Recommendations
Senior Film Conservator

The evocative power of The Dear Departed (1920) continues to haunt audiences with its artistic bravery, the artistic provocations of The Dear Departed demand a follow-up of equal intensity. Explore the following titles to broaden your appreciation for Comedy excellence.
The visceral impact of The Dear Departed (1920) stems from to transcend the limitations of its 1920 budget and technology.
Snub's creditors are so insistent that he decides to end it all and let his wife collect the insurance.
The influence of Charley Chase in The Dear Departed can be felt in the way modern Comedy films handle artistic bravery. From the specific lighting choices to the pacing, this 1920 release set a high bar for atmospheric immersion.
Based on the unique artistic bravery of The Dear Departed, our vault has identified these titles as the most compelling follow-up experiences for fans of Comedy cinema:
Dir: Richard Smith
Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.
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Dir: Charley Chase
Two hotel bell hops get into all kinds of shenanigans between dames, baths and bags of loot.
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Dir: Charley Chase
A fascinating piece of cinema that shares thematic elements.
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Dir: Charley Chase
Misadventures of a traveling company of actors performing for one night in a small town. When the troupe's leading lady deserts the show for a better paying job as a waitress, a young woman from the town gets the role for one night.
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Dir: Charley Chase
Charlie (West) stays at a seaside lodging house frequented by sailors. He gets involved with a gang of crooks when a sea captain attempts to kidnap his landlady's daughter.
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Dir: Lloyd Ingraham
While walking along the street one day, Arthur P. Hampton, an impoverished young doctor, and his chums, Stub Masters and Johnny Stokes, are persuaded to part with their last remaining funds by tag day solicitor Mary Jane Smith, with whom the doctor promptly falls in love. Doc's friends then hit upon a get-rich-quick scheme. Knowing that his Uncle George has promised a large sum of money upon his nephew's marriage, they persuade Doc to send out fake wedding invitations naming Mary Jane as the blushing bride. Uncle George, elated at the good news, writes to Mary Jane's aunt, Angelica Burns, an old sweetheart, to invite Mary Jane and Angelica to be his guests on an ocean voyage. Meanwhile, Mary Jane pays a visit to the doctor's office and, upon seeing the wedding invitations, becomes so flustered that she trips and sprains her ankle. Doc comes to her rescue and then begs her to pose as his wife. She agrees, but at ship-side, Stub and Johnnie confess all to Uncle George, who flies into a rage until Doc announces that he and Mary Jane have chosen a wedding at sea.
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Dir: Charley Chase
Two men on their way home from the club, fall asleep on the curb, considerably the worse for liquor. They dream that they have gone to a land where there are no wives and finally they meet with a bunch of Indians, who lead them a merry chase, from which they awaken to the realities of life when a policeman shakes them.
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Dir: Charley Chase
A fascinating piece of cinema that shares thematic elements.
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Dir: Charley Chase
Billy is mistaken for a dangerous Bolshevik, and thrown into jail.
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Dir: Unknown Director
The Judge needs a present for his wife's birthday, so Harry suggests a new corset. They go to the shop, but he's so embarrassed to ask the saleslady he hides in a phone booth.Harry goes in, but finds a GUY wearing one, and runs out.They both dress as women to get back in, but Mrs. Rummy gets there and chases him out.
View DetailsAnalysis relative to The Dear Departed
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| Lunatics in Politics | Ethereal | Dense | 97% Match |
| Hop to It, Bellhop | Surreal | Abstract | 86% Match |
| Her Tender Feet | Gritty | Linear | 93% Match |
| One Night Only | Gothic | Abstract | 86% Match |
| Ship Ahoy | Surreal | Dense | 88% Match |
This guide was algorithmically generated using the cinematic metadata of Charley Chase's archive. Last updated: 6/27/2026.
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