Visionary Picks In Alignment with the style of The Country Cousin: ...

Dir: Alan Crosland

Bank cashier Ramsey Latham is sentenced to prison for violation of the banking laws. On his way to the penitentiary, he encounters Hilary Kenyon, a young girl who speaks encouragingly to him. Later he is surprised to discover that Hilary is also a prisoner, having been found guilty of manslaughter for killing a man who attacked her. At the end of five years, they are both paroled and get married, settling down on a ranch. Two years later, they are living happily with their baby boy when Latham's old cellmate arrives and threatens to blackmail Latham for violating the parole laws, which forbid a prisoner to wed before his parole expires. Foiled in his attempt, the man reports the violation to Sheriff Milligan, who visits the ranch and becomes indignant at the idea of breaking up the home. The sheriff takes the case to the governor who grants a pardon to Latham, thus allowing the family to remain together.

Dir: Alan Crosland

A visual fragment from the archive: The thematic resonance of Kidnapped perfectly mirrors the editorial trajectory of our deep dive.

In Scotland in 1751, young David Balfour is shanghaied aboard a ship where he meets Jacobite rebel Alan Breck Stewart with whom he escapes to the Scottish Highlands, dodging the redcoats.

Dir: Alan Crosland

Nancy is a restless young girl tired of living on a plantation with her three old-maid aunts. Her life brightens when her cousin Lola visits from New York; what she doesn't know is that Lola is fleeing from a scandal that erupted when she was caught running around on her husband with her lover David. It's not long before David comes looking for her, and Nancy falls in love with him. Lola sees a way out of her problem: if she can get Nancy and David to hook up, it will take the heat off of her. Nancy's aunts, who want to get rid of her, are all for the plan, and soon Nancy and David get married. However, things don't quite work out for everyone the way they planned.

Dir: Alan Crosland

A visual fragment from the archive: The thematic resonance of Youthful Folly perfectly mirrors the editorial trajectory of our deep dive.

Alan Croft, a young aviator and a girl from a strict English background are stranded on a cannibal island when their plane crashes on the way to Australia. The natives worship them, believing them to be gods, until a native girl discovers that the pilot is mortal. Giving up hope of rescue, they marry in the sight of God, but when they are found by a search plane Alan is wounded and left for dead. Barbara is spurned by her friends and family as having sinned, but Alan returns to claim her legally.

Dir: Alan Crosland

With only a card of introduction to a music impresario, singer Margaret Brooke goes to the city to establish her career. Once there, she meets young violinist Jack Martin, who falls in love with her. The impresario introduces her to art patron Mrs. Philip Waring, whose husband offers her an apartment under the pretext that it belongs to a traveling friend. After Philip makes advances to Margaret, she realizes her naïveté, but Jack refuses to believe her story. She then appeals to the impresario for help--and he also attempts to take advantage of her. After finally persuading Jack of her innocence, he writes an opera which catapults Margaret to success, and as the curtain rings down, the two new stars on the operatic horizon announce their marriage.

Dir: Alan Crosland

A visual fragment from the archive: The thematic resonance of Sinners in Heaven perfectly mirrors the editorial trajectory of our deep dive.

A young man is tasked by the powerful Cardinal Richelieu to capture one of the cardinal's enemies but falls in love with his target's sister.

Dir: Alan Crosland

Howard Anderson, a young American tourist who finds himself somewhat bored in Constantinople, meets Hassard, a clever crook, who determines to get his money. Hassard, meanwhile, kidnaps Mary, the daughter of wealthy American John Talbot, who is studying Byzantine ruins, and holds her for ransom. Hassard detains Anderson to show him the local slave market, where Anderson sees Mary Talbot (who has been told that her father will die if she fails to play her part). To prevent her sale to a lecherous Turk, Anderson buys her; and following his discovery of the frame-up, there is a fight and he escapes with Mary. Anderson, however, is knocked senseless by one of Talbot's employees who mistake him for one of the kidnappers. Later, meeting Mary in a Fifth Avenue traffic jam, Anderson claims her as his own.

Dir: Alan Crosland

A visual fragment from the archive: The thematic resonance of Greater Than Fame perfectly mirrors the editorial trajectory of our deep dive.

A wealthy young American, bred to class distinction and racial intolerance, enters First World War. In the course of his experiences in the trenches and being wounded, he comes to a recognition of the equality and brotherhood of men.

Dir: Alan Crosland

Wanting to impress the beautiful Bella Cavallo, whose stepfather Ferris forces her to act as a decoy in his Tenderloin gambling establishment, Richard Brettner commits a minor robbery. Judge Reverton pardons the love-struck young man but regrets his decision when Richard is arrested for murder. Through his physician, Dr. Comyns, the judge meets Bella and soon makes her his wife. The doctor, however, tells Reverton about Bella's profession, thereby causing him to distrust his new wife. Reverton returns home to find Bella planning a night meeting with Arthur Hallam, the murdered man's nephew. Expecting the worst, the judge soon realizes that Bella plotted only to beguile Arthur into a confession that he, and not Richard, committed the murder. Richard is released and the married couple is reunited.

Dir: Alan Crosland

A young aristocrat strikes up an affair with a mysterious woman for three weeks.