. Sam Tuttle, a long time friend, is aware of Esther's continuing love, and so brings Jim to New York City in time to save Esther from an unhappy marriage.

Dir: Alexander Butler

A visual fragment from the archive: The thematic resonance of The Night Riders perfectly mirrors the editorial trajectory of our deep dive.

In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.

Dir: Eduardo Notari

A crime drama in the Gennariello-series. The police detective in Naples that is confronted with modern gangsters and crime events.

Dir: Noel M. Smith

A visual fragment from the archive: The thematic resonance of 'A mala nova perfectly mirrors the editorial trajectory of our deep dive.

Paradise Alley is a street in a tough neighborhood in which every inhabitant has a grudge against every other one. Consequently the street is a constant battle field. Ruler of the street is the Big Boss. His slumbers are disturbed by the tumult and he appears at the door of his house and yells an order. Instantly the street is cleared. The Boss then goes to a beanery where a beautiful girl presides over the cash register. Around the corner a cop sleeps undisturbed by the constant fighting. As the Boss disappears, the combatants resume their fight. A "man of Mystery" gets in the way of several thrown vegetables and determines to stop the fracas as the Boss did. He goes to the restaurant, borrows the Boss' hat and goes out on the street. He is mistaken for the Boss and the fighters again disappear. The man of mystery then returns the hat, steals the Boss' cigar and disappears. Two or three harmless urchins come forth and play craps. The cop wakes up, seizes them, calls the patrol wagon and the urchins are hustled off to the lock-up. At the far end of the street is a mission. James, our hero is one of the congregation. He sits with wide-staring eyes. The minister gets nervous under his gaze and others the congregation grow restive. It is finally discovered that James has painted the eyes on his eyelids, thus enabling him to appear awake, while he is really sound asleep. He wakes up and in walking out, steals the poor-box. Outside he finds the Boss beating two crooks for stealing. James hurries back and replaces the poor-box. The pretty cashier sees this and extends her sympathy. A fat man is thrown out of the beanery. James and the man of mystery get into his clothes and go in to eat. James hides inside the suit and the man of mystery feeds him. The ruse is discovered and James is put to work in the kitchen. He manages to almost wreck the place. The Boss conspires with the mystery man to rob the restaurant. The Boss passes out the money from the cash register, but James accidentally gets it. The proprietor discovers the loss and pursues the man of mystery. James is required to still the noise of a German street band. He proves a target for all the vegetables thrown at the band. He acquires a soldier's uniform and puts them all to rout. He also helps regain the stolen money of the proprietor and thus proves himself a hit with the girl.

Dir: Noel M. Smith

Introduced in a very novel way, we find the villain wooing the heroine, much against her own and father's will. Trapped and captured by the villain and his confederates, the father is bound and gagged until such time as he give in to the villain's demands. The hero arrives, ignores the villain and becomes a target for his anger. Being forced to drink with the villain, the hero does so, and surprises the villain by spitting explosives. His bluff does not hold good for long, and again the villain and he are at war, Finally, with the aid of a bear, they sign an armistice, and the villain goes to his work of studying figures. Hero unintentionally interferes with this, and the armistice is all off. Finally on the "bull-fight " holiday, a temporary truce is reached, and everything goes well, with the hero and the girl, until the hero is called upon to kill the bull, which he does, to the surprise of the villain, who gives orders that the bomb should be set right way to kill the father. The hero and heroine after a thrilling fight with the villain and his confederates, rush to the father's rescue, The three escape from the shack and take refuge on the hero's sea-craft - while the villains, rushing the shack, arrive inside in time to be blown to pieces with it.

Dir: Noel M. Smith

A visual fragment from the archive: The thematic resonance of Squabs and Squabbles perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Edward LeSaint

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.

Dir: Robert N. Bradbury

A visual fragment from the archive: The thematic resonance of Tootsies and Tamales perfectly mirrors the editorial trajectory of our deep dive.

A simple country girl, brutally mistreated by her stepfather, awakens first the sympathy, then the love, of The Boy. The Spider, who lusts after The Girl, makes a bargain with the stepfather and takes her to the city where, kept prisoner, she is soon broken in health and spirit. Cast out and near death, she is taken in by The Boy. Following the demise of The Spider, The Boy takes her to church, where he prays, and after many hours she is restored to health.

Dir: Noel M. Smith

Of course the very charming daughter of a very lady-like mother simply had to have two sweethearts. These two lovers naturally vied with each other to gain the "edge" on the fair damsel's affections and on a big occasion- the afternoon of a select tea party being given at her mothers home, they both arrive with rival bouquets. The very next drink the lady-like mother takes certainly proves to be something of an eye-opener, for she is not slow to show the effects. Sitting beside her is an intellectual guest who is always inclined to discuss weighty subjects He too imbibes unwisely. After which he is prone to argue and the lady-Slice mother being Irish and naturally adverse to taking insults, soon becomes involved in a veritable altercation with her guest. She expresses the opinion that the world needs a new Moses- one who can crack a rock and bring forth wine instead, of water. The intellectual guest takes issue with her insisting that what the world needs most of all is a new St. Patrick to keep out the new species of snakes known as Hooch snakes. This is the last straw, for the thoroughly irate lady-like mother and she hurls a defi which inspires the intellectual to invite her to remove her eyeglasses. The battle-royal which follows is funnier than it is dangerous but it assumes more threatening aspects, when the mere, little, husband commits the grievous error of undertaking to separate the gladiators. Whereupon his more portly wife turns all her wrath upon him. The couple seem unable to reach conclusions in the usual manner of fistic war-fare and so boxing gloves are brought. The husband gets a very severe drubbing and the revengeful intellectual comes to his rescue by inserting a "tender" iron horse-shoe into one Of the gloves, giving him the necessary "kick". Thus are the tables turned against the woman in the fight.

Dir: Dallas M. Fitzgerald

Confidence artist Flossie Golden attempts to fleece foolish but wealthy James Venable with a breach-of-promise suit. Venable's shrewd attorney, Richard Harding, outwits Flossie by proposing that she marry Venable and live on an allowance of $3,000 per year. Flossie is determined to get even with Harding for ruining her plans. In an attempt to con him, she poses as Innocence Page, but falls in love and marries him instead. Larry, Flossie's former accomplice, endeavors to blackmail her with her errant past, but Harding is already cognizant of the facts and Larry fails.