Top-Tier Alternatives Exploring the Legacy of The Dark Angel: Cult ...

Dir: Edgar Jones

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

Dir: Sidney Franklin

Distraught young Ann Carter is saved from committing suicide by Hayden Masters, but he turns out to be a vicious criminal who wants to make her his partner-in-crime. Fearful of what might happen to her if she doesn't marry him as he asked, she accepts, but on their wedding night he is arrested for burglary and thrown into prison. Broke and alone, Ann gets a job as a secretary to a wealthy executive, whose son Donald falls for her. When she hears that Masters has been killed in a failed prison escape attempt, she accepts Donald's proposal--then Masters shows up, very much alive.

A visual fragment from the archive: The thematic resonance of The Bride of Fear perfectly mirrors the editorial trajectory of our deep dive.

Dir: Edward LeSaint

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.

Dir: Bruno Ziener

A fascinating piece of cinema that shares thematic elements.

A visual fragment from the archive: The thematic resonance of A Sister to Salome perfectly mirrors the editorial trajectory of our deep dive.

Dir: William Parke

Bruce Wendell, the son of West Virginia coal mine owner James Wendell, graduates from West Point and prepares to lead a fighting unit to the front during World War I. As his father lies dying, however, he convinces Bruce to remain at home and guard the mine. Bruce's fiancée Ann Blair assumes that he is a coward and breaks off their engagement, but her brother Bobbie remains Bruce's loyal friend. Meyer, a German agent, persuades railroad president Parrish to refuse to transport Wendell's coal, but when Bruce adamantly refuses to close the mine, the spy's men decide to blow it up. While Ann is being abducted by Meyer, Bobbie is buried in an explosion at the mine. Bruce rescues Bobbie and then sends a plea to Lieutenant Parrish to rescue Ann. Meyer and his gang are captured and Ann renews her vow of love to Bruce.

Dir: Harley Knoles

Jim McDonald, the foreman of a shipbuilding plant and head of the labor union, strives to combat the anarchistic propaganda being put forth by Klimoff, the leader of a Bolshevik gang whose goal is to disrupt the country with strikes and anarchy. Despite McDonald's efforts, a strike is called, resulting in chaos. McDonald's child is knocked down by runaway horses abandoned by their striking driver, and dies. Mob scenes take place in America, as well as in Russia. Eventually, the unrest is quelled with an armistice called between Capital and Labor for a year, during which time wages are to be increased to reflect the cost of living, and leaders are to work out a common plan for their mutual advantage. The strikers now realize that they have been pawns of the Bolsheviks and call off the strike, agreeing to the plan.

A visual fragment from the archive: The thematic resonance of Eva, wo bist du? perfectly mirrors the editorial trajectory of our deep dive.

Dir: Sidney Franklin

Puck is a music-hall dancer married to an abusive husband. One night the music hall catches fire. Puck is rescued by an Army officer and her husband perishes. Puck marries the officer and they begin a new life in India, until a man from her past finds her and makes demands.

Dir: Sidney Franklin

Susan Allenby's (Enid Markey) father is killed during a robbery staged by Bannack's corrupt sheriff Tom Slade and his men, leaving her to care for her eight brothers and sisters. Andy Crawford and his father William take the orphans in, but after Andy's father is killed, the young prospector vows to avenge his death and clean up the town. Learning that Slade's deputy, Ned Skinner, is his father's murderer, Andy orders his arrest, but Slade ignores Andy, who finally kills Skinner in a duel. While Andy's vigilante committee is searching for the outlaws who held up the stage, Slade imprisons Susan in the saloon. Informed of the kidnapping by the children, Andy returns and rescues her, killing Slade in the process. The appreciative townspeople then name Andy the new sheriff, and Susan happily agrees to become his wife.

A visual fragment from the archive: The thematic resonance of The Key to Power perfectly mirrors the editorial trajectory of our deep dive.

Dir: Sidney Franklin

Josephine, a seemingly happily married mother, comforts her friend who has just found out that her husband is cheating on her with her own story: raised in an infamous dive and taught to steal money from her customers, one night she meets a well-known novelist and his wife who are "slumming" and who give her a sum of money in order for her to leave her surroundings, but her guardian takes it from her. She is eventually sent to a reformatory but escapes and finds the novelist, now divorced. She determines to once and for all escape the life she's in and offers herself to the novelist in exchange for a promise of marriage. Complications ensue. When the place is raided, Jo is sent to a reformatory, but she later escapes. So that she will not have to return to the reformatory, Harrison marries her "in name only," with the idea that after a few months they will divorce. When Nina, now unhappily married, starts pursuing Harrison, his friend Huntley McMerton helps Jo make Harrison jealous, whereupon he declares his love. Jo suggests that her friend should act similarly.

Dir: Dallas M. Fitzgerald

Confidence artist Flossie Golden attempts to fleece foolish but wealthy James Venable with a breach-of-promise suit. Venable's shrewd attorney, Richard Harding, outwits Flossie by proposing that she marry Venable and live on an allowance of $3,000 per year. Flossie is determined to get even with Harding for ruining her plans. In an attempt to con him, she poses as Innocence Page, but falls in love and marries him instead. Larry, Flossie's former accomplice, endeavors to blackmail her with her errant past, but Harding is already cognizant of the facts and Larry fails.