The Definitive Watchlist Seeking the Same Brilliance as The Declara...

Dir: Kenneth S. Webb

A fascinating piece of cinema that shares thematic elements.

Dir: Robert N. Bradbury

A visual fragment from the archive: The thematic resonance of Into the Light perfectly mirrors the editorial trajectory of our deep dive.

A simple country girl, brutally mistreated by her stepfather, awakens first the sympathy, then the love, of The Boy. The Spider, who lusts after The Girl, makes a bargain with the stepfather and takes her to the city where, kept prisoner, she is soon broken in health and spirit. Cast out and near death, she is taken in by The Boy. Following the demise of The Spider, The Boy takes her to church, where he prays, and after many hours she is restored to health.

Dir: Dallas M. Fitzgerald

Confidence artist Flossie Golden attempts to fleece foolish but wealthy James Venable with a breach-of-promise suit. Venable's shrewd attorney, Richard Harding, outwits Flossie by proposing that she marry Venable and live on an allowance of $3,000 per year. Flossie is determined to get even with Harding for ruining her plans. In an attempt to con him, she poses as Innocence Page, but falls in love and marries him instead. Larry, Flossie's former accomplice, endeavors to blackmail her with her errant past, but Harding is already cognizant of the facts and Larry fails.

Dir: William Parke

A visual fragment from the archive: The thematic resonance of Blackmail perfectly mirrors the editorial trajectory of our deep dive.

Bruce Wendell, the son of West Virginia coal mine owner James Wendell, graduates from West Point and prepares to lead a fighting unit to the front during World War I. As his father lies dying, however, he convinces Bruce to remain at home and guard the mine. Bruce's fiancée Ann Blair assumes that he is a coward and breaks off their engagement, but her brother Bobbie remains Bruce's loyal friend. Meyer, a German agent, persuades railroad president Parrish to refuse to transport Wendell's coal, but when Bruce adamantly refuses to close the mine, the spy's men decide to blow it up. While Ann is being abducted by Meyer, Bobbie is buried in an explosion at the mine. Bruce rescues Bobbie and then sends a plea to Lieutenant Parrish to rescue Ann. Meyer and his gang are captured and Ann renews her vow of love to Bruce.

Dir: Harley Knoles

Jim McDonald, the foreman of a shipbuilding plant and head of the labor union, strives to combat the anarchistic propaganda being put forth by Klimoff, the leader of a Bolshevik gang whose goal is to disrupt the country with strikes and anarchy. Despite McDonald's efforts, a strike is called, resulting in chaos. McDonald's child is knocked down by runaway horses abandoned by their striking driver, and dies. Mob scenes take place in America, as well as in Russia. Eventually, the unrest is quelled with an armistice called between Capital and Labor for a year, during which time wages are to be increased to reflect the cost of living, and leaders are to work out a common plan for their mutual advantage. The strikers now realize that they have been pawns of the Bolsheviks and call off the strike, agreeing to the plan.

Dir: Kenneth S. Webb

A visual fragment from the archive: The thematic resonance of The Key to Power perfectly mirrors the editorial trajectory of our deep dive.

Vi Playfair confesses to her twin sister Tiny that she is planning secretly to meet Lent Trevett, who loves her, to say goodbye, on the eve of her wedding. Tiny, who herself loves Lent, meets him instead and passionately kisses him, leaving Lent, who thinks that Tiny is Vi, to assume that Vi loves him. The next day, after the marriage ceremony, Lent convinces the flighty Vi that her husband Joe is a bully and that she should leave with him. Tiny sees them embrace, and to teach Vi a lesson, she impersonates her sister and goes with Joe on their honeymoon. Vi, now jealous, follows, and in turn is followed by Lent. At the honeymoon cottage, Vi proves to Joe, by a mole on her leg, that she is his wife, and promises Tiny that she will give up flirting. After Tiny convinces Lent that it was she that he kissed, the couples are happily reunited.

Dir: Kenneth S. Webb

After growing up in the West with her father, Drina Hilliard travels to New York to surprise her mother Marie, whose profitable Fifth Avenue millinery store has provided the means for Drina to go to college. Arriving while Marie is vacationing in Atlantic City, Drina discovers that Marie greatly overcharges her customers, then splits the profits with the women whose rich husbands or lovers pay. When Marie returns, she tries to get Drina to marry Colonel Lambert, an old rounder who pays the bills for a dozen women's hats, but Drina, attracted to Blair Carson, who drove bandits from their New York-bound train, refuses the colonel. After Drina sees Blair with Zelie, a showgirl the colonel has cast off, and realizes that Marie is ill and on the verge of bankruptcy, she nearly accepts the colonel's proposal, when Blair appears and confesses his love. Marie vows to run her store legitimately, and the colonel and Zelie console each other over their losses.

Dir: Kenneth S. Webb

A visual fragment from the archive: The thematic resonance of The Great Shadow perfectly mirrors the editorial trajectory of our deep dive.

Wealthy but bored Phyllis Blake and several of her like-minded friends come up with a plan to relieve their boredom--they start a business called "The Adventure Shop", which will provide its customers with thrills and excitement. Their first customer is wealthy pickle manufacturer Josephus Potts, who wants to cure his son Josephus Jr. of his addiction to thrill-seeking. Phyllis takes Junior to a gambling den and then a meeting of an anarchist organization. These have no effect on him, so they take it to the next step--introducing Junior to the city's dark underworld, with its killers, blackmailers, and other criminal types. The real adventure comes when she and Junior are kidnapped and held for $50,000 ransom--an activity that was not on the itinerary.

Dir: Bruno Ziener

A fascinating piece of cinema that shares thematic elements.

Dir: Wilfred Lucas

Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.